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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Thoughts on Benedict

Fr. David Friel · June 4, 2017

HE LATEST edition of the liturgy magazine, Altare Dei, has just been released. This is the fourth issue of the growing publication, and it includes many fine articles and musical scores. It also features a new, more attractive format.

The twofold theme of this issue is the 100th anniversary of the Fatima apparitions and the 90th birthday of Pope Emeritus Benedict XVI. Among the excellent articles are the following contributions:

The Mysteries of Fatima (Marco Tosatti)

The Eucharist According to Edward Schillebeeckx (Givanni Cavalcoli)

Why Does the Church’s Liturgy Bore the Faithful So Much (Denis Crouan)

The Substantial Benedict (David Fagerberg)

Traditional Liturgy as Field Hospital (Roberto Spataro)

The Problem of the Sacred (Samuel Nyom)

Breaking Liturgical Bad Habits (Peter Kwasniewski)

“Tradition is Christ, Himself”: An Interview with Cardinal Raymond Leo Burke (Aurelio Porfiri)

My own article in this issue is entitled Thoughts from Benedict, and it draws upon two insights that I gleaned from St. Benedict via the life and writings of Pope Benedict XVI. Reflecting upon a quote about ars celebrandi from Pope Benedict’s 2006 address to the priests of Albano, I observe the following:

Understanding the Church’s worship as a gift that “precedes us” is an essential realization for every priest who celebrates the sacred liturgy. Understood in this way, ministry is less about interjecting personal creativity than it is about facilitating communion with God and with our fellow pilgrims. Entering into the mens and vox of the Church comes to be seen, in this light, as a step toward spiritual freedom and an act of generous humility.

As is true of each issue of Altare Dei, this latest installment features a substantial musical insert. Four pieces are included this month:

Deo Gratias (SATB and Organ) – Colin Mawby

Virgo Clemens (SATB) – Valentino Miserachs

De Maria Numquam Satis SATB – Aurelio Porfiri

O Salutaris Hostia (SA and Organ) – Aurelio Porfiri

Anyone interested in sacred music and the liturgy will find this to be a very interesting issue. It is available here, at the cost of €6.80. Download the latest issue, and see the excellent content and updated format for yourself!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Altare Dei Magazine, Aurelio Porfiri, Pope Benedict XVI, Sheet Music Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“No one can reasonably find in the dispositions of Vatican II anything out of order, or any extreme opinions or tendencies which restrict the function of sacred music exclusively to the congregational singing of the faithful or on the other hand which replace or eliminate the singing of the congregation entirely by the singing of the choir.”

— Most Rev’d Archbishop D.M.M. y Gómez, Primate of Mexico (at that time, the world’s largest archdiocese)

Recent Posts

  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”
  • Heretical Hymns
  • Alphabetizing Hymn Titles Inside Hymnals • “Does This Make Any Sense?”
  • Fulton J. Sheen • “24-Hour Catechism”

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