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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Permission Needed to Replace the Propers?—(5 of 7)

Andrew R. Motyka · February 24, 2015

WAS GLAD to see our new blogging colleague, Andrew Leung, post about permission in Hong Kong for replacing the propers of the Mass with other pieces of music. It gave me hope, or at least reconsideration, because from my end of things, the whole conversation we have been having about this so far is useless.

Say someone in the Archdiocese of Indianapolis writes a hymn: text, music, harmonization, everything, and he wants to follow the letter of the GIRM and get it approved for use in the Archdiocese or even the United States. What is his process for obtaining such approval? There is none. So he’ll call the Office of Worship, and upon hearing the word “music,” the call will be sent to me. I will be asked about what needs to be done to obtain approval, and my answer is, “I have no idea.”

It’s not that I am ignorant of the mechanism by which approval can be obtained in the USA; it’s that there is no mechanism. There is no process. Some bishops who take GIRM 48 seriously might want to see such a piece or collection, but in the end, what bishop has time for that?

So what should happen? Should the bishop delegate the process to a commission? Probably, just as Andrew Leung points out is the norm in Hong Kong. However, I also see several problems with this solution:

1. Every diocese, and every commission, is comprised of different people, with different skillsets, ideals, and opinions. There will be a wild lack of consistency over what gets through or not.

2. If this were kicked to the national level (the USCCB), we would be adding one more layer of bureaucracy to the process. I can’t imagine the chaos that an attempt at a “national hymnal” would cause.

3. From my understanding, as things stand now, approval by one bishop counts as approval for the whole country. Therefore, something approved in Seattle is cleared in Tampa, under the current law. This means that all you need is one out of hundreds of committees to clear your work to get it by, practically invalidating the safeguard of approval altogether.

4. The need for approval will be ignored anyway. As it stands now, the GIRM is ignored, and that is binding liturgical law. It’s not a suggestion, it’s not a guideline. It’s law, and people ignore it left and right anyway in more than just this area. Further legislation or bureaucracy will just incentivize the local parishes to tune out the law even more.

So what am I saying? Should the GIRM just be ignored on this point? No, what I am saying is that the solution to this issue is—to borrow political lingo—above my paygrade. I suspect and fear that the cat is just out of the bag on this one, and no legislation from above is going to fix it. I think our efforts would be better spent winning hearts and minds to the most fitting place that Gregorian Chant and the proper texts hold in the Mass than trying to legislate it from above.

This article is part of a series:

Part 1 • Richard Clark

Part 2 • Veronica Brandt

Part 3 • Andrew Leung

Part 4 • Dr. Lucas Tappan

Part 5 • Andrew Motyka

Part 6 • Cynthia Ostrowski

Part 7 • Aurelio Porfiri

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hilgartner 20 November 2012 Last Updated: October 15, 2022

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Those who teach Latin must know how to speak to the hearts of the young, know how to treasure the very rich heritage of the Latin tradition to educate them in the path of life, and accompany them along paths rich in hope and confidence.”

— Pope Francis (7 December 2017)

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