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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Scandal and Allure of the Priesthood

Fr. David Friel · August 4, 2017

ACK IN late May, I attended the annual convocation of priests for my home presbyterate of Philadelphia. Our speaker this year was Archbishop Philip Tartaglia of Glasgow, Scotland. He gave three excellent talks, each marked by simplicity, gentleness, and insight.

The best of these presentations was the final one, in which the archbishop reflected on a mysterious duality of the priesthood. Priests in every age, he argued, are both scandalous and alluring, as a result of their unique call to holiness (or “set-apartness”).

This talk has just been published as an article in First Things. It is rather short, and I highly recommend it, especially as a reflection for priests on this feast of their patron, St. Jean-Marie Vianney.

Archbishop Tartaglia writes:

Priests are consecrated and set apart—this is fundamental to the priesthood. It means we invariably embody the scandal and the allure of the divine. Ordination consecrates a priest to a life of service. This means performing very tangible tasks, such as maintaining the parish buildings and ensuring that the parish school is well run. But that is not the core of the priestly ministry. . . . Priests are commissioned by God to handle divine things. We are custodians of the Church’s sacred liturgy and mysteries of faith. We are not the sources of divine grace. Jesus alone is the source. But like the ancient priesthood of Israel, priests are instruments of that grace, which reaches its fullness in the sacraments of the Church that Jesus Christ instituted. The world’s vision may be impaired by sin, but it’s not blind. Our secular culture can’t help but see us as odd and out-of-date, even scary—but strangely attractive. Even non-believers recognize that our job, as priests, is to stretch the umbilical cord of human nature toward the divine.

He goes on in another part of the article:

We’ve all heard the complaint that the Church should do more to meet the needs of the poor or address climate change, and worry less about liturgies and worship and spiritual realities. Fundamentally, that’s a complaint against holiness as the Church’s highest aim. And yet, the Church’s transcendent orientation fascinates our culture. Holiness offends and frightens people.

The full article is worth a few minutes’ attention.

St. Jean-Marie Vianney was a man who placed priority on holiness and prayer as the fundamentals of his pastoral plan, well ahead of parish programs and capital campaigns and motivational speakers. By holiness and prayer, he was able to bring about the conversion of his parish in Ars. Might not all parishes benefit from this pastoral plan?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“The Chasuble, or upper garment, represents the purple garment which the soldiers put upon Jesus Christ, and the heavy cross that He carried on His blessed shoulders to Mount Calvary.”

— Guide for the Laity (1875)

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