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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Vatican Has Already Responded To Cardinal Nichols Regarding “Ad Orientem”

Corpus Christi Watershed · July 11, 2016

“It should be borne in mind that there is no preference expressed in the liturgical legislation for either position. As both positions enjoy the favor of law, legislation may not be invoked to say that one position or the other accords more closely with the mind of the Church.”
—Congregation for Divine Worship (10 April 2000)


338 Pope John Paul II AD ORIENTEM 1999 Poland ODAY in the Catholic Herald, an article appeared by Madeleine Teahan about the Archbishop of Westminster. Specifically, the article says Vincent Cardinal Nichols has cited a mistranslated rubric—instead of the official Latin—to discourage his priests from celebrating Mass “ad orientem.” This is being done even though the current 2000 (2002) GIRM and Missal both presume the celebrant and people will face the same direction at certain times, while still allowing for the possibility of “versus populum” celebration.

An examination of the rubrics is necessary, during which it must be borne in mind that English relies heavily on word order, whereas Latin almost never does. On 26 September 1964, INTER ŒCUMENICI said the following in Paragraph 91:

91. Praestat ut altare maius exstruatur a pariete seiunctum, ut facile circumiri et in eo celebration versus populum peragi possit.

91. “Preferably, the main altar should be constructed freestanding, to permit walking around it and celebration facing the people.”

The 1969, Paragraph 262 of the GIRM eliminated the words “praestat ut ” but otherwise copied verbatim:

262. Altare maius exstruatur a pariete seiunctum, ut facile circumiri et in eo celebratio versus populum peragi possit.

The 2000 (2002) GIRM added several words, in an attempt stop people from damaging altars that had already been constructed:

299. Altare maius exstruatur a pariete seiunctum, ut facile circumiri et in eo celebratio versus populum peragi possit, quod expedit ubicumque possibile sit.

299. Where it is possible to do so, the main altar should be built separated from the wall. This allows for the possibility of Mass “facing the people” and also walking around the altar.

That translation is correct according to Latin scholars, who point out that the “QUOD” phrase cannot modify “celebratio versus populum” since “quod” is neuter while “celebratio” is feminine. Specifically, Dr. J. W. Hunwicke of Lansing College (Sussex, England) wrote in 2001:

QUOD clearly refers to the preceding sentence as a whole, where the crucial term is POSSIT. Throughout the GIRM, this verb is commonly used for things which are genuinely optional—as in the preceding two and following two paragraphs.

THE VATICAN HAS ALREADY RESPONDED to this controversy. Specifically, Jorge A. Cardinal Medina Estévez on 10 April 2000 (Protocol No. 564/00/L) settled the question of “ad orientem” in the 2000 (2002) Missal:

Cardinal Medina wrote as Prefect of the Vatican’s Congregation for Divine Worship, the final authority on rubrics in the current Missal, and the document was signed by CDW Secretary, Archbishop Francesco Pio Tamburrino. Moreover, the current Prefect, Robert Cardinal Sarah, made public statements on this subject.

Some, however, cite an erroneous English translation:

Incorrect Translation: The main altar should be built separated from the wall, making it possible to walk around as well as celebration “facing the people.” Celebration facing the people is desirable wherever possible.

This faulty translation contradicts a 25 September 2000 letter (Protocol No. 2036/00/L) sent by the Vatican’s Congregation for Divine Worship:

The word “expedit” does not constitute an obligation but a suggestion that refers to the construction of the altar a pariete sejunctum (“detached from the wall”) …

Other examples demonstrate Latin rubrics being translated incorrectly for official liturgical books. For example, the rubric “quando celebratur Baptisma” was translated correctly in the 1970 Lectionary but incorrectly in the 1998 edition. A more famous example was an American GIRM adaptation which so mangled the rubric it became incomprehensible.



NOTES FROM THIS ARTICLE:

Fr. Antonio Spadaro, editor La Civiltà Cattolica, recently attempted to discredit Cardinal Sarah’s statement by means of a tweet comment. He was immediately castigated on his twitter account for making reference only to where the Missal says “facing the people,” while ignoring where it says to “turn back and face the Altar.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, GIRM Paragraph 299 Last Updated: January 1, 2020

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President’s Corner

    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski
    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“To me nothing is so consoling, so piercing, so thrilling, so overcoming, as the Mass, said as it is among us. I could attend Masses for ever, and not be tired.”

— John Henry Cardinal Newman (1848)

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