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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Improve Your Parish Liturgy … Instantly!

Jeff Ostrowski · March 17, 2015

143 pew missal Ordinary Form XPLORING LOS ANGELES, I notice beautiful roads and neighborhoods. Someone must have said, “Let’s get busy building this town.” Speaking of productivity, whenever I present on Sacred music, someone invariably asks, “What can I do this very instant to improve my parish’s liturgy?”

As a presenter, I used to dread this question. They don’t want solutions requiring decades of work. Nor are they interested in articles like the one Anthony Esolen recently published called “Rescuing Hymnody from Stupidity.” His article is not bad; indeed, it resembles articles 1 published on our blog. But such things ultimately amount to rearranging deck chairs on the Titanic, while desperate Catholics want to know how to improve their liturgies immediately.

No longer do I dread such questions. They want an extremely short answer; I’ve got one. They crave an authentic answer; I’ve got one. They want an answer not requiring excessive amounts of money; I’ve got one. They want an instant fix, because their children will soon be adults. I’ve got the solution, and it couldn’t be simpler: obtain the St. Isaac Jogues Pew Lectionary for your congregation. Consider the following rationale.

For years, I prepared xerox copies with the Order of Mass (including Propers) for the people in the pews…and it was a horrendous experience. I used to ask:

HY ISN’T THERE A PEW BOOK containing the lectionary readings in a large, pristine typeface? Why isn’t there a pew book that has the complete Propers for each Sunday but avoids page turns? Why isn’t there a pew book reproducing ancient manuscripts from the 7th and 8th centuries, showing the continuity of the Novus Ordo with Catholic tradition? Why isn’t there a pew book using luscious full-color fonts & artwork to illustrate the Ordo Missae—including pictures of the priest? Why isn’t there a reasonably-priced book for congregations with Latin alongside English, helping parishes become more faithful to Vatican II, which never said to eliminate Latin? Why isn’t there a pew book containing complete Responsorial Psalm refrains (with fully-notated accompaniments for liturgical years ABC freely available online) so the congregation can finally sing dignified, modal, simple, fresh melodies between the first & second reading? Why isn’t there a pew book with exquisite line art, allowing illiterate Catholics to learn about the Faith? Why isn’t there a pew book fully approved by the USA bishops, yet designed for parish life, including Funerals, Benediction, Confirmation, and Weddings?

Surprise! The Jogues Lectionary fulfills each question in a fantastic way. Moreover, its professionalism and subtlety will appreciated by all. I was involved with this book’s production, so some will think I’m biased; that’s fine. Just get yourself a copy and verify what I say (BELOW).

BUT HOW WOULD THIS WORK on a practical level? Let’s explore. For one thing, no matter how your parish attempts the Propers—in English, Latin, or Psalm tone—you must avoid having the congregation just sit there as you sing. Give them a way to follow along! The translation doesn’t have to match perfectly, but it needs to be close. For instance, slightly different translations—some created “in house”—were chosen by Fr. Samuel Weber, 2 Fr. Guy Nicholls, 3 and others; whereas the Jogues uses a translation identical to the Simple English Propers, the Lalemant Propers, and the Gregorian Missal.

142 Lectionary USCCB Pew Missal Amazingly, the Jogues can be used by ANY parish. Some parishes may require years to fully adopt the Mass Propers, but at least your congregation can see them in the meantime. Other parishes might sing some Propers—such as the Communion—but replace others with hymns. Other parishes might choose a Processional Hymn, using a psalm tone for the Entrance Chant while the priest incenses the Altar (which is entirely lawful, by the way). Others might sing the full Latin Propers during their main Mass, but use psalm tones for the 7:00am Mass. Others might alternate between a Gradual and Responsorial Psalm, week by week. NO MATTER WHAT COMBINATION IS CHOSEN, the Jogues will prove itself convenient and perfect for your needs.

The book’s exterior is elegant, and it’s a good size—not too heavy. The quality is extremely high, so having it in your pews will raise expectations. Have you noticed the change in atmosphere when people dress fancy, as opposed to tank tops with jeans? The books will remind everyone that Mass is a serious activity.

Finally, don’t try to explain what an Entrance Chant is to your congregation; show them! They’ll see the Entrance Chant each Sunday, and with time they’ll understand what it is; but watch out! Once they know, they’ll ask why it’s not being sung each week!



NOTES FROM THIS ARTICLE:

1   Esolen would doubtless be horrified to learn the reprehensible way the Sequences were bowdlerized.

2   Ignatius Press will soon release Fr. Weber’s massive Gradual with three (3) English versions for each chant.

3   Fr. Guy Nicholls is releasing each Entrance Chant from his Graduale Parvum each week on the Blog of the Newman Institute of Liturgical Music—in Latin and English.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Jogues Illuminated Missal Lectionary Gradual, Novus Ordo Lectionary Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“No one can reasonably find in the dispositions of Vatican II anything out of order, or any extreme opinions or tendencies which restrict the function of sacred music exclusively to the congregational singing of the faithful or on the other hand which replace or eliminate the singing of the congregation entirely by the singing of the choir.”

— Most Rev’d Archbishop D.M.M. y Gómez, Primate of Mexico (at that time, the world’s largest archdiocese)

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