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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Finding A Liturgical Context

Jeff Ostrowski · June 3, 2015

680 Columbus Map NE HUNDRED YEARS from now, people looking back might not know what an “Indian Reservation” is. They might be similarly confused by “indian chief” or “indian tribe,” not to mention “West Indies.” Everyone today, of course, knows their meaning, and why Europeans coming here used those terms. We can argue about whether these terms should be retired—but I refuse to enter into such discussions here. The point is that historians in 100 years have an obligation to find out what was meant by “indian.” If they associate these terms with people from the (Asian) country of India, they will be confused.

We have often mentioned professional “liturgists” who refuse to do their homework and make silly errors. In the old CMAA journals, they referred to such errors as PICCOLUOMINI LOGIC, but I’ve come to believe that label is inflammatory and shouldn’t be used. Perhaps “false logic” would work. “Superficial logic” might be even more appropriate.

Using this “superficial logic” in another context, we might deduce thusly:

“It goes without saying his father’s name was Jack. After all, his name is Robert Jackson, right? Use common sense.”

The problem is that forcing Jack-Son to refer to a parent/child relationship is not “common sense.” This type of logic became fashionable immediately before the Second Vatican Council and many still cling to the “common sense” conclusions. 1

WHEN I STUDIED LATIN in college, the students often asked, “Why is Latin like that? It seems illogical to us.” The teacher often replied: “Sorry; usage rules.” In other words, our opinions don’t matter. How they spoke the language is all that matters. Whether we might have chosen a different solution doesn’t matter. (And don’t get me started on French!)

I recall that several students didn’t like how an accent could change the meaning of a Latin word. For example, the following words mean different things:

ÁDVENIT

ADVÉNIT

The only difference is an accent, which is why several of us insisted that the accents must be included in the Jogues Pew Lectionary and Campion Hymnal.

SUSAN BENOFY HAS PUBLISHED an article in the most recent ADOREMUS BULLETIN of which everyone should be aware. We mentioned in January 2014 that Sacrosanctum Concilium eliminated many footnotes in the final version, but Susan’s article challenges the reason we gave. We had cited what Monsignor Francis P. Schmitt said about the missing footnotes—and Schmitt was a church music consultant for Vatican II. Susan cites Fr. Pierre-Marie Gy regarding why the footnotes were eliminated. It’s not a case where only one reason must be accepted; both could be correct. Susan’s article is on pages 8-9 here:

    * *  PDF Download • ADOREMUS BULLETIN (Spring 2015)

Understanding the context of Sacrosanctum Concilium will help us avoid making absurd statements about the liturgical changes called for by the Second Vatican Council. Susan has done an excellent job.

Speaking of absurdities, I detest daylight savings. I don’t know whether this is an authentic quote, but I strongly agree with the message:

714 daylight savings



NOTES FROM THIS ARTICLE:

1   I’m not going to repeat all the instances we’ve discussed over the years. I feel our blog has done a pretty good job covering the major ones, which were usually an attempt to “recover” an alleged “pristine” tradition. There are also LESSER EXAMPLES of liturgical “superficial logic” you might not expect, such as: The KYRIE ELEISON is a remnant of when Mass was first offered in Rome since the liturgy was originally said in Greek; The COMMUNION at the Requiem Mass still has its ancient verse from the time when all such chants had their psalm verses; the GOOD FRIDAY COLLECTS are the original Prayer of the Faithful; When there were numerous Epistles in the early centuries, the chants were interspersed between each, like they are in the New Rite; the VENI SANCTIFICATOR is the ancient Epiclesis of the Roman Rite. On a superficial level, these seem to be “common sense,” but the true history is much more complicated and occasionally shrouded in mystery. Without question, the most common flaw in liturgical scholarship is to locate one liturgical book or fragment and automatically assume that all Christendom did it that way. If we look backwards at history, we pay the price. In the year 2015, we have ample documentation of everything, paper is cheap, and a large percentage of our people are literate, but this was not always so…

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Each of our sins was one more thorn in our Lord’s crown; one blow the more to His scourging.”

— Cardinal Merry Del Val (shortly before his death)

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