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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Dancing on the Edge with Truth and Beauty

Richard J. Clark · June 5, 2015

EAUTY IS TRUTH. And truth is beautiful even when difficult. The Gospel message is both Truth and Beauty and sometimes very difficult and challenging. Yet it delivers liberation, peace, and mercy—beautiful truths that may take a lifetime to understand, if ever.

So, the Mass, our greatest prayer, is incontrovertibly a messenger of Truth. United in the Eucharist, we commemorate Christ’s Death and Resurrection through which we are set free. As such, the Mass demands beauty because beauty conveys truth—the very truth proclaimed by the Gospel.

Another difficult reality, is that beauty and truth are rarely appreciated. Quite the contrary, they are a cause of fear and panic in many. Try fostering beauty and substantive theology in a parish music program, and one will often find oneself on the defensive. Proclaim the truths of our faith, in light of mercy and forgiveness, and one quickly may become a pariah.

LTHOUGH NOT NEW, the news of John Romeri’s resignation form the Office of Liturgical Music in Philadelphia is now getting much attention. There has been great speculation regarding the nature of the differences with the archbishop, and I doubt Mr. Romeri will ever reveal any specifics. However, amidst the drama, it is the last line in Mr. Romeri’s resignation letter wrote that struck like a thunderbolt:

“I encourage you to make music at the highest levels possible in your parishes. Our people deserve it and our God is worthy of the highest forms of praise.”

This is true and it is beautiful. Most beautiful, in that it is clear that we are servants of God, the liturgy, and the people. Such a person of humility and skill is ideally who we want leading prayer through music. The robustness of the music program at the Cathedral Basilica is witness to his work; no less his previous work at the Cathedral in St. Louis. By their fruits you will know them. (Matthew 7:16)

IT SEEMS WE ARE OFTEN DANCING ON THE EDGE. Do we uphold truth or do we compromise? Yet many of us face the daily reality of survival. One false move on the tightrope, and we find ourselves falling.

But beauty is what gives us hope to persevere through difficulty. Through beauty we praise God and we see His face. Furthermore, the truth of the Gospel is that God loves us more than we will ever comprehend.

Oremus pro invicem
Let us pray for each other. Support each other. We truly need it.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Beauty, Beauty in the Catholic Liturgy Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Unfortunately there are few organists or singers nowadays whose knowledge of Latin is sufficient to enable them to follow easily the meaning of the liturgical texts.”

— Monsignor Charles E. Spence (18 Dec. 1952)

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