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Views from the Choir Loft

Summer Sacred Music Workshop 2017

Andrew Leung · June 29, 2017

CTL Summer Sacred Music Workshop 2017 ET EXCITED!!! The third annual Southeastern Summer Sacred Music Workshop is coming up! This year, the 2-day workshop will make its return to the Atlanta area. This is a great opportunity for singers, organists and clergy from the Southeastern United States to experience the traditional music of the Catholic Church.

The Workshop 2017 will be hosted by St. Brigid Catholic Church in beautiful Johns Creek, Georgia, on Friday, July 21, and Saturday, July 22. Johns Creek is a northeastern suburb of Atlanta and it ranked third on the USA TODAY list of “50 best cities to live in”. St. Brigid Parish is the spiritual home of more than 4,000 families and it is also the home of the 37-rank Casavant Frères Opus 3832 organ.

The Southeastern Sacred Music is a chapter of the Church Music Association of America. It serves as a platform for church musicians in the Southeastern region to share resources, thoughts and ideas, and to make connections with each other. The group has also been organizing annual workshops since 2015. Bridget Scott, a founding member of Southeastern Sacred Music, says that she is very excited for the upcoming workshop: “We have folks coming back year after year. I was excited to see names on the registry that also attended the very first workshop.”

As usual, there will be chant groups and polyphony ensembles, in different levels, which the participants may choose to join. There will also be breakout courses on a variety of topics of interest. One of the very special courses this year is the session on Spanish chant offered by Janet Gorbitz. Another interesting session is a presentation on organ improvisation on chant melodies given by Dr. Albert Ahlstrom, who is joining the faculty for the first time. Organists will also have the opportunity to have private lesson with Dr. Ahlstrom, and singers may study with Maria McDaniel Willathgamuwa.

The registration is now opened through July 7. There is a $75 tuition fee which covers the costs of all the materials, dinner on Friday and the luncheon on Saturday. There is a $25 late fee for registrations after July 7. Visit Southeastern Sacred Music’s website to register and for more details and full bios of the faculty members.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“It will not be Rome to tell you what you should do, no: because you have the charism. …you have the Holy Spirit for this. If Rome were to begin to make the decisions it would be a blow to the Holy Spirit, who works in the particular Churches.”

— Pope Francis (27 March 2023)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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