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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

BENEDICTA: Marian Chant from Norcia ~ Number 1 on the Billboard Charts

Richard J. Clark · June 12, 2015

EER BREWING Benedictine Monks from Norcia, Italy, just released their unique CD of Marian chants mostly from the Divine Office. Directed by Choirmaster Basil Nixen, it was produced by eleven time Grammy Award winner Christopher Adler. In its debut, it has reached #1 on the Classical Billboard Charts, and Top 35 overall in iTunes.

It was released by De Montfort Music, the sister company to AimHigher Recordings that brought us the Top 5 Billboard CD, St. Paul’s Christmas in Harvard Square. Perhaps the recent commercial success of sacred music is indicative of humanity’s natural hunger for transcendent union with the Divine. This CD certainly brings prayerful tranquility to those who listen.

      * *  Order the CD here: BENEDICTA: Marian Chant from Norcia You can also view the track list and listen to samples. It is also available on iTunes.

UITE REMARKABLY, THE AVERAGE AGE of the monks in Norcia is only 33. Furthermore, Norica is the birthplace of St. Benedict and his twin sister, Scholastica. Despite this, the town had not had a monastery for nearly two hundred years; the monastery was suppressed during the Napoleonic era. So in 2000, the local bishop invited the monks—located in Rome—to establish a monastery in Norcia under Prior, Fr. Cassian Folsom.

Fr. Folsom, a Massachusetts native, studied music at Indiana University. He discusses the very ordinary routine life of the monks of prayer and work. Singing the Divine Office and mass, Fr. Folsom says, “Music, for the monastic life, is an essential part of our prayer…Chant is part of the air we breathe.” Producer Christopher Adler also notes that this music is not simply for pleasure, but a necessary part of the fabric of their everyday lives. “You can hear that in the sincerity of their singing.” Furthermore, Adler states, “It has something eternal to it…you don’t feel it will ever go out of date.”

      * *  You can listen to a special interview on NPR’s Weekend Edition and NPR Music with the Prior and Founder of The Monks of Norcia here.

      * *   You can learn more about their beer, Birra Nursia, here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski
    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“Gerard Manley Hopkins once argued that most people drank more liquids than they really needed and bet that he could go without drinking for a week. He persisted until his tongue was black and he collapsed at drill.”

— A biography of Fr. Gerard M. Hopkins (d. 1889)

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