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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

St. Joseph, Fatherhood, and Inclusive Language

Richard J. Clark · March 20, 2015

RJC_832_StJosephJesusMacManus “St. Joseph and the Child Jesus” Florida, USA (2007) Dony Mac Manus AM A MIDDLE AGED white man who has no credibility weighing in on the complex and sensitive issue of inclusive language. Working in parishes for nearly thirty years, I appreciate how important this topic is to many. The nature of language is ever changing. Awareness has changed. And then it changes again.

The USCCB has grappled over the years with many aspects of how to handle inclusive language. Various publishers have struggled, revising nearly all texts to be inclusive in the early 1990’s and in the last decade walking back many of those revisions. It is a hot-button topic I should not touch with a 100-foot pole.

But what is not at debate is the inclusive nature of the message of the Gospel. More than calling all men and women, the Gospel calls all sinners. None of us are exempt.

As Jesus spent most of his time with sinners, lowly fishermen, prostitutes, tax collectors, He in fact called them to service. Today, it is the margins of society, those disenfranchised, those most unattractive to us that that the Church must call to bring back into the fold of Christ’s love.

O, AS SOMEONE WHO CANNOT speak to the challenges of being a woman, a minority, poor, or on the margins of society, I can hopefully add some small perspective as a father.

I am daily amazed at the gift of my children. Oh, it’s the hardest thing I’ve ever done. The delightful photos we show our friends are not the picture of constant reality. Parenthood often brings a sense of desperation and even failure. But the day I became a father—a daddy—was the greatest day of my life. It’s scary, humbling, and God calls me, a man, to be a better and stronger person for the sake of my children.

Out of these experiences, I propose a different perspective upon encountering masculine pronouns in prayer and song, but especially in reference to Jesus’ relationship with God, the Father—whom He called “Abba” or “daddy”: Instead of thoughts of male privilege and entitlement, one may look more to St. Joseph, the great role model for all men and fathers—loving, humble protector, advocate, and possessor of great inner-strength, all in service to God.

Furthermore, remember that St. Joseph, like Mary his spouse, said “Yes” to God—all in less than ideal circumstances. And with Mary, he raised Jesus.

Try as we might, mere words are inadequate to express God, the Father’s love for us, his children. So are we called to love one another with a love that is beyond all telling.

You can learn more about the sacred art of Dony Mac Manus and his Sacred Art School in Firenze, Italy here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Naturally the accompaniment of the organ is merely tolerated during the office of the dead, but in fact, in nearly every parish this toleration has become a habit.”

— Henri Potiron, 1958

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