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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Devil Gets in the Details

Dr. Lucas Tappan · April 26, 2016

LMT Disaster Sign AST SUNDAY, the Most Pure Heart of Mary Schola Cantorum presented its annual Spring Concert, consisting of Pergolesi’s Stabat mater and Schubert’s Mass No. 2 in G Major. It was a wonderful concert—I knew beforehand it would be because the morning couldn’t have been a greater comedy of errors.

My plan was to wake up early and make my meditation before going to the local coffee shop in order to mentally prepare for the day and spend some time with the concert music. I made sure that the only Mass I had to provide music for that morning was the usual choir Mass at 11:30 a.m., and I didn’t have to meet the choristers until 10:00 a.m. It couldn’t have been better planned. Now enter the devil.

All night long our children made sure my wife and I were on a continual adventure, which included my having to drive giant, boy eating spiders out of my oldest son’s bed as he screamed, “Daddy, don’t let them get me!” After hitting random spots on the bed and assuring him he was safe I went back to bed, but it wasn’t long before the next child woke up. I spent several hours lying uncomfortably in a twin bed with him wondering how I was ever going to get up on time. Shortly after 7:00 a.m., long after my wake up call, I dragged my body out of bed and thanked God that everyone was still asleep and that I would be able to get out of the house before the daily commotion began. Right then I heard, “Good morning Daddy!” There was our youngest son standing with a big grin on his face ready to start the day. I knew if I didn’t leave right then my morning would be shot, yet I knew that on judgment day I would wish that I had spent this time with him. So I put him in the stroller and we went for a 30 minute constitutional. It was in the upper 60s and the light played through the giant trees of our older neighborhood as we passed numerous people out on their porches drinking a cup of coffee. I tried my best to enjoy it, knowing full well that my plans were shot. I finally got out of the house, but not before everyone was awake and I had given out hugs and kisses and well wishes for the day. It was now almost 9 a.m.

I should have skipped the coffee and gone straight to church and spent some quiet time with God, but instead I rationalized that I really needed that  cup of coffee, and anyway, I would still have time to get everything done, right? Not so. When I got to church I made a short list of things I needed to do, but realized it wasn’t as short as I had thought, so I had to skip the time in the chapel and just dive in. I was so flustered I kept forgetting things and had to make several trips between buildings retrieving items. When I got back to the practice room at 10:00 I didn’t find a single chorister. Where were they? Well, there was a mix up and they didn’t realized I had already unlocked the door to the building, so they were all standing outside. As I traipsed into the building I was hit by the furnace blowing full heat everywhere, even thought it was going to be in the 80s that day (and already was inside the building).

We dove into rehearsal and things were somewhat back to normal when I grabbed for my coffee, actually a large “Death by Chocolate” cafe mocha, sitting on the piano (I know, I know, I shouldn’t have put the coffee on the piano). As I took the cup and lifted it to my mouth, the lid popped of and in my surprise I squeezed the cup and my “Death by Chocolate” attacked—everything and everywhere. It was all over my good suit, my white shirt, one of my favorite ties—the piano, piles of music, the conductor’s stand and the floor. We tried to clean it up, but all we could find were those typical brown paper towels found in public restrooms, which barely work at drying hands, much less mopping up 20 oz. of coffee (and why does 20 oz. of liquid on the floor seem more like 2 gallons?). At this point I could only laugh and thank God that I hadn’t been wearing my suit jacket, which strategically worn would cover large blotches of coffee during the concert that afternoon (you guessed it, no time to go home and change between Mass and call time).

In a similar vein, as our choir prepared for our Rome pilgrimage last fall, I struggled for a month as everything in my life seemed to go wrong and I made myself physically sick with worry. Shortly before we left I went to spiritual direction and discussed this with my director, who after some discernment told me it really sounded like the devil was attacking something he didn’t want to happen. After that moment, the attack seemed to stop and the choir had a wonderful time in Rome. The same thing happened Sunday—God was giving me a chance to simply trust Him, so I did the best I could. Happily enough, the day ended on a wonderful note and everyone was pleased with a job well done. I am sure that each of you have similar experiences all the time. Just remember to laugh, thank the Good Lord and keep your coffee off of the piano!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“The following question is asked by the Most Reverend Lord Bishop of the Diocese of Chur: May this Diocese’s ancient custom be continued of having the Celebrant in Sung Masses (excepting more solemn Masses) intone the Credo and when he is finished reciting it going on immediately to the offertory and finishing it while the credo is being sung by the choir?” (Dubium of Dec 1909)

— 11 December 1909

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