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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Colloquium 2016 • Day 4

Fr. David Friel · June 24, 2016

T WAS a privilege for me to be the main celebrant of the Colloquium Mass on Wednesday morning, and I would like to reflect a bit on the experience.

The Mass was celebrated in the Ordinary Form with a mixture of Latin and English elements. The liturgical celebration was the Memorial of Saints John Fisher & Thomas More, Martyrs. The church was the Shrine of St. Joseph in the Columbus Square neighborhood of St. Louis. Originally founded in 1843 by the Jesuits, the church is impressive in its design. Particularly notable is the woodwork in the sanctuary and sacristies.

Because of what transpires sacramentally, every Mass is beautiful. Not every Mass, however, is adorned with the same degree of beautiful elements. It was a joy for me, as a priest, to offer this particular Mass, adorned as it was by such beauty in the music, vestments, and architecture of the place.

It is my custom, at Sunday Masses in my parish, to chant the orations and most of the dialogues, so doing so on Wednesday was natural. Rarely, however, are the responses of the people so strong as they were from the Colloquium participants. Celebrating Mass in the presence of so many music directors and choristers is a rare joy. The chanting of the readings is one special addition that elevates the Colloquium liturgies each year beyond what most parish liturgies offer.

One of the things I enjoyed most about celebrating this Mass was the beautiful singing of the Kyrie, the Gloria, and the gradual. Both the Kyrie and the Gloria were plainsong (Mass IV, I believe), and the liveliness and sweetness of the singing was truly uplifting. The gradual, so expertly sung, gracefully fulfilled its purpose of fostering meditation on the Word of God. I felt more recollected during these portions of the Mass than I often do.

Rarely do I begin Mass, either on Sundays or on weekdays, without first having read the readings. Wednesday’s Mass was a rare exception. Why? The celebrants of the Colloquium liturgies are expected to give a short sermon (a “fervorino”). When I saw the Introit chant (Multae tribulatiónes justórum) printed in the Colloquium music book, I knew at that moment what direction I would go with the homily, and so I found it unnecessary to ask what the readings would be. Sacrosanctum Concilium, after all, specifically calls for preaching to “draw its content mainly from Scriptural and liturgical” sources (SC 35, emphasis added). It was delightful, then, to discover that the (beautifully chanted) readings resonated very well with the message of the Introit and the message that I tried to convey in the sermon.

This Mass provided a welcome respite from the optional practice of daily intercessions. I have written about this tiresome practice before. When the Roman Canon is offered, all the traditional categories for general intercessions are well covered, thus making the bidding prayers superfluous.

The offertory was particularly beautiful, with its focus toward the magnificent high altar, the use of incense, and the complement of quality music. As the motet Sacerdotes offerunt was sung, my thoughts were focused on the task at hand. I was also reminded of the lives of the two saints being celebrated, whose self-offerings are exemplary models of ministerial priesthood and the priesthood of the lay faithful.

Distributing Holy Communion is a humbling act for every priest. It is so much more than a perfunctory task (as I recently reflected). In the Extraordinary Form, the priest actually vocalizes a prayer for each individual who comes forward to receive from him. In the Ordinary Form, although there is no such prescription, I make a private prayer for each person as he or she receives. At the Colloquium Masses, as in the Masses I celebrate in parishes and other places, the genuine devotion of the people is inspiring for priests. Surely we have all experienced exceptions to this, but just as surely, during the Communion Rite at Wednesday’s Mass, the people were able to lead me (and I presume one another) more deeply into the sacred mysteries.

This will conclude my series of reflections on Colloquium XXVI in St. Louis. Pastoral duties required me to leave a bit early, so I will not have reflections to offer about Friday or Saturday. I am grateful for the chance to spend time with Colloquium friends, as well as the opportunity to make new ones.

With gratitude to the CMAA board and all the organizers of the annual Colloquium, I hope to join everyone again next year!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Church Music Association of America CMAA, Sacred Music Colloquium Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

Agnes De Mille: “When I see my work, I take for granted what other people value in it. I see only its ineptitude, inorganic flaws, and crudities. I am not pleased or satisfied.” — Martha Graham: “No artist is pleased.” ADM: “But then there is no satisfaction?” — MG: “No satisfaction whatever at any time,” she cried out passionately. “There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.”

— “Martha Graham on the Life-Force of Creativity”

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