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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Vatican Has Already Responded To Cardinal Nichols Regarding “Ad Orientem”

Corpus Christi Watershed · July 11, 2016

“It should be borne in mind that there is no preference expressed in the liturgical legislation for either position. As both positions enjoy the favor of law, legislation may not be invoked to say that one position or the other accords more closely with the mind of the Church.”
—Congregation for Divine Worship (10 April 2000)


338 Pope John Paul II AD ORIENTEM 1999 Poland ODAY in the Catholic Herald, an article appeared by Madeleine Teahan about the Archbishop of Westminster. Specifically, the article says Vincent Cardinal Nichols has cited a mistranslated rubric—instead of the official Latin—to discourage his priests from celebrating Mass “ad orientem.” This is being done even though the current 2000 (2002) GIRM and Missal both presume the celebrant and people will face the same direction at certain times, while still allowing for the possibility of “versus populum” celebration.

An examination of the rubrics is necessary, during which it must be borne in mind that English relies heavily on word order, whereas Latin almost never does. On 26 September 1964, INTER ŒCUMENICI said the following in Paragraph 91:

91. Praestat ut altare maius exstruatur a pariete seiunctum, ut facile circumiri et in eo celebration versus populum peragi possit.

91. “Preferably, the main altar should be constructed freestanding, to permit walking around it and celebration facing the people.”

The 1969, Paragraph 262 of the GIRM eliminated the words “praestat ut ” but otherwise copied verbatim:

262. Altare maius exstruatur a pariete seiunctum, ut facile circumiri et in eo celebratio versus populum peragi possit.

The 2000 (2002) GIRM added several words, in an attempt stop people from damaging altars that had already been constructed:

299. Altare maius exstruatur a pariete seiunctum, ut facile circumiri et in eo celebratio versus populum peragi possit, quod expedit ubicumque possibile sit.

299. Where it is possible to do so, the main altar should be built separated from the wall. This allows for the possibility of Mass “facing the people” and also walking around the altar.

That translation is correct according to Latin scholars, who point out that the “QUOD” phrase cannot modify “celebratio versus populum” since “quod” is neuter while “celebratio” is feminine. Specifically, Dr. J. W. Hunwicke of Lansing College (Sussex, England) wrote in 2001:

QUOD clearly refers to the preceding sentence as a whole, where the crucial term is POSSIT. Throughout the GIRM, this verb is commonly used for things which are genuinely optional—as in the preceding two and following two paragraphs.

THE VATICAN HAS ALREADY RESPONDED to this controversy. Specifically, Jorge A. Cardinal Medina Estévez on 10 April 2000 (Protocol No. 564/00/L) settled the question of “ad orientem” in the 2000 (2002) Missal:

Cardinal Medina wrote as Prefect of the Vatican’s Congregation for Divine Worship, the final authority on rubrics in the current Missal, and the document was signed by CDW Secretary, Archbishop Francesco Pio Tamburrino. Moreover, the current Prefect, Robert Cardinal Sarah, made public statements on this subject.

Some, however, cite an erroneous English translation:

Incorrect Translation: The main altar should be built separated from the wall, making it possible to walk around as well as celebration “facing the people.” Celebration facing the people is desirable wherever possible.

This faulty translation contradicts a 25 September 2000 letter (Protocol No. 2036/00/L) sent by the Vatican’s Congregation for Divine Worship:

The word “expedit” does not constitute an obligation but a suggestion that refers to the construction of the altar a pariete sejunctum (“detached from the wall”) …

Other examples demonstrate Latin rubrics being translated incorrectly for official liturgical books. For example, the rubric “quando celebratur Baptisma” was translated correctly in the 1970 Lectionary but incorrectly in the 1998 edition. A more famous example was an American GIRM adaptation which so mangled the rubric it became incomprehensible.



NOTES FROM THIS ARTICLE:

Fr. Antonio Spadaro, editor La Civiltà Cattolica, recently attempted to discredit Cardinal Sarah’s statement by means of a tweet comment. He was immediately castigated on his twitter account for making reference only to where the Missal says “facing the people,” while ignoring where it says to “turn back and face the Altar.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, GIRM Paragraph 299 Last Updated: January 1, 2020

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President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“We want to say something very plainly to those whose shallow minds or unthinking passion for the new lead them to the idea that the Latin language must be totally spurned by the Latin Church. To them we say that it is absolutely clear that Latin must be held in high honor and especially for the excellent and serious reasons that we have mentioned.”

— Pope Saint Paul VI (26 April 1968)

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  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
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