About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he resides with his wife and children.
Connect on Facebook:
Connect on Twitter:
“Each Mass contains the slaying of the Victim, not repeated here in the West after centuries, made once only long ago in Palestine, yet part of the sacrifice offered throughout the world each morning. All Masses are one sacrifice, including the death of the cross, continuing through all time the act of offering then begun … Every time we hear Mass we look across that gulf of time, we are again before the cross, with his mother and St. John; we offer still that victim then slain, present here under the forms of bread and wine.”
— Fr. Adrian Fortescue (d. 1923)

ABOUT US  |  OUR HEADER  |  ARCHIVE
Being Careful With Hymns
published 8 August 2016 by Jeff Ostrowski

RECENTLY PUBLISHED some reflections on Gregorian hymnody and the Latin accent. I would like to repeat that, in the final analysis, hymn construction is an art form not a science. Each individual “ear” must decide what is acceptable.

For myself, the musical emphasis on “THE shown here is bothersome:

226 The


At the same time, I realize that once we start down this road we might end up eliminating an excessive amount of hymn pairings! By the way, that page is from a book produced at Westminster, which you can download by clicking on the “Hymnal” tab at the top of the page. The relevant information is as follows:

1948 • DAILY HYMN BOOK (Westminster & Desclée) —360pg

The various entities involved in producing that book are all quite respectable.