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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Not “What” but “Why” is Fascinating

Richard J. Clark · March 17, 2017

HE ROMAN RITE is a fascinating area of study. There are centuries upon centuries of history. There are multiple forms of the Rite, plus numerous rites that are in union with Rome. The options and variations related to the Novus Ordo alone are often a challenge to keep up with, but fascinating nonetheless.

Some people are put off by this. Some are bored to tears. I am fascinated. Why? Possibly there is something terribly wrong with me. Or, perhaps it is because the Church, in her infinite wisdom of the ages, has given us gift of the Mass which is something we can grow with during our entire lives.

It is like a great piece of music or great literature. As we mature, our understanding of the music or art grows. We gain additional insight from it. And so it is with the Mass, our greatest prayer.

Now, keeping track of all the rubrics, and the liturgical calendar, etc., etc., can be a bit much. We can handle it by being dismissive of it all, and simply say, “They don’t matter.” “There’s no point.” I don’t blame others for not finding this topic interesting. God calls us to be interested in different things.

We may learn “what” we are supposed to say, sing, wear, move, etc. during a given Mass. But what I find fascinating is the “why.”

Why are we worshiping God in the first place? God has no need of our worship, yet it is important for us to not only do so, but to center our lives around worship. Why are certain external movements or words important? God has no need for externals and expressed as much in Matthew 15. But they have something to do with the formation of what is internal, which is also impressed upon us in Matthew 15. This is fascinating.

This is an endless topic that cannot be addressed fully here. Of course it can’t. It is a beautiful pursuit of a lifetime.

Pope Benedict XVI wrote in Sacramentum Caritatis, no. 14:

The Church’s ability to ‘make’ the Eucharist is completely rooted in Christ’s self-gift to her…We too, at every celebration of the Eucharist, confess the primacy of Christ’s gift..the priority of the fact that it was Christ who loved us ‘first.’ For all eternity he remains the one who loves us first.”

Timothy P. O’Malley’s commentary on Benedict’s words are passionate:

”In this sense, our participation in the sacrifice of the Mass is a return gift of love offered to the God who made the first move of love toward us…He loves us first, and he loved us unto the end, dying upon the cross as a supreme act of love. And he still loves us, drawing us closer to his side.” (Bored Again Catholic, How the Mass Could Save Your Life, Pg. 31.)

HE MASS IS SUCH A JEWEL, that we can grow into it throughout our lives. The opportunity is simply there for the taking: if we give God all our love and devotion, offer Him our best, and return to God what He gave us first—His love.

Jesus’ love for us is a start to understanding every single “why.”

AMDG

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“It is very curious, rather barbarous, much too ornate, immeasurably less dignified than ours now, anything in the world rather than archaic or primitive.”

— Fr. Fortescue describing the “Sarum Use” in 1912

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  • “Sanctus VIII” • Organ Accompaniment
  • PDF Download • Sanctus VIII Organ Accompaniment (“Mass of the Angels”)

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