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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Not “What” but “Why” is Fascinating

Richard J. Clark · March 17, 2017

HE ROMAN RITE is a fascinating area of study. There are centuries upon centuries of history. There are multiple forms of the Rite, plus numerous rites that are in union with Rome. The options and variations related to the Novus Ordo alone are often a challenge to keep up with, but fascinating nonetheless.

Some people are put off by this. Some are bored to tears. I am fascinated. Why? Possibly there is something terribly wrong with me. Or, perhaps it is because the Church, in her infinite wisdom of the ages, has given us gift of the Mass which is something we can grow with during our entire lives.

It is like a great piece of music or great literature. As we mature, our understanding of the music or art grows. We gain additional insight from it. And so it is with the Mass, our greatest prayer.

Now, keeping track of all the rubrics, and the liturgical calendar, etc., etc., can be a bit much. We can handle it by being dismissive of it all, and simply say, “They don’t matter.” “There’s no point.” I don’t blame others for not finding this topic interesting. God calls us to be interested in different things.

We may learn “what” we are supposed to say, sing, wear, move, etc. during a given Mass. But what I find fascinating is the “why.”

Why are we worshiping God in the first place? God has no need of our worship, yet it is important for us to not only do so, but to center our lives around worship. Why are certain external movements or words important? God has no need for externals and expressed as much in Matthew 15. But they have something to do with the formation of what is internal, which is also impressed upon us in Matthew 15. This is fascinating.

This is an endless topic that cannot be addressed fully here. Of course it can’t. It is a beautiful pursuit of a lifetime.

Pope Benedict XVI wrote in Sacramentum Caritatis, no. 14:

The Church’s ability to ‘make’ the Eucharist is completely rooted in Christ’s self-gift to her…We too, at every celebration of the Eucharist, confess the primacy of Christ’s gift..the priority of the fact that it was Christ who loved us ‘first.’ For all eternity he remains the one who loves us first.”

Timothy P. O’Malley’s commentary on Benedict’s words are passionate:

”In this sense, our participation in the sacrifice of the Mass is a return gift of love offered to the God who made the first move of love toward us…He loves us first, and he loved us unto the end, dying upon the cross as a supreme act of love. And he still loves us, drawing us closer to his side.” (Bored Again Catholic, How the Mass Could Save Your Life, Pg. 31.)

HE MASS IS SUCH A JEWEL, that we can grow into it throughout our lives. The opportunity is simply there for the taking: if we give God all our love and devotion, offer Him our best, and return to God what He gave us first—His love.

Jesus’ love for us is a start to understanding every single “why.”

AMDG

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

Thus the priest-celebrant, putting on the person of Christ, alone offers sacrifice, and not the people, nor clerics, nor even priests who reverently assist. All, however, can and should take an active part in the Sacrifice. “The Christian people, though participating in the Eucharistic Sacrifice, do not thereby possess a priestly power,” We stated in the Encyclical Mediator Dei (AAS, vol 39, 1947, p. 553).

— Pope Pius XII (2 November 1954)

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  • “Equal Voices” Choir Pieces
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