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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sounds from the Spires • SiriusXM Radio • Jennifer Pascual

Richard J. Clark · February 26, 2016

INCE 2006, Dr. Jennifer Pascual, Director of Music for Saint Patrick’s Cathedral in New York City, has been hosting the radio program “Sounds from the Spires.” It can be heard SIRIUSXM 129 Radio, The Catholic Channel.

It was in 2006 that the Archdiocese of New York began its venture into radio programming on Sirius Satellite Radio. Jennifer Pascual was asked to host a show on sacred music. Reticent, as she had no prior radio experience, she is now a veteran in the field, and quite a natural. Anyone listening to the program can hear her easygoing voice and demeanor, putting guests at ease as they talk about sacred music.

AVING BEEN ON THE SHOW a few times, I recently joined Jennifer at the SiriusXM Studio in Midtown Manhattan. (Co-blogger Chris Mueller and his amazing compositions have also been featured on this program.) The studio is a couple of blocks from Rockefeller Center, St. Patrick’s Cathedral and across the street from Radio City Music Hall and NBC’s “Tonight Show with Jimmy Fallon.” Making the environment even more interesting, Howard Stern, who fuels most of SiriusXM Radio’s subscriptions, broadcasts down the hall from The Catholic Channel along with several other shows.

Needless to say, Jennifer Pascual and I stuck out like a sore thumb in the lobby among the others in the entertainment industry who were there that day. Jennifer doesn’t care. Her down-to-earth demeanor on the air is exactly who she is off. For someone who has played for popes and presidents, she is as unpretentious a musician as you will ever meet.

“Sounds from the Spires” can be heard at the following times:
Saturday: 1am–2am & 11:00pm-12:00am
Sunday: 6:am-7am & 8pm-9pm
(All Eastern times)
The Catholic Channel • SIRIUS XM 129

MY SIX-YEAR-OLD SON PUT ME IN MY PLACE before our interview. My daughter, who is eight, said, “Daddy is lucky because he is famous because he is being interviewed.” My son responded: “No, he’s not famous. Never, ever! Only God is famous.” This, coming from a boy who loves getting into mischief, especially if it gets a laugh from his siblings and disapproval from his parents. But here he was dead serious and spot on!

OUR RECENT INTERVIEW WILL AIR THIS WEEKEND. (2/27, 2/28) Featured on the program are the following:

• Communion Antiphons for Lent | SATB, Organ, Assembly • World Library Publications

• Variations on Misereris Omnium | Introit for Ash Wednesday • RJC Cecilia Music

• By the Rivers of Babylon | Soprano, piano, cello • RJC Cecilia Music

• Magna Opera Domini | Commissioned for the ordination of Bishop Steven Lopes. • RJC Cecilia Music

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“Every medicine does not suit every stage of sickness; because the tonic given to those who are recovering from fever would be hurtful to them if given while yet in their feverish condition. So likewise Baptism and Penance are as purgative medicines, given to take away the fever of sin; whereas this sacrament [the Sanctissimum] is a medicine given to strengthen, and it ought not to be given except to them who are quit of sin.”

— Saint Thomas Aquinas Re: the EUCHARIST

Recent Posts

  • New Bulletin Article • “21 September 2025”
  • How do you pronounce this word in Latin?
  • Cheap! Cheap! Cheap!
  • Children’s Repertoire: “3 Recommendations”
  • PDF Download • Dom Murray Harmonies

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