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Views from the Choir Loft

St. Joseph, Fatherhood, and Inclusive Language

Richard J. Clark · March 20, 2015

RJC_832_StJosephJesusMacManus “St. Joseph and the Child Jesus” Florida, USA (2007) Dony Mac Manus AM A MIDDLE AGED white man who has no credibility weighing in on the complex and sensitive issue of inclusive language. Working in parishes for nearly thirty years, I appreciate how important this topic is to many. The nature of language is ever changing. Awareness has changed. And then it changes again.

The USCCB has grappled over the years with many aspects of how to handle inclusive language. Various publishers have struggled, revising nearly all texts to be inclusive in the early 1990’s and in the last decade walking back many of those revisions. It is a hot-button topic I should not touch with a 100-foot pole.

But what is not at debate is the inclusive nature of the message of the Gospel. More than calling all men and women, the Gospel calls all sinners. None of us are exempt.

As Jesus spent most of his time with sinners, lowly fishermen, prostitutes, tax collectors, He in fact called them to service. Today, it is the margins of society, those disenfranchised, those most unattractive to us that that the Church must call to bring back into the fold of Christ’s love.

O, AS SOMEONE WHO CANNOT speak to the challenges of being a woman, a minority, poor, or on the margins of society, I can hopefully add some small perspective as a father.

I am daily amazed at the gift of my children. Oh, it’s the hardest thing I’ve ever done. The delightful photos we show our friends are not the picture of constant reality. Parenthood often brings a sense of desperation and even failure. But the day I became a father—a daddy—was the greatest day of my life. It’s scary, humbling, and God calls me, a man, to be a better and stronger person for the sake of my children.

Out of these experiences, I propose a different perspective upon encountering masculine pronouns in prayer and song, but especially in reference to Jesus’ relationship with God, the Father—whom He called “Abba” or “daddy”: Instead of thoughts of male privilege and entitlement, one may look more to St. Joseph, the great role model for all men and fathers—loving, humble protector, advocate, and possessor of great inner-strength, all in service to God.

Furthermore, remember that St. Joseph, like Mary his spouse, said “Yes” to God—all in less than ideal circumstances. And with Mary, he raised Jesus.

Try as we might, mere words are inadequate to express God, the Father’s love for us, his children. So are we called to love one another with a love that is beyond all telling.

You can learn more about the sacred art of Dony Mac Manus and his Sacred Art School in Firenze, Italy here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Proof Which All Can Immediately See!
    “A little knowledge is a dangerous thing,” as the famous maxim goes. Over the years, I’ve observed malicious attacks on the Brébeuf Catholic Hymnal. Rather than scoring a ‘hit’ on the Brébeuf Hymnal, its attackers often reveal profound ignorance. I’ve been advised never to reply … but I break that rule today. Certain voices online assert that the Brébeuf Hymnal is “untraditional” because it includes both the Urbanite and pre-Urbanite versions of the hymns. But if only they would glance at a copy of the 1913 VESPERALE (printed by order of Pope Saint Pius X) they would see how mistaken such statements are.
    —Jeff Ostrowski
    New Bulletin Article • “8 June 2025”
    My pastor requested that I write short articles each week for the parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article includes a few anecdotes about Archbishop Fulton J. Sheen and Abraham Lincoln.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Abbat Pothier’s great accomplishment is having returned to the Catholic world—along with the traditional melody—the traditional way of performing it. The foundations laid by this providential man have been accepted by all those who practice Gregorian chant.”

— Dr. Peter Wagner (Commissionis Pontificiæ Gregorianæ Membrum)

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