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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Colloquium 2016 • Day 4

Fr. David Friel · June 24, 2016

T WAS a privilege for me to be the main celebrant of the Colloquium Mass on Wednesday morning, and I would like to reflect a bit on the experience.

The Mass was celebrated in the Ordinary Form with a mixture of Latin and English elements. The liturgical celebration was the Memorial of Saints John Fisher & Thomas More, Martyrs. The church was the Shrine of St. Joseph in the Columbus Square neighborhood of St. Louis. Originally founded in 1843 by the Jesuits, the church is impressive in its design. Particularly notable is the woodwork in the sanctuary and sacristies.

Because of what transpires sacramentally, every Mass is beautiful. Not every Mass, however, is adorned with the same degree of beautiful elements. It was a joy for me, as a priest, to offer this particular Mass, adorned as it was by such beauty in the music, vestments, and architecture of the place.

It is my custom, at Sunday Masses in my parish, to chant the orations and most of the dialogues, so doing so on Wednesday was natural. Rarely, however, are the responses of the people so strong as they were from the Colloquium participants. Celebrating Mass in the presence of so many music directors and choristers is a rare joy. The chanting of the readings is one special addition that elevates the Colloquium liturgies each year beyond what most parish liturgies offer.

One of the things I enjoyed most about celebrating this Mass was the beautiful singing of the Kyrie, the Gloria, and the gradual. Both the Kyrie and the Gloria were plainsong (Mass IV, I believe), and the liveliness and sweetness of the singing was truly uplifting. The gradual, so expertly sung, gracefully fulfilled its purpose of fostering meditation on the Word of God. I felt more recollected during these portions of the Mass than I often do.

Rarely do I begin Mass, either on Sundays or on weekdays, without first having read the readings. Wednesday’s Mass was a rare exception. Why? The celebrants of the Colloquium liturgies are expected to give a short sermon (a “fervorino”). When I saw the Introit chant (Multae tribulatiónes justórum) printed in the Colloquium music book, I knew at that moment what direction I would go with the homily, and so I found it unnecessary to ask what the readings would be. Sacrosanctum Concilium, after all, specifically calls for preaching to “draw its content mainly from Scriptural and liturgical” sources (SC 35, emphasis added). It was delightful, then, to discover that the (beautifully chanted) readings resonated very well with the message of the Introit and the message that I tried to convey in the sermon.

This Mass provided a welcome respite from the optional practice of daily intercessions. I have written about this tiresome practice before. When the Roman Canon is offered, all the traditional categories for general intercessions are well covered, thus making the bidding prayers superfluous.

The offertory was particularly beautiful, with its focus toward the magnificent high altar, the use of incense, and the complement of quality music. As the motet Sacerdotes offerunt was sung, my thoughts were focused on the task at hand. I was also reminded of the lives of the two saints being celebrated, whose self-offerings are exemplary models of ministerial priesthood and the priesthood of the lay faithful.

Distributing Holy Communion is a humbling act for every priest. It is so much more than a perfunctory task (as I recently reflected). In the Extraordinary Form, the priest actually vocalizes a prayer for each individual who comes forward to receive from him. In the Ordinary Form, although there is no such prescription, I make a private prayer for each person as he or she receives. At the Colloquium Masses, as in the Masses I celebrate in parishes and other places, the genuine devotion of the people is inspiring for priests. Surely we have all experienced exceptions to this, but just as surely, during the Communion Rite at Wednesday’s Mass, the people were able to lead me (and I presume one another) more deeply into the sacred mysteries.

This will conclude my series of reflections on Colloquium XXVI in St. Louis. Pastoral duties required me to leave a bit early, so I will not have reflections to offer about Friday or Saturday. I am grateful for the chance to spend time with Colloquium friends, as well as the opportunity to make new ones.

With gratitude to the CMAA board and all the organizers of the annual Colloquium, I hope to join everyone again next year!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Church Music Association of America CMAA, Sacred Music Colloquium Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

“It is true that I have a preference for those who are discarded,” said Francis, for he is a humble man and would be the first to admit it.

— Tim Stanley, writing for “The Telegraph” on 13 March 2023

Recent Posts

  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026

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