About this blogger:
Veronica Brandt holds a Bachelor Degree in Electrical Engineering. As editor, she has produced fine publications (as well as valuable reprints) dealing with Gregorian chant, hymnody, Latin, and other subjects. These publications are distinguished on account of their tastefulness. She lives in the Blue Mountains near Sydney, Australia, with her husband Peter and five children.
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Certainly, the Second Vatican Council wished to promote greater active participation [and] fine initiatives were taken along these lines. However we cannot close our eyes to the disaster, the devastation and the schism that the modern promoters of a living liturgy caused by remodeling the Church’s liturgy according to their ideas. They forgot that the liturgical act is not just a PRAYER, but also and above all a MYSTERY in which something is accomplished for us that we cannot fully understand but that we must accept and receive in faith, love, obedience and adoring silence.
— Pope Francis' Chief Liturgist (31 March 2017)

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Gregorian chant is not all the same
published 12 November 2016 by Veronica Brandt

the selfish giant LOVE THE CHANCE TO BRING CHANT TO a wider audience. I love that the director of our parish Christmas play has asked us to sing some Gregorian chant as a way of creating a sombre, reverent mood at the death of the Selfish Giant. I’m just a bit miffed at the assumption that Gregorian chant is always a sombre category of music.

Gregorian chant covers a huge range of music, encompassing the lively processional hymn “Gloria, Laus et Honor tibi sit”, the uplifting introit for Laudate Sunday in Lent, so many soaring Alleluias, the beautiful Marian antiphons to name but a few. There are pieces for every liturgical occasion.

Of course, most recordings of chant feature all male choirs in resonant churches, which makes sense considering the ideals of liturgical music. They often sing quite slowly – a reflection of the acoustics of the venues, the patience of the contemplative life and awesome breath control. But you can sing it a little faster, especially with smaller people with smaller lung capacity (and attention spans).

I’m thinking of singing the offertory antiphon for the last Sundays of the year. The words are “De profundis” as a nod to something of a turning point in Oscar Wilde’s life ending in a death-bed conversion. Other contenders are “Ubi Caritas” or “Christus factus est” from Holy Thursday, “Absolve” or “Libera me” from the Mass for the Dead. What would you choose?