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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Triptych on Mercy • Reflection I

Fr. David Friel · November 6, 2016

HE EXTRAORDINARY Jubilee Year of Mercy comes to a close on Sunday, November 20, 2016. This year has been an opportunity for the Church universal to reflect more deeply on what Our Lord revealed to St. Faustina is God’s greatest attribute. One significant thing that the experience of this Jubilee has revealed to me is that many people—in the Church and outside the Church—do not truly understand the meaning of Christian mercy. There is work to be done, in terms of both evangelization and catechesis.

To conclude this Year of Mercy, therefore, I am posting a trilogy of reflections, which I hope will be both spiritual and practical. Today marks the first installment, and the next two reflections will appear on the coming two Sundays.

Without any pretense that these reflections will be exhaustive, I plan to reflect on three topics: the meaning of mercy, the need for mercy, and the beauty of mercy.

My hope is that these thoughts will serve to elucidate the true nature of mercy and help to seal the graces of this Year of Mercy in those who read them.

My life story is not particularly interesting. It follows a rather predictable pattern. I was born & raised Catholic, went to school, entered the seminary, and became a parish priest. There are a few twists and turns, but nothing major.

Sometimes, to be honest, I wish I had a “better” story to tell. Why? Because, like many people, I like listening to stories about terrible sinners who reform their ways and start responding to God’s grace. It’s inspiring to hear about people who were in the grips of addiction before finding God. It’s fascinating to hear about people who left their faith or had no faith before converting to become Catholic.

My story isn’t “interesting” like those kinds of stories, where the person is caught in such an extreme situation that God has to show them incredible mercy. In reality, though, people with “exciting” stories are not the only people who have stories to tell about God’s mercy.

God’s mercy, after all, is not just about bringing wild sinners back from their errant ways. In fact, God’s mercy is just as vibrant in my story as it is in even the wildest story of a sinner come home. How so?

It was the mercy of God by which I was born healthy.

It was by God’s mercy that I have a good family.

It was by God’s mercy that I received a good education.

It was by God’s mercy that I was called to the priesthood.

It is by God’s mercy that I woke up this morning.

It is by God’s mercy that I have a place to live and food to eat and money to spend.

At every step of my life’s journey, the mercy of God has been deeply at work.

This should tell us something about the meaning of mercy. Mercy refers not only to God’s power to forgive. Mercy is broader than that.

In the Old Testament, the Hebrew word that is most often translated as “mercy” is the word hesed. Hesed could also be translated as “loving-kindness,” or even “loyalty.” It is more about kindness than strictly about forgiveness, although forgiveness is certainly part of God’s extraordinary kindness. Hesed is not a mood; it is not a feeling; it is a deep disposition of the heart. This type of loving-kindness is an essential part of Who God is—indeed, it is His greatest attribute.

We see this usage of the word “mercy” at several points throughout the Mass. One of the most beautiful prayers we pray in every Mass is the prayer that immediately follows the Our Father, the Libera Nos, Domine. Read this very familiar prayer again:

Deliver us, Lord, we pray, from every evil, graciously grant peace in our days, that, by the help of Your mercy, we may be always free from sin.

This prayer does not envision God’s mercy simply as a corrective for our sins. Rather, this prayer recognizes that God’s mercy is also at work when we are kept free from sin. This is one of the most important reasons we should go to confession: so that God can not only forgive our sins, but also, in His mercy, preserve us from sin going forward.

Our stories—your story & my story—need not be flashy or dramatic or “interesting.” We do not have to be world-class sinners in order to experience God’s mercy. The simple fact that we exist is a testament to God’s mercy. The fact that we are breathing means that we are experiencing God’s mercy here and now.

The truly “interesting” life story is the story of one who accepts God’s merciful kindness and allows that experience to transform one’s life.

Part 1 • The Meaning of Mercy

Part 2 • The Need for Mercy

Part 3 • The Beauty of Mercy

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Dom Pothier does not belong to the dim past, as the silence which surrounds his name would lead one to believe. Only a few years separate us from the time when—growing old and heavily burdened by trials—Dom Pothier was concentrating his ever keen attention on the study of manuscripts in the Belgian place of retreat where his community had found refuge. For he was the abbot; and there can be no doubt that the cross he wore during those days was a cross of sorrow, though he bore it with a smile.”

— Dom Ermin Vitry, OSB (31-OCT-1936)

Recent Posts

  • From Sentiment to Sacrament: Reclaiming Sacred Music for the Wedding Mass
  • Pipe Organ “Answers” in Plainsong?
  • “Gregorian Chant Quiz” • 24 March 2026
  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)

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