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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Hysteria Over CDW Appointments?

Jeff Ostrowski · November 8, 2016

OPE FRANCIS recently made appointments to the Congregation for Divine Worship and the Discipline of the Sacraments. I have something to say regarding the hysteria that has accompanied this news. In the past, I’ve made it clear that our job is not to expose the sensationalism that routinely passes for “internet journalism”—but every rule has an exception, right?

Before I address the CDW issue, I must describe two common myths. One is regarding the Extraordinary Form; the other has to do with the Ordinary Form.

The internet harbors a fair amount of self-proclaimed “experts” (frequently too cowardly to reveal their real names) who promote myths about the Traditional Latin Mass. One myth will end today. It pretends the Extraordinary Form is basically defined by SILENCE, whereas the Ordinary Form “never has any silence.” Nothing could be further from the truth.

The High Mass, which is considered ideal and normative, has less than 0.08% silence. Singing or speaking occurs almost without interruption. A few moments of silence occur at the Elevation (before the polyphonic BENEDICTUS & HOSANNA), and a few moments before the AGNUS DEI, but that’s basically it. Consider how High Mass begins:

The bell is rung.|
Then, immediately, the Processional is sung/played.|
Then, immediately, the Asperges is intoned and sung.|
Then, immediately, the dialogue after the Asperges is sung.|
Then, immediately, the Introit is sung.|
Then, immediately, the KYRIE is sung.|
Then, immediately, the GLORIA is intoned and sung.|
Then, immediately, the Collect is sung.|
Then, immediately, the Epistle is sung.|
Then, immediately, the Gradual & Alleluia are sung.|
Then, immediately, the Gospel is sung.|
Then, immediately, the organist plays until the priest begins the Homily.|
And so forth until the end of Mass.

The Low Mass—if it’s not “dialogue” and no hymns are sung—does contain long periods of silence. Silent Low Masses are powerful, spiritual, and precious. They should never be denigrated. But Low Mass has never been considered the ideal for Sundays or feast days, and that’s when most Catholics attend Mass. At FSSP.la, we’ve never had a Low Mass on Sunday. That’s why I hate seeing articles about the “powerful silence” of the Solemn Traditional Mass.

Something we hear constantly about the Ordinary Form is that it has “so many options, while the EF never gives the priest options.” That is actually a myth. While it’s true the Ordinary Form has a zillion options theoretically, the reality is—for fifty long years—most of these options have remained unused. That’s because once a publisher chooses an option, everyone just accepts what is printed.

Therefore, we have de facto UNIFORMITY in the Ordinary Form; not because it was designed that way, but because the publishers favor certain options and people believe anything else is “wrong.” Publishers are supposed to include all valid options, but they don’t—and they’ve never been disciplined for this. Moreover, publishers for decades have included hundreds of texts that are not approved—yet nobody has forced them to stop. 1

By the way, contrary to what you may have been told, the Traditional Mass had options as well.

677 Malcolm Ranjith ITH REGARD to recent CDW appointments, what are we to make of the hysteria? What are we to make of the excessive commentary emanating from sensationalist blogs written by people who claim to be Vaticanisti? What are we to make of reports which fail to mention that Cardinal Sarah was not removed, even though we’ve seen Pope Francis remove cardinals in the past somewhat whimsically? What should we think of reports stressing how Archbishop Piero Marini—who believes Sacrosanctum Concilium didn’t go nearly far enough—was added, while failing to mention that surprisingly “traditional” bishops like Serratelli were also chosen?

Just like we saw EF and OF myths, the notion that any noteworthy change will be made to the liturgical books is total nonsense. No substantial change has been made to the official books since the early 1970s—almost fifty years ago! A new feast day has been added here and there, certainly; but nothing major. 2

By the way, some reports went beyond irresponsible speculation, printing false information. For example, the Collegeville Press blog said on 29 October that MALCOLM CARDINAL RANJITH had been removed by Pope Francis:

680 wrong about Ranjith


In fact, Cardinal Ranjith was not removed.

At the end of the day, not much has changed. God is in control of the universe, and when we die we must answer for how we served Him in this life. Publishing internet articles about “how such-and-such an appointment will be perceived” remains incredibly easy, while training actual Catholics to sing sacred music remains incredibly difficult—yet supremely rewarding.



NOTES FROM THIS ARTICLE:

1   Years ago, several well-meaning members of the CMAA forum asserted that 1974 Propers could not replace the so-called “Opening Hymn” in the Ordinary Form. I’m happy to report that when members of CCW provided documentation proving the exact opposite, the issue was put to rest. Now, if we could just convince the other 99.99% of Catholics!

2   The only possible exception I can think of would be about fifteen years ago when the Holy See completely reformed ICEL, eliminating much corruption and facilitating a more accurate English translation. But even that did not change one word of the official liturgical books, which are written in Latin.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski
    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Partly on account of these alterations, and partly because I have been unable to ascertain the authorship of many compositions—which have come to me either in manuscript or through other collections—I have thought it right to publish the volume without appending the names of writers to their works. This, however, I confess to be a defect…”

— Benjamin Hall Kennedy (1863)

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  • Easter • Would You Sing This Hymn?

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