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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Is This Any Way to Pray at Mass?

Dr. Alfred Calabrese · April 27, 2017

FEW WEEKS AGO, I freaked out my daughter when I told her that I had once known someone who was born just fourteen years after the end of the Civil War. To someone in their early twenties, the Civil War might as well be the Middle Ages. Yet it was true, and that person was my great-grandmother, my father’s grandmother. I knew her for quite a while; she died at age 93, when I was eleven, so I have some vivid memories. She spoke almost no English, only Italian, and toward the end sat all day in one chair, a blanket placed over the legs that had almost completely given out. The rosary intertwined amongst her bony fingers was a constant, and every once in while you could hear her mumbling, “Ave Maria, gratia plena…”

We visited her, and my grandmother and the rest of my father’s family, who all lived in the same city in upstate New York where he grew up, mostly on Sunday afternoons, that city being only about an hour’s drive from where we lived. But sometimes we went up on a Saturday, stayed overnight and went to church where my father had been an altar boy and where my parents were married. It was a predominantly Italian immigrant town. What I remember most about that church was how beautiful it was, and the number of women there who looked like my great-grandmother. Most of them spoke no English, and their heads were veiled or they wore hats. They knelt, if I recall correctly, throughout almost the whole Mass, reciting their rosaries. And they were dressed in the finest clothes they owned.

Now some would say that these women weren’t participating in the Mass, that they were missing the meaning. They should have been doing more things, like singing, watching the Priest do his thing (this was the 60’s after all), and shaking hands with the people near them. But here is what they were doing: they were engaged in intense prayer and they possessed an innate understanding about where they were and what they were receiving. These old immigrant women grasped at a spiritual level the inherent meaning of the sacrifice of the Mass. They had entered the sacred and left the secular world behind. This is why they wore their best clothes, because they were going to the most important place they could go. When they got home, back came the aprons and simple dresses and sensible shoes, and the loud talking in Italian. But in church, it was quiet prayer.

The capacity to understand the words of the Mass literally does not equate to a correct understanding of its meaning. 1 I get upset when I hear some people, especially priests, talk disparagingly about those “old people before Vatican II who used to pray the rosary at Mass.” I knew those old people. They were good, holy people, and I’ll bet you they knew more about the real meaning of the Mass than you or I do. Why did they kneel so much? Maybe it was because, like my great-grandmother, their legs didn’t work so well after years of raising large families and being on their feet sixteen hours a day, cooking and cleaning. Or maybe because they wanted to be closer to the Lord and Our Lady. I wonder what the world would be like if more people today decided to do some real praying at Mass instead of waiting to be entertained?



NOTES FROM THIS ARTICLE:

1   By the way, these immigrant people who spoke no English understood exactly what was going on when the Mass was in Latin. It was when the Mass was suddenly said in English that they had a problem.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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President’s Corner

    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Using the shoddiest, sleaziest material we have for the purpose of glorifying God is not very sound theology or even very good common sense. […] (In general, when you see a diminished seventh chord in a hymn, run.) And these chords are usually used in bad hymns in precisely the same order in which they occur in “Sweet Adeline.”

— Paul Hume (1956)

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