• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Colloquium 2016 • Day 4

Fr. David Friel · June 24, 2016

T WAS a privilege for me to be the main celebrant of the Colloquium Mass on Wednesday morning, and I would like to reflect a bit on the experience.

The Mass was celebrated in the Ordinary Form with a mixture of Latin and English elements. The liturgical celebration was the Memorial of Saints John Fisher & Thomas More, Martyrs. The church was the Shrine of St. Joseph in the Columbus Square neighborhood of St. Louis. Originally founded in 1843 by the Jesuits, the church is impressive in its design. Particularly notable is the woodwork in the sanctuary and sacristies.

Because of what transpires sacramentally, every Mass is beautiful. Not every Mass, however, is adorned with the same degree of beautiful elements. It was a joy for me, as a priest, to offer this particular Mass, adorned as it was by such beauty in the music, vestments, and architecture of the place.

It is my custom, at Sunday Masses in my parish, to chant the orations and most of the dialogues, so doing so on Wednesday was natural. Rarely, however, are the responses of the people so strong as they were from the Colloquium participants. Celebrating Mass in the presence of so many music directors and choristers is a rare joy. The chanting of the readings is one special addition that elevates the Colloquium liturgies each year beyond what most parish liturgies offer.

One of the things I enjoyed most about celebrating this Mass was the beautiful singing of the Kyrie, the Gloria, and the gradual. Both the Kyrie and the Gloria were plainsong (Mass IV, I believe), and the liveliness and sweetness of the singing was truly uplifting. The gradual, so expertly sung, gracefully fulfilled its purpose of fostering meditation on the Word of God. I felt more recollected during these portions of the Mass than I often do.

Rarely do I begin Mass, either on Sundays or on weekdays, without first having read the readings. Wednesday’s Mass was a rare exception. Why? The celebrants of the Colloquium liturgies are expected to give a short sermon (a “fervorino”). When I saw the Introit chant (Multae tribulatiónes justórum) printed in the Colloquium music book, I knew at that moment what direction I would go with the homily, and so I found it unnecessary to ask what the readings would be. Sacrosanctum Concilium, after all, specifically calls for preaching to “draw its content mainly from Scriptural and liturgical” sources (SC 35, emphasis added). It was delightful, then, to discover that the (beautifully chanted) readings resonated very well with the message of the Introit and the message that I tried to convey in the sermon.

This Mass provided a welcome respite from the optional practice of daily intercessions. I have written about this tiresome practice before. When the Roman Canon is offered, all the traditional categories for general intercessions are well covered, thus making the bidding prayers superfluous.

The offertory was particularly beautiful, with its focus toward the magnificent high altar, the use of incense, and the complement of quality music. As the motet Sacerdotes offerunt was sung, my thoughts were focused on the task at hand. I was also reminded of the lives of the two saints being celebrated, whose self-offerings are exemplary models of ministerial priesthood and the priesthood of the lay faithful.

Distributing Holy Communion is a humbling act for every priest. It is so much more than a perfunctory task (as I recently reflected). In the Extraordinary Form, the priest actually vocalizes a prayer for each individual who comes forward to receive from him. In the Ordinary Form, although there is no such prescription, I make a private prayer for each person as he or she receives. At the Colloquium Masses, as in the Masses I celebrate in parishes and other places, the genuine devotion of the people is inspiring for priests. Surely we have all experienced exceptions to this, but just as surely, during the Communion Rite at Wednesday’s Mass, the people were able to lead me (and I presume one another) more deeply into the sacred mysteries.

This will conclude my series of reflections on Colloquium XXVI in St. Louis. Pastoral duties required me to leave a bit early, so I will not have reflections to offer about Friday or Saturday. I am grateful for the chance to spend time with Colloquium friends, as well as the opportunity to make new ones.

With gratitude to the CMAA board and all the organizers of the annual Colloquium, I hope to join everyone again next year!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Church Music Association of America CMAA, Sacred Music Colloquium Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Why do we never sing “De Spiritu Sancto” (St. Athenogenes) in our churches? There are a dozen translations in English verse. Where could anyone find a better evening hymn than this, coming right down from the catacombs? Our hymnbooks know nothing of such a treasure as this, and give us pages of poor sentiment in doggerel lines by some tenth-rate modern versifier.

— Rev’d Adrian Fortescue (d. 1923)

Recent Posts

  • Music List • (2nd Sunday of Lent)
  • PDF Download • “Funerals in the Ordinary Form”
  • Extreme Unction
  • Like! Like! Like!
  • Which Mass?

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.