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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Vatican Has Already Responded To Cardinal Nichols Regarding “Ad Orientem”

Corpus Christi Watershed · July 11, 2016

“It should be borne in mind that there is no preference expressed in the liturgical legislation for either position. As both positions enjoy the favor of law, legislation may not be invoked to say that one position or the other accords more closely with the mind of the Church.”
—Congregation for Divine Worship (10 April 2000)


338 Pope John Paul II AD ORIENTEM 1999 Poland ODAY in the Catholic Herald, an article appeared by Madeleine Teahan about the Archbishop of Westminster. Specifically, the article says Vincent Cardinal Nichols has cited a mistranslated rubric—instead of the official Latin—to discourage his priests from celebrating Mass “ad orientem.” This is being done even though the current 2000 (2002) GIRM and Missal both presume the celebrant and people will face the same direction at certain times, while still allowing for the possibility of “versus populum” celebration.

An examination of the rubrics is necessary, during which it must be borne in mind that English relies heavily on word order, whereas Latin almost never does. On 26 September 1964, INTER ŒCUMENICI said the following in Paragraph 91:

91. Praestat ut altare maius exstruatur a pariete seiunctum, ut facile circumiri et in eo celebration versus populum peragi possit.

91. “Preferably, the main altar should be constructed freestanding, to permit walking around it and celebration facing the people.”

The 1969, Paragraph 262 of the GIRM eliminated the words “praestat ut ” but otherwise copied verbatim:

262. Altare maius exstruatur a pariete seiunctum, ut facile circumiri et in eo celebratio versus populum peragi possit.

The 2000 (2002) GIRM added several words, in an attempt stop people from damaging altars that had already been constructed:

299. Altare maius exstruatur a pariete seiunctum, ut facile circumiri et in eo celebratio versus populum peragi possit, quod expedit ubicumque possibile sit.

299. Where it is possible to do so, the main altar should be built separated from the wall. This allows for the possibility of Mass “facing the people” and also walking around the altar.

That translation is correct according to Latin scholars, who point out that the “QUOD” phrase cannot modify “celebratio versus populum” since “quod” is neuter while “celebratio” is feminine. Specifically, Dr. J. W. Hunwicke of Lansing College (Sussex, England) wrote in 2001:

QUOD clearly refers to the preceding sentence as a whole, where the crucial term is POSSIT. Throughout the GIRM, this verb is commonly used for things which are genuinely optional—as in the preceding two and following two paragraphs.

THE VATICAN HAS ALREADY RESPONDED to this controversy. Specifically, Jorge A. Cardinal Medina Estévez on 10 April 2000 (Protocol No. 564/00/L) settled the question of “ad orientem” in the 2000 (2002) Missal:

Cardinal Medina wrote as Prefect of the Vatican’s Congregation for Divine Worship, the final authority on rubrics in the current Missal, and the document was signed by CDW Secretary, Archbishop Francesco Pio Tamburrino. Moreover, the current Prefect, Robert Cardinal Sarah, made public statements on this subject.

Some, however, cite an erroneous English translation:

Incorrect Translation: The main altar should be built separated from the wall, making it possible to walk around as well as celebration “facing the people.” Celebration facing the people is desirable wherever possible.

This faulty translation contradicts a 25 September 2000 letter (Protocol No. 2036/00/L) sent by the Vatican’s Congregation for Divine Worship:

The word “expedit” does not constitute an obligation but a suggestion that refers to the construction of the altar a pariete sejunctum (“detached from the wall”) …

Other examples demonstrate Latin rubrics being translated incorrectly for official liturgical books. For example, the rubric “quando celebratur Baptisma” was translated correctly in the 1970 Lectionary but incorrectly in the 1998 edition. A more famous example was an American GIRM adaptation which so mangled the rubric it became incomprehensible.



NOTES FROM THIS ARTICLE:

Fr. Antonio Spadaro, editor La Civiltà Cattolica, recently attempted to discredit Cardinal Sarah’s statement by means of a tweet comment. He was immediately castigated on his twitter account for making reference only to where the Missal says “facing the people,” while ignoring where it says to “turn back and face the Altar.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, GIRM Paragraph 299 Last Updated: January 1, 2020

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President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

Using the shoddiest, sleaziest material we have for the purpose of glorifying God is not very sound theology or even very good common sense. […] (In general, when you see a diminished seventh chord in a hymn, run.) And these chords are usually used in bad hymns in precisely the same order in which they occur in “Sweet Adeline.”

— Paul Hume (1956)

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