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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Vatican Has Already Responded To Cardinal Nichols Regarding “Ad Orientem”

Corpus Christi Watershed · July 11, 2016

“It should be borne in mind that there is no preference expressed in the liturgical legislation for either position. As both positions enjoy the favor of law, legislation may not be invoked to say that one position or the other accords more closely with the mind of the Church.”
—Congregation for Divine Worship (10 April 2000)


338 Pope John Paul II AD ORIENTEM 1999 Poland ODAY in the Catholic Herald, an article appeared by Madeleine Teahan about the Archbishop of Westminster. Specifically, the article says Vincent Cardinal Nichols has cited a mistranslated rubric—instead of the official Latin—to discourage his priests from celebrating Mass “ad orientem.” This is being done even though the current 2000 (2002) GIRM and Missal both presume the celebrant and people will face the same direction at certain times, while still allowing for the possibility of “versus populum” celebration.

An examination of the rubrics is necessary, during which it must be borne in mind that English relies heavily on word order, whereas Latin almost never does. On 26 September 1964, INTER ŒCUMENICI said the following in Paragraph 91:

91. Praestat ut altare maius exstruatur a pariete seiunctum, ut facile circumiri et in eo celebration versus populum peragi possit.

91. “Preferably, the main altar should be constructed freestanding, to permit walking around it and celebration facing the people.”

The 1969, Paragraph 262 of the GIRM eliminated the words “praestat ut ” but otherwise copied verbatim:

262. Altare maius exstruatur a pariete seiunctum, ut facile circumiri et in eo celebratio versus populum peragi possit.

The 2000 (2002) GIRM added several words, in an attempt stop people from damaging altars that had already been constructed:

299. Altare maius exstruatur a pariete seiunctum, ut facile circumiri et in eo celebratio versus populum peragi possit, quod expedit ubicumque possibile sit.

299. Where it is possible to do so, the main altar should be built separated from the wall. This allows for the possibility of Mass “facing the people” and also walking around the altar.

That translation is correct according to Latin scholars, who point out that the “QUOD” phrase cannot modify “celebratio versus populum” since “quod” is neuter while “celebratio” is feminine. Specifically, Dr. J. W. Hunwicke of Lansing College (Sussex, England) wrote in 2001:

QUOD clearly refers to the preceding sentence as a whole, where the crucial term is POSSIT. Throughout the GIRM, this verb is commonly used for things which are genuinely optional—as in the preceding two and following two paragraphs.

THE VATICAN HAS ALREADY RESPONDED to this controversy. Specifically, Jorge A. Cardinal Medina Estévez on 10 April 2000 (Protocol No. 564/00/L) settled the question of “ad orientem” in the 2000 (2002) Missal:

Cardinal Medina wrote as Prefect of the Vatican’s Congregation for Divine Worship, the final authority on rubrics in the current Missal, and the document was signed by CDW Secretary, Archbishop Francesco Pio Tamburrino. Moreover, the current Prefect, Robert Cardinal Sarah, made public statements on this subject.

Some, however, cite an erroneous English translation:

Incorrect Translation: The main altar should be built separated from the wall, making it possible to walk around as well as celebration “facing the people.” Celebration facing the people is desirable wherever possible.

This faulty translation contradicts a 25 September 2000 letter (Protocol No. 2036/00/L) sent by the Vatican’s Congregation for Divine Worship:

The word “expedit” does not constitute an obligation but a suggestion that refers to the construction of the altar a pariete sejunctum (“detached from the wall”) …

Other examples demonstrate Latin rubrics being translated incorrectly for official liturgical books. For example, the rubric “quando celebratur Baptisma” was translated correctly in the 1970 Lectionary but incorrectly in the 1998 edition. A more famous example was an American GIRM adaptation which so mangled the rubric it became incomprehensible.



NOTES FROM THIS ARTICLE:

Fr. Antonio Spadaro, editor La Civiltà Cattolica, recently attempted to discredit Cardinal Sarah’s statement by means of a tweet comment. He was immediately castigated on his twitter account for making reference only to where the Missal says “facing the people,” while ignoring where it says to “turn back and face the Altar.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, GIRM Paragraph 299 Last Updated: January 1, 2020

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President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 2nd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

The Second Plenary Council of Baltimore (Tit. VI, Cap. iii, 379) did order that Vespers be sung, and in their entirety, in all churches on Sundays and feast days and that Vespers be not omitted on account of other services. However, the Fathers of the Council inserted the clause, “quatenus fieri potest,” in consideration of practical difficulties in the carrying out of the decree.

— The American Ecclesiastical Review (Febr. 1949)

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