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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Has The Church Rejected Her Inheritance?

Dr. Alfred Calabrese · March 10, 2016

“My son, you are here with me always. Everything I have is yours.” —Luke 15:31|

Prodigal HIS WAS WHAT the father of the estate said to his older son in the parable of the Prodigal Son, heard most recently this past weekend, the fourth Sunday of Lent. I’ve been thinking a lot about this parable lately, and in particular, why neither of the sons really understood what riches he had in his father’s house. Is that why the prodigal son left? Did he not realize what he had, and did he think things would be so much better elsewhere?

The father has inherited and maintained an existence that is well-ordered, successful, and respected, even coveted. The father is the caretaker of these riches, and the Prodigal Son is part of this inheritance. The rich blessings, fertile land, and beautiful adornments are his by right.

And yet, the Prodigal Son rejects all of it.

Imagine for a moment that the father and his house represent the Church. The sacraments are her wealth, and she is adorned with the richness of beautiful art, architecture, and music. The well-ordered success of the estate is akin to the Church’s time honored liturgical practices, steeped in history and tradition.

The father, clearly heartbroken by the son’s rejection, does not drastically change his house nor anything about it in an effort to lure back his son. He doesn’t rid himself of his possessions nor throw away all of his successful practices in order to join his son in the wasteful abandonment of all he knows. Rather, he remains steadfast, hoping that the son will realize what he has given up, and return to the life-giving love of the father and his house.

And yet it seems that many in the Church have not learned or understood this lesson. How many prodigal sons and daughters are still out there? Did the Church’s willingness to try to lure back her people really work? Did the abandonment of sacred tradition, of Gregorian chant, polyphony, and excellent hymnody, and of beautiful vestments and architecture, bring more people back home?

Those whose calling it is to work for the Church, those who understand what wealth really is, those who recognize the importance of beauty in the Father’s house, have a difficult task. Often they face ridicule, rejection, and heartbreak. Not an easy life. But the Gospel tells us that the prodigal children will one day return. To all of my colleagues—remain steadfast!

You are invited to experience something beautiful in Dallas,Texas this May. Please consider attending our conference on beauty and sainthood, and experience the world premiere of “A Rose in Winter” by composer Frank La Rocca. The registration fee is at an UNBELIEVABLY low price!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Perhaps he had too much sense of humour to be altogether a great man: he lacked pomposity.”

— Msgr. Ronald Knox writing about Father Adrian Fortescue

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