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Views from the Choir Loft

New Resource from the Archdiocese of Boston for First Communion and Confirmation

Richard J. Clark · August 19, 2016


“Every form of catechesis would do well to attend to the ‘way of beauty.’ Proclaiming Christ means showing that to believe in and to follow him is not only something right and true, but also something beautiful, capable of filling life with new splendor and profound joy, even in the midst of difficulties. Every expression of true beauty can thus be acknowledged as a path leading to an encounter with the Lord Jesus. …So a formation in the way of beauty ought to be part of our effort to pass on the faith.” — Pope Francis (Evangelii Gaudium, 167)

HE ARCHDIOCESE OF BOSTON has recently put forth a modest, yet important musical resource for the sacraments of First Communion and Confirmation: Music for First Communion and Confirmation – A Catechetical Guide for Liturgical Celebrations. Initiated by the Most Reverend Arthur L. Kennedy, Auxiliary Bishop of Boston, and the Episcopal Vicar for the New Evangelization, this resource was a collaborative effort with the RCAB Office of Divine Worship and a number of musicians from the Archdiocese of Boston.

This resource includes free downloads of a few essential hymns and chants. It is a starting point; the list is nowhere as comprehensive as A Reference for Catholic School Masses provided by The American Federation of Pueri Cantores and the National Catholic Education Association.

For some parishes, this resource will seem quite rudimentary. However, it is designed as a starting point towards catechesis and developing a more common repertoire that embraces our “unique cultural heritage.”

One of the Joys experienced by the parish community in the work of evangelization is the handing on of the faith to the next generation. Since this always takes place within a social context, the integration of faith and culture must be considered. Just as each culture is endowed with its own common forms of human expression, so too do Catholics possess a unique cultural heritage through which the faith has been handed down through the ages. A core element of this heritage is the Church’s musical tradition, which Vatican II identifies as “a treasure of inestimable value.” This treasury is preeminent among other art forms because, “as sacred song united to the words, it forms a necessary or integral part of the solemn liturgy.” (Constitution on the Sacred Liturgy, §112)

For certain, some parishes will find embracing this resource a challenge, perhaps for reasons musical and cultural. However, the language in this document is of gentle encouragement to “incorporate” some of this music within an already existing program:

We therefore offer here a small number of essential hymns chosen for their simplicity, suitability for young voices, timeless musical value, and substantial theological content. Mindful of the power of sacred music to raise hearts and minds to a deeper participation in the sacred mysteries, we encourage you to incorporate some of them into your catechetical programs and liturgical celebrations.

UT THE MOST IMPORTANT element of this document is not the list of hymns, but the vital coupling of faith formation and sacred music. (It is notable that the RCAB lists this resource on their Faith Formation page in addition to the Office of Divine Worship page.) Music and the Roman Rite have been inseparable for well over a millennium, as they developed together. Fifty years after Vatican II, this marriage of faith and sacred music, (and hence, liturgy) remains unwavering.

It offers liturgical guidance with an economy of words, beautifully recalling the Chirograph of John Paul II on Sacred Music, (§4-6), which is in itself a summary of Pope Saint Pius X’s Tra le Sollecitudini (“Instruction on Sacred Music”) which states liturgical music must be sacred, beautiful, and universal.

Additionally, it provides catechesis along with several suggested resources for the Responsorial Psalm. These span a range of styles—but all with liturgically approved texts. Finally, it provides various resources for the Roman Missal Chants, listed as the “Official Mass Setting of the Archdiocese of Boston.” There are links to various scores, accompaniments, and practice videos.

This is all but a very humble start. Please pray that this mustard seed will help deepen our faith and enrich our prayer.

“There is, then, an indissoluble link between the liturgy and the transmission of faith. We can say, in fact, that the celebration of the liturgy is the most important act of evangelization.” — (Goeffredo Bosilli, pg. 209, The Spiritual Meaning of the Liturgy)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski
    Beginning a Men’s Schola
    I mentioned that we recently began a men’s Schola Cantorum. Last Sunday, they sang the COMMUNION ANTIPHON for the 3rd Sunday of Easter, Year C. If you’re so inclined, feel free to listen to this live recording of them. I feel like we have a great start, and we’ll get better and better as time goes on. The musical score for that COMMUNION ANTIPHON can be downloaded (completely free of charge) from the feasts website.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“…I started down the road of the liturgy, and this became a continuous process of growth into a grand reality transcending all particular individuals and generations, a reality that became an occasion for me of ever-new amazement and discovery. The incredible reality of the Catholic liturgy has accompanied me through all phases of life, and so I shall have to speak of it time and again.”

— Joseph Cardinal Ratzinger

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