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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Shocking Developments From Westminster

Jeff Ostrowski · July 13, 2016

326 Nichols Sarah AD ORIENTEM E ALWAYS TRY our best to avoid speculation, gossip, and “personality conflicts” on this blog—but I suppose there’s an exception for every rule. My article today is that exception, and let me remind everyone what is printed at the bottom of each article we post. 1

I have to be 100% honest here: I am shocked by the recent article in the Catholic Herald. Cardinal Nichols had been so welcoming to Cardinal Sarah, who was appointed by Pope Francis as Prefect of the Congregation for Divine Worship in 2014. To then read that Catholic Herald piece is just … well, shocking!

If Cardinal Nichols had simply sent a letter saying why he prefers “versus populum,” I believe that would have been a better choice.

But to strongly contradict one of the highlights of Cardinal Sarah’s presentation in such a way, I find … well, shocking!

CARDINAL NICHOLS DID PRECISELY the opposite of what Jorge Cardinal Medina Estévez instructed on 10 April 2000:

This Dicastery wishes to state that Holy Mass may be celebrated versus populum or versus apsidem. Both positions are in accord with liturgical law; both are to be considered correct.

It should be borne in mind that there is no preference expressed in the liturgical legislation for either position. As both positions enjoy the favor of law, the legislation may not be invoked to say that one position or the other accords more closely with the mind of the Church.

The “Dicastery” mentioned is none other than the Congregation for Divine Worship. In his capacity as CDW Prefect, Cardinal Medina led this congregation to create the 2000 (2002) GIRM, and obtained its approval by the pope. 2

Cardinal Nichols was attempting to be vigorous in following the directives of the Church with regard to the Ordinary Form. Unfortunately, he relied on a false translation, mixing up feminine & neuter, which has been explained in this article. Will Cardinal Nichols be just as vigorous when it comes to other Church directives? For example, what about the mandates of Sacrosanctum Concilium regarding Gregorian chant and Latin? (They are not phrased as suggestions.) What about the directives found in Sacramentum Caritatis and Redemptionis Sacramentum? I sincerely hope to see other letters dealing with these, because many look to the Archdiocese of Westminster for guidance.

This has already been a weird (pointless?) post on my part, so let me also toss in a cartoon which I think is cute:

330 Bus Ad Orientem




NOTES FROM THIS ARTICLE:

1   Every article posted by our contributors—printed at the very bottom—makes clear:

“Opinions expressed by blog contributors do not necessarily represent those of Corpus Christi Watershed.”

2   Essentially, Cardinal Medina was the one who added that “quod” sentence (to eliminate the destruction of altars already in existence) even though the precise words may have been suggested by someone else.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Robert Cardinal Sarah, Vincent Cardinal Nichols Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“To treat harmony and rhythm in this matter was a difficult matter. Facing numerous problems both large and small—that arose constantly—we understood that a flawless harmonization of Gregorian chant cannot be created by improvisation, no matter the competence and ability of the organist or harmonist.”

— ‘Mons. Jules Van Nuffel, NOH Preface’

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