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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Is This Any Way to Pray at Mass?

Dr. Alfred Calabrese · April 27, 2017

FEW WEEKS AGO, I freaked out my daughter when I told her that I had once known someone who was born just fourteen years after the end of the Civil War. To someone in their early twenties, the Civil War might as well be the Middle Ages. Yet it was true, and that person was my great-grandmother, my father’s grandmother. I knew her for quite a while; she died at age 93, when I was eleven, so I have some vivid memories. She spoke almost no English, only Italian, and toward the end sat all day in one chair, a blanket placed over the legs that had almost completely given out. The rosary intertwined amongst her bony fingers was a constant, and every once in while you could hear her mumbling, “Ave Maria, gratia plena…”

We visited her, and my grandmother and the rest of my father’s family, who all lived in the same city in upstate New York where he grew up, mostly on Sunday afternoons, that city being only about an hour’s drive from where we lived. But sometimes we went up on a Saturday, stayed overnight and went to church where my father had been an altar boy and where my parents were married. It was a predominantly Italian immigrant town. What I remember most about that church was how beautiful it was, and the number of women there who looked like my great-grandmother. Most of them spoke no English, and their heads were veiled or they wore hats. They knelt, if I recall correctly, throughout almost the whole Mass, reciting their rosaries. And they were dressed in the finest clothes they owned.

Now some would say that these women weren’t participating in the Mass, that they were missing the meaning. They should have been doing more things, like singing, watching the Priest do his thing (this was the 60’s after all), and shaking hands with the people near them. But here is what they were doing: they were engaged in intense prayer and they possessed an innate understanding about where they were and what they were receiving. These old immigrant women grasped at a spiritual level the inherent meaning of the sacrifice of the Mass. They had entered the sacred and left the secular world behind. This is why they wore their best clothes, because they were going to the most important place they could go. When they got home, back came the aprons and simple dresses and sensible shoes, and the loud talking in Italian. But in church, it was quiet prayer.

The capacity to understand the words of the Mass literally does not equate to a correct understanding of its meaning. 1 I get upset when I hear some people, especially priests, talk disparagingly about those “old people before Vatican II who used to pray the rosary at Mass.” I knew those old people. They were good, holy people, and I’ll bet you they knew more about the real meaning of the Mass than you or I do. Why did they kneel so much? Maybe it was because, like my great-grandmother, their legs didn’t work so well after years of raising large families and being on their feet sixteen hours a day, cooking and cleaning. Or maybe because they wanted to be closer to the Lord and Our Lady. I wonder what the world would be like if more people today decided to do some real praying at Mass instead of waiting to be entertained?



NOTES FROM THIS ARTICLE:

1   By the way, these immigrant people who spoke no English understood exactly what was going on when the Mass was in Latin. It was when the Mass was suddenly said in English that they had a problem.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

Taking into account the “barrenness of the times” and the fact that Father Francisco Guerrero is scarcely able to feed his choirboys, the chapter decides (by a close vote) to give him money to buy new robes, surplices, and caps for his six young charges.

— Resolution: 14 February 1562

Recent Posts

  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)

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