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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

St. Joseph, Fatherhood, and Inclusive Language

Richard J. Clark · March 20, 2015

RJC_832_StJosephJesusMacManus “St. Joseph and the Child Jesus” Florida, USA (2007) Dony Mac Manus AM A MIDDLE AGED white man who has no credibility weighing in on the complex and sensitive issue of inclusive language. Working in parishes for nearly thirty years, I appreciate how important this topic is to many. The nature of language is ever changing. Awareness has changed. And then it changes again.

The USCCB has grappled over the years with many aspects of how to handle inclusive language. Various publishers have struggled, revising nearly all texts to be inclusive in the early 1990’s and in the last decade walking back many of those revisions. It is a hot-button topic I should not touch with a 100-foot pole.

But what is not at debate is the inclusive nature of the message of the Gospel. More than calling all men and women, the Gospel calls all sinners. None of us are exempt.

As Jesus spent most of his time with sinners, lowly fishermen, prostitutes, tax collectors, He in fact called them to service. Today, it is the margins of society, those disenfranchised, those most unattractive to us that that the Church must call to bring back into the fold of Christ’s love.

O, AS SOMEONE WHO CANNOT speak to the challenges of being a woman, a minority, poor, or on the margins of society, I can hopefully add some small perspective as a father.

I am daily amazed at the gift of my children. Oh, it’s the hardest thing I’ve ever done. The delightful photos we show our friends are not the picture of constant reality. Parenthood often brings a sense of desperation and even failure. But the day I became a father—a daddy—was the greatest day of my life. It’s scary, humbling, and God calls me, a man, to be a better and stronger person for the sake of my children.

Out of these experiences, I propose a different perspective upon encountering masculine pronouns in prayer and song, but especially in reference to Jesus’ relationship with God, the Father—whom He called “Abba” or “daddy”: Instead of thoughts of male privilege and entitlement, one may look more to St. Joseph, the great role model for all men and fathers—loving, humble protector, advocate, and possessor of great inner-strength, all in service to God.

Furthermore, remember that St. Joseph, like Mary his spouse, said “Yes” to God—all in less than ideal circumstances. And with Mary, he raised Jesus.

Try as we might, mere words are inadequate to express God, the Father’s love for us, his children. So are we called to love one another with a love that is beyond all telling.

You can learn more about the sacred art of Dony Mac Manus and his Sacred Art School in Firenze, Italy here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“I, (Name), do declare that I do believe that there is not any Transubstantiation in the Sacrament of the Lord’s Supper, or in the elements of the bread and wine, at or after the consecration thereof by any person whatsoever.”

— ‘From England’s Anti-Catholic Oath (1673)’

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  • Dr. Mahrt explains the ‘Spoken’ Propers
  • PDF • “Music List” (1st Sunday of Advent)
  • Kid’s Repertoire • “Jeffrey’s 3 Recommendations”

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