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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Is This Any Way to Pray at Mass?

Dr. Alfred Calabrese · April 27, 2017

FEW WEEKS AGO, I freaked out my daughter when I told her that I had once known someone who was born just fourteen years after the end of the Civil War. To someone in their early twenties, the Civil War might as well be the Middle Ages. Yet it was true, and that person was my great-grandmother, my father’s grandmother. I knew her for quite a while; she died at age 93, when I was eleven, so I have some vivid memories. She spoke almost no English, only Italian, and toward the end sat all day in one chair, a blanket placed over the legs that had almost completely given out. The rosary intertwined amongst her bony fingers was a constant, and every once in while you could hear her mumbling, “Ave Maria, gratia plena…”

We visited her, and my grandmother and the rest of my father’s family, who all lived in the same city in upstate New York where he grew up, mostly on Sunday afternoons, that city being only about an hour’s drive from where we lived. But sometimes we went up on a Saturday, stayed overnight and went to church where my father had been an altar boy and where my parents were married. It was a predominantly Italian immigrant town. What I remember most about that church was how beautiful it was, and the number of women there who looked like my great-grandmother. Most of them spoke no English, and their heads were veiled or they wore hats. They knelt, if I recall correctly, throughout almost the whole Mass, reciting their rosaries. And they were dressed in the finest clothes they owned.

Now some would say that these women weren’t participating in the Mass, that they were missing the meaning. They should have been doing more things, like singing, watching the Priest do his thing (this was the 60’s after all), and shaking hands with the people near them. But here is what they were doing: they were engaged in intense prayer and they possessed an innate understanding about where they were and what they were receiving. These old immigrant women grasped at a spiritual level the inherent meaning of the sacrifice of the Mass. They had entered the sacred and left the secular world behind. This is why they wore their best clothes, because they were going to the most important place they could go. When they got home, back came the aprons and simple dresses and sensible shoes, and the loud talking in Italian. But in church, it was quiet prayer.

The capacity to understand the words of the Mass literally does not equate to a correct understanding of its meaning. 1 I get upset when I hear some people, especially priests, talk disparagingly about those “old people before Vatican II who used to pray the rosary at Mass.” I knew those old people. They were good, holy people, and I’ll bet you they knew more about the real meaning of the Mass than you or I do. Why did they kneel so much? Maybe it was because, like my great-grandmother, their legs didn’t work so well after years of raising large families and being on their feet sixteen hours a day, cooking and cleaning. Or maybe because they wanted to be closer to the Lord and Our Lady. I wonder what the world would be like if more people today decided to do some real praying at Mass instead of waiting to be entertained?



NOTES FROM THIS ARTICLE:

1   By the way, these immigrant people who spoke no English understood exactly what was going on when the Mass was in Latin. It was when the Mass was suddenly said in English that they had a problem.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

Agnes De Mille: “When I see my work, I take for granted what other people value in it. I see only its ineptitude, inorganic flaws, and crudities. I am not pleased or satisfied.” — Martha Graham: “No artist is pleased.” ADM: “But then there is no satisfaction?” — MG: “No satisfaction whatever at any time,” she cried out passionately. “There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.”

— “Martha Graham on the Life-Force of Creativity”

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