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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Invest in your Music Program!

Andrew Leung · February 2, 2017

CTL Music and Money OW IMPORTANT is music to the Mass? The answer is: VERY IMPORTANT! Even though music is the “handmaid of the liturgy”, it is probably one of the most important elements of the Mass. The answer and the explanations of the relationship between music and the liturgy can be found in multiple Church documents. But from a different perspective, we can also see its importance from the practice of labelling Masses based on the music: a high Mass, a Low Mass, a traditional Mass, a folk Mass, a Lifeteen Mass, etc. Music plays such an important role in the liturgical life of the Church and it is definitely worth investing in parish music programs. Financial support is necessary for developing a successful parish music program!

Obviously, there are some unavoidable costs for the music department’s budget like missals & hymnals, other music scores, musical instruments, the sound system and the choir robes. But I would like to focus especially on the paid musicians. I don’t think too many people understands what “being a church musician” means. I found that priests, financial managers and Catholic faithful don’t fully know what we, music directors, do. Hiring good musicians is the essential part of building a successful music program. Nowadays, musicians are often being looked down on. But I think good musicians deserve to be treated well and paid fairly.

So what do we actually do? What people see are usually the performances, a tip of the iceberg. What people are paying for is not only the performances, but the many years of training and practicing behind the scene. It can take over ten years for one to master an instrument and the art of music. And even for a professional musician, practices are still crucial in order to maintain high standard of music and to perfect our skills. Many musicians also spend time in developing their musicianship and further learning by joining choirs and ensembles outside of work.

As church musicians, we also dedicate our time in the preparation for each liturgies. We select music carefully every week like how a priest would prepare his homily. A good director would pick the music after reading and praying through the propers and the readings of the Mass. He also has to take into consideration the language, style and level of difficulty of the pieces, and the ability of the choir. A good parish music director would also study the documents and teachings of the Church on sacred music in order to select the appropriate and the most suitable music.

A choirmaster or church organist is usually a person who is very strong mentally. He is used to being judged by others subjectively constantly. It requires great patience and excellent communication skills in order run a parish music program with multiple choirs and ensembles. His job also requires him to stay positive and charitable when mistakes happen. It is a very extraordinary vocation.

Finally, being a church musician is a sacrifice. Most of us don’t get off on holidays. Obviously, Sundays are the busy days, and so as other solemnities. When the church office is close on a feast day, we are the ones who stick around with the clergies and serve at the Mass. And of course, Christmas and Holy Week require us to work extra hard outside of our regular office hours. We also have to be around for random parish events and special liturgies. And funerals never happen at a convenient time and they usually come suddenly with short notice. Being a church musician means that we have to keep a very flexible schedule.

BOVE IS WHAT WE DO! That is the “job description” of many church musicians. Please feel free to share my analysis with your pastors and fellow parishioners, especially those who are on the parish council and finance council. I have seen parishes losing half of its choir members overnight after cutting down the music budget. I have also seen successful programs being built from scratch when sufficient supports are given. Our Lady of the Mountains Roman Catholic Church is a good example. Their story, “There Will Be Blood” – Lessons on Introducing Good Music Into a Parish“, was actually shared on New Liturgical Movement recently.

The parish music program is like a plant. It must be watered regularly in order for the flower to bloom. Likewise, both spiritual and financial supports are essential in order for a parish music program to flourish!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

I am convinced that if the Church is to prosper in the present age, it cannot hesitate to embrace and support traditional Catholics, traditional liturgies and traditional moral values. “Do not conform yourself to this age,” St. Paul warned followers of Christ. (Rom 12:2)

— Most Rev. Thomas Tobin, Bishop of Providence (12 August 2022)

Recent Posts

  • Music List • (5th Sunday of Lent)
  • Music List • (Holy Thursday, 2026)
  • “O Escam Viatorum” • (Holy Thursday)
  • PDF Download • Simplified Keyboard Accompaniments for Lenten Hymns
  • Ending Good Friday on “Mi” … ?

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