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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Shocking Developments From Westminster

Jeff Ostrowski · July 13, 2016

326 Nichols Sarah AD ORIENTEM E ALWAYS TRY our best to avoid speculation, gossip, and “personality conflicts” on this blog—but I suppose there’s an exception for every rule. My article today is that exception, and let me remind everyone what is printed at the bottom of each article we post. 1

I have to be 100% honest here: I am shocked by the recent article in the Catholic Herald. Cardinal Nichols had been so welcoming to Cardinal Sarah, who was appointed by Pope Francis as Prefect of the Congregation for Divine Worship in 2014. To then read that Catholic Herald piece is just … well, shocking!

If Cardinal Nichols had simply sent a letter saying why he prefers “versus populum,” I believe that would have been a better choice.

But to strongly contradict one of the highlights of Cardinal Sarah’s presentation in such a way, I find … well, shocking!

CARDINAL NICHOLS DID PRECISELY the opposite of what Jorge Cardinal Medina Estévez instructed on 10 April 2000:

This Dicastery wishes to state that Holy Mass may be celebrated versus populum or versus apsidem. Both positions are in accord with liturgical law; both are to be considered correct.

It should be borne in mind that there is no preference expressed in the liturgical legislation for either position. As both positions enjoy the favor of law, the legislation may not be invoked to say that one position or the other accords more closely with the mind of the Church.

The “Dicastery” mentioned is none other than the Congregation for Divine Worship. In his capacity as CDW Prefect, Cardinal Medina led this congregation to create the 2000 (2002) GIRM, and obtained its approval by the pope. 2

Cardinal Nichols was attempting to be vigorous in following the directives of the Church with regard to the Ordinary Form. Unfortunately, he relied on a false translation, mixing up feminine & neuter, which has been explained in this article. Will Cardinal Nichols be just as vigorous when it comes to other Church directives? For example, what about the mandates of Sacrosanctum Concilium regarding Gregorian chant and Latin? (They are not phrased as suggestions.) What about the directives found in Sacramentum Caritatis and Redemptionis Sacramentum? I sincerely hope to see other letters dealing with these, because many look to the Archdiocese of Westminster for guidance.

This has already been a weird (pointless?) post on my part, so let me also toss in a cartoon which I think is cute:

330 Bus Ad Orientem




NOTES FROM THIS ARTICLE:

1   Every article posted by our contributors—printed at the very bottom—makes clear:

“Opinions expressed by blog contributors do not necessarily represent those of Corpus Christi Watershed.”

2   Essentially, Cardinal Medina was the one who added that “quod” sentence (to eliminate the destruction of altars already in existence) even though the precise words may have been suggested by someone else.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Robert Cardinal Sarah, Vincent Cardinal Nichols Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

These prayers were not peculiar to Good Friday in the early ages (they were said on Spy Wednesday as late as the eighth century); their retention here, it is thought, was inspired by the idea that the Church should pray for all classes of men on the day that Christ died for all. Duchesne is of opinion that the “Oremus” now said in every Mass before the Offertory—which is not a prayer—remains to show where this old series of prayers was once said in all Masses.

— Catholic Encyclopedia (1909)

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