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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Simply Stunning | Sacred Music of Paul Jernberg

Richard J. Clark · March 13, 2015

AUL JENBERG, Jr. has lead a most interesting life. Perhaps it is the various twists in following God’s plan for him that allow him to express the most profoundly sacred truths through music. From his website, here is only a glimpse of what lies behind his work:

In 1988, Paul helped prepare and then participated in a Scandinavian retreat with l’Arche founder Jean Vanier. His friendship with Vanier led him to a deeper awareness of the mentally handicapped and the vision of l’Arche, further studies in theology and Church history, and eventually in 1990 the decision to spend time living in a Franciscan monastery outside of Gothenburg. This was also a time of discovering the great beauty of Gregorian chant from the “inside”, that is from the perspective of singing it as prayer in the daily Mass and Liturgy of the Hours. This discovery, along with a grace-filled experience of the Catholic liturgical and sacramental life, brought a new sense of unity and mission to Jernberg’s work in sacred music.

Listen here to his simply stunning setting of the Salve Regina recorded by the Schola Cantorum of Saint Peter the Apostle, J. Michael Thompson, Director:

ANY OF YOU HAVE HEARD about Paul Jernberg’s Mass of Saint Philip Neri. This extraordinary work and his other sacred works including the Salve Regina is available for purchase on his website here.

The Mass of Saint Philip Neri can be sung with unaccompanied SATB choir, or very easily with organ accompaniment and unison schola. The layout of the SATB score in two lines makes this score quite flexible. Furthermore, the score is reminiscent of Theodore Marier’s Hymns, Psalms, and Spiritual Canticles in that it provides the ability to sing the entire mass as well as its multiple settings of various acclamations. The end result is also a mass that is very accessible to the congregation after hearing it just a few times.

His compositional voice is uniquely his, yet without pointing attention to itself. Paul’s rhythmic rendering of the text is simple, but never overshadows the music; it links accessible and sensitive rhythm with the freedom of Gregorian Chant. His music possesses sacred nobility, graceful humility, and simplicity, while reaching for the transcendent.

Listen here to his simply stunning setting of the Gloria from the Mass of Saint Philip Neri recorded by the Schola Cantorum of Saint Peter the Apostle, J. Michael Thompson, Director:

AUL JERNBERG IS CURRENTLY Music Director of St. Monica and St. Lucy Parishes in Methuen, Massachusetts. He is also Composer-in-Residence at Thomas More College of Liberal Arts in Merrimack, New Hampshire and the founding director of the Magnificat Academy, a choir school for grades 4-12 in Warren, Massachusetts.

An educator at heart, Paul is a model servant of the Church. Please pray that his work may continue in great service to the Church, and please sing his glorious music!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Mass of Saint Philip Neri, Paul Jernberg, Singing the Mass Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“The Church has always kept, and wishes still to maintain everywhere, the language of her Liturgy; and, before the sad and violent changes of the 16th century, this eloquent and effective symbol of unity of faith and communion of the faithful was, as you know, cherished in England not less than elsewhere. But this has never been regarded by the Holy See as incompatible with the use of popular hymns in the language of each country.”

— Pope Leo XIII (1898)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.