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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Terrifying “But” Of Vatican II

Jeff Ostrowski · May 16, 2016

495 Pope Paul VI IMAGE NLY FOUR BISHOPS voted against Sacrosanctum Concilium, the very first Vatican II document promulgated. All the rest of the bishops—2,147 of them!—voted in favor of this document. Our readers probably know that Vatican II said Gregorian chant must be given “pride of place” at Mass under ordinary circumstances. Yet some forget the important qualifier which follows immediately—and this “but” strikes terror in the hearts of progressive liturgists.

A false understanding has taken root regarding the use of Gregorian chant. Visit any Catholic church on Sunday and you’ll see how rare it is for plainsong to be given pride of place. Most people assume there must be a loophole in Vatican II documents saying something like, “But if you don’t want to use Gregorian chant, that’s okay.”

Let’s consider what Vatican II actually said, in article 116:

“The Church acknowledges Gregorian chant as specially suited to the Roman Liturgy: therefore, under normal circumstances, it should be given pride of place in liturgical services.  But other kinds of sacred music, especially polyphony, are by no means excluded from liturgical celebrations, so long as they accord with the spirit of the liturgical action.”

Progressive liturgists hate what comes after the “but.”

After all, it’s hard enough for them to explain away the whole “pride of place” business. They usually launch into a lecture about how “normal circumstances” never exist in real life, each situation is different, and so forth. 1 Things become worse for them when they see that awful “but,” because it mentions SACRED music, and specifically mentions POLYPHONY.

How is it that so few Ordinary Form parishes use any plainsong? How is it that so few Ordinary Form churches use polyphony? When asked, professional liturgists often reply with a false answer: “Vatican II got rid of those things.” A leading progressive liturgist even called Gregorian chant a type of WEAPON. (Click here if you think I’m kidding.)

I HAVE ALREADY WRITTEN about the incontrovertible fact of false diversity vs. true diversity. Yet, many imply that ancient things must be discarded in favor of modern things. If that’s the case, why not discard the Bible? After all, the Bible is even more ancient than Gregorian chant!

I’m not opposed to modern music. Indeed, I myself compose, and Watershed promotes many contemporary composers. It’s a question of balance. So many Ordinary Form parishes use 99% contemporary songs while ignoring what Vatican II called the “musical treasure of inestimable value, greater even than that of any other art” (§112, Sacrosanctum Concilium).



NOTES FROM THIS ARTICLE:

1   They do something similar with regard to liturgical inculturation, which Vatican II says can play a role “particularly in mission lands.” I’ll never forget one progressive liturgist exclaiming: “But if you think about it, the entire world is mission country!” In other words, let’s keep twisting the meaning of the document until it means what we want.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

It is frightful even to think there are children, victims of abortion, who will never see the light of day.

— Pope Francis (13 January 2014)

Recent Posts

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  • (Ash Wednesday) • Medieval Illumination Depicting the Distribution of Ashes
  • Music List • (1st Sunday of Lent)

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