About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he resides with his wife and children.
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“As liturgical art, church music is obliged to conform to ecclesiastical law. But to construct artificial polarities here, between legalistic order and a dynamic church music, demanded by the alleged needs of the day, would be to forsake the foundation of a music rooted in liturgical experience. What is in fact the pastoral value of the shoddy, the profane, the third-rate?”
— Dr. Robert Skeris (1996)

Video Demonstration • “Do Choral Vowels Matter?”
published 8 September 2015 by Jeff Ostrowski

N MY COLLEGE YEARS, I often sang in multiple choirs during the same semester. One professor placed so much emphasis on proper “choral vowels” that choir members would get angry. I remember times when the entire rehearsal was dedicated to the vowel shape for just three chords. After one such session, malcontents approached this professor and berated him: “You spend too much time on choral sound; some of us don’t even know our correct pitches yet.” His response was: “You may be right, but I cannot stand the sound of amateur choir vowels.”   And he was right.

Amateurs sing “eee” with a big smiling faces, but the proper way is to round the lips. See and hear the difference:

Amateurs sing “ah,” but the proper way is to sing “aw” with soft palate lifted. This concept often frustrates choir members, but the middle of this video shows “Tah” vs. “Taw”:

In Saint Augustin’s Exposition on Psalm 42, he talks about those who doubt God’s existence. “Show me your god,” they demand. Saint Augustine replies: “I cannot show Him to you because you do not have eyes to see Him.” God exists, but the eyes of faith are required to see Him.

By way of analogy, choral vowels do exist, but you must possess ears to hear them. Many paths can lead you to these ears. Here’s one easy way to begin: whenever you sing “Do Re Mi” try to sing “Faw” (for Fa) and “Law” (for La). That will help you raise your soft palate, and with time your ears will hear the beautiful resonance of a lifted soft palate.