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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Blessing of Daily Mass – Saint Mary’s Chapel, Boston College Reopens

Richard J. Clark · January 23, 2015

ANY OF MY earliest memories are of attending daily mass with my mother at St. William the Abbot parish in Seaford, New York. I’m sure I was quite a handful and disturbed mass frequently. (Some may argue this still occurs.) On days we did not go to mass, it was common that my mother would bring me into church for a “quick visit” in-between running errands. This seemed like normal life for me.

These days, I am at daily mass, but through no virtue of my own. I get paid to play and sing five days a week at St. Mary’s Chapel at Boston College, which includes a mass just for the Jesuit Community of about sixty priests. Mass is attended mostly by students, employees of the college, and some people from the neighborhood. There are also a few regulars who bring their very young children to mass most every day.

Ironically, the busier we are, the more we must make time to pray. When I began playing at St. Mary’s Chapel ten years ago, I thought I might only do this for a few weeks or months because I did not have the time. But quite quickly – if not almost immediately — I became completely hooked on playing daily mass. God has a way of drawing us toward him even when we resist.

ROFESSIONALLY, THE VALUE of playing and singing daily mass cannot be underestimated. Although I had studied organ with BSO organist James David Christie and already had a great deal of experience behind me, it was daily mass that taught me some very important things.

Most importantly, the relationship between the congregation and the organ becomes more intimate with people who sing most every day. It was at daily mass that I realized it is the people in the pews who are the “leader of song.” While the organ is the glue that keeps everyone together, it is ideally a cooperative relationship like chamber music. (Taking their lead, we sing all the verses of the hymns as they refuse to put their hymnals down after two verses.) Playing daily mass made me a much better hymn player – and not simply through repetition. I learned the subtleties of my role as organist which involves as much listening to the congregation as it does playing for them.

An extension of the idea that the congregation is the “leader of song” is that unaccompanied singing comes quite naturally when a congregation is allowed to find its own pace. When St. Mary’s Hall reopened after two years of renovation, the organ was not quite ready yet. So I sang the Psalms and ICEL chants unaccompanied in the beautiful acoustic of marble and wood. The singing was astounding because the people were freed up to sing the chants, yet were still supported by a warm acoustic. The organ would only have gotten in the way.

Perhaps most importantly, there is no replacement for following the continuity of the scripture readings from Sunday to Sunday. Many of us who work hard to prepare music for Sundays are well served by following the scriptures throughout the week. Most obvious are the readings from Isaiah during Advent and Acts during the Easter Season. But through every week there is a thread from one Sunday to the next. The daily life of Christ comes to life for us every day. Though no virtue of my own, I am blessed to experience this.

OST INTERESTINGLY, Boston College was originally named “Boston College of the Immaculate Conception.” Therefore, it was fitting that St. Mary’s reopened on the Feast of the Immaculate Conception in 2014. Connected to St. Mary’s Hall on Boston College’s Central Campus, St. Mary’s Chapel opened in 1917. A beautiful wood carved ceiling and marble floors and side altars frame the chapel’s Gothic windows. In the choir loft sits an exquisite one-manual, eight rank D.A. Flentrop organ tuned to the Kellner (Bach) temperament, which is particularly gorgeous in certain keys. Stefan Maier has done extraordinary work in maintaining and preparing this wonderful instrument.

During the academic year, I have the opportunity to hear a few dozen Jesuits preach, and some on a very regular basis. The preaching on any given weekday from the Jesuits is remarkably thoughtful, substantial, well prepared—and brief, which speaks to the high level of preparation. I have been blessed to get to know many of these fine priests including one who has baptized all three of my children. I have also been fortunate to work for three exceedingly thoughtful and supportive rectors in addition to Assistant Rector, Fr. Michael Ford. This is another rare blessing for which I am grateful.

Wherever you are, go to mass during the week. You will be blessed with greater strength to live out what God calls you to do.

If you are at Boston College, mass is offered at seven different locations on campus. You may view the schedules (including St. Mary’s Chapel) here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Boston College, Daily Mass Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

“In particular, today we must remember that our liturgy—celebrated according to the books promulgated by Saints Paul VI and John Paul II—must be preserved from any element from the ancient forms.”

— Bishops of Costa Rica —Hat tip to ‘Catholic Arena’

Recent Posts

  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026

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