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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

St. Joseph, Fatherhood, and Inclusive Language

Richard J. Clark · March 20, 2015

RJC_832_StJosephJesusMacManus “St. Joseph and the Child Jesus” Florida, USA (2007) Dony Mac Manus AM A MIDDLE AGED white man who has no credibility weighing in on the complex and sensitive issue of inclusive language. Working in parishes for nearly thirty years, I appreciate how important this topic is to many. The nature of language is ever changing. Awareness has changed. And then it changes again.

The USCCB has grappled over the years with many aspects of how to handle inclusive language. Various publishers have struggled, revising nearly all texts to be inclusive in the early 1990’s and in the last decade walking back many of those revisions. It is a hot-button topic I should not touch with a 100-foot pole.

But what is not at debate is the inclusive nature of the message of the Gospel. More than calling all men and women, the Gospel calls all sinners. None of us are exempt.

As Jesus spent most of his time with sinners, lowly fishermen, prostitutes, tax collectors, He in fact called them to service. Today, it is the margins of society, those disenfranchised, those most unattractive to us that that the Church must call to bring back into the fold of Christ’s love.

O, AS SOMEONE WHO CANNOT speak to the challenges of being a woman, a minority, poor, or on the margins of society, I can hopefully add some small perspective as a father.

I am daily amazed at the gift of my children. Oh, it’s the hardest thing I’ve ever done. The delightful photos we show our friends are not the picture of constant reality. Parenthood often brings a sense of desperation and even failure. But the day I became a father—a daddy—was the greatest day of my life. It’s scary, humbling, and God calls me, a man, to be a better and stronger person for the sake of my children.

Out of these experiences, I propose a different perspective upon encountering masculine pronouns in prayer and song, but especially in reference to Jesus’ relationship with God, the Father—whom He called “Abba” or “daddy”: Instead of thoughts of male privilege and entitlement, one may look more to St. Joseph, the great role model for all men and fathers—loving, humble protector, advocate, and possessor of great inner-strength, all in service to God.

Furthermore, remember that St. Joseph, like Mary his spouse, said “Yes” to God—all in less than ideal circumstances. And with Mary, he raised Jesus.

Try as we might, mere words are inadequate to express God, the Father’s love for us, his children. So are we called to love one another with a love that is beyond all telling.

You can learn more about the sacred art of Dony Mac Manus and his Sacred Art School in Firenze, Italy here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

The literal translation: “Lord, have mercy—Christ, have mercy,” does not offer much material for an acceptable song text. The words, not having any feminine syllables, are abrupt; the sounds are almost all muted and colorless; the rhythmic flow is too brief. So many people may prefer responses that further extend the song of the assembly, e.g., “Have pity on us, Lord” or “Pardon us and change our hearts.

— J. Gelineau attacking the KYRIE ELEYSON (page 64 in “Learning to Celebrate,” 1985)

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