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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Shocking Developments From Westminster

Jeff Ostrowski · July 13, 2016

326 Nichols Sarah AD ORIENTEM E ALWAYS TRY our best to avoid speculation, gossip, and “personality conflicts” on this blog—but I suppose there’s an exception for every rule. My article today is that exception, and let me remind everyone what is printed at the bottom of each article we post. 1

I have to be 100% honest here: I am shocked by the recent article in the Catholic Herald. Cardinal Nichols had been so welcoming to Cardinal Sarah, who was appointed by Pope Francis as Prefect of the Congregation for Divine Worship in 2014. To then read that Catholic Herald piece is just … well, shocking!

If Cardinal Nichols had simply sent a letter saying why he prefers “versus populum,” I believe that would have been a better choice.

But to strongly contradict one of the highlights of Cardinal Sarah’s presentation in such a way, I find … well, shocking!

CARDINAL NICHOLS DID PRECISELY the opposite of what Jorge Cardinal Medina Estévez instructed on 10 April 2000:

This Dicastery wishes to state that Holy Mass may be celebrated versus populum or versus apsidem. Both positions are in accord with liturgical law; both are to be considered correct.

It should be borne in mind that there is no preference expressed in the liturgical legislation for either position. As both positions enjoy the favor of law, the legislation may not be invoked to say that one position or the other accords more closely with the mind of the Church.

The “Dicastery” mentioned is none other than the Congregation for Divine Worship. In his capacity as CDW Prefect, Cardinal Medina led this congregation to create the 2000 (2002) GIRM, and obtained its approval by the pope. 2

Cardinal Nichols was attempting to be vigorous in following the directives of the Church with regard to the Ordinary Form. Unfortunately, he relied on a false translation, mixing up feminine & neuter, which has been explained in this article. Will Cardinal Nichols be just as vigorous when it comes to other Church directives? For example, what about the mandates of Sacrosanctum Concilium regarding Gregorian chant and Latin? (They are not phrased as suggestions.) What about the directives found in Sacramentum Caritatis and Redemptionis Sacramentum? I sincerely hope to see other letters dealing with these, because many look to the Archdiocese of Westminster for guidance.

This has already been a weird (pointless?) post on my part, so let me also toss in a cartoon which I think is cute:

330 Bus Ad Orientem




NOTES FROM THIS ARTICLE:

1   Every article posted by our contributors—printed at the very bottom—makes clear:

“Opinions expressed by blog contributors do not necessarily represent those of Corpus Christi Watershed.”

2   Essentially, Cardinal Medina was the one who added that “quod” sentence (to eliminate the destruction of altars already in existence) even though the precise words may have been suggested by someone else.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Robert Cardinal Sarah, Vincent Cardinal Nichols Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the The Ascension of the Lord—“Festum Ascensionis Domini”—which is transferred to 17 May 2026 in our diocese. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (“Ascéndit Deus in jubilatióne”) is particularly beautiful and the ENTRANCE CHANT is simply splendid. As always, readers may go directly to the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“Been to Catholic church and heard Mass. Execrable music! Organ played by a young girl who made impossible harmonies. Sermon very long. The preacher screamed loud enough to tire his lungs. The congregation was affected.”

— Louis Moreau Gottschalk (8 May 1864)

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