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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

That’s Entertainment, Folks!

Richard J. Clark · August 7, 2015

HE FIRST PRESIDENTIAL debate of the season was hands down the most entertaining in recent memory if not in history. There was plenty of intrigue, banter, and side plots to distract from substance and policy. Speculation of if and when Donald Trump will wear thin with voters makes for Must See TV. But at some point, politicians must lead. At some point, they must govern. Our lives depend upon it.

Politicians often superficially manipulate perception. Music can do the same. (And I always tell my choir that we must never discuss religion or politics. Rimshot, please.) It is not enough that we are entertaining. In fact, entertainment distracts from the Real Presence. We must lead. We must offer substance. Our spiritual lives depend upon it, as do those whom we serve.

But in order to do so, we too must be spiritually fed and nourished as well. Therefore, we must ask ourselves this simple question, “Are we being fed?”

GOOD BAROMETER FOR THIS IS THE FOLLOWING: When you are in prayer (in the role of a musician or not) are you being fed spiritually? In other words, are your batteries being recharged or are they being drained?

Of course one expects to feel fatigued after working hard in the role of a musician at several Masses. But one should also be uplifted in spirit with energy to forge on in service to God and others.

If one is completely drained, there are two possibilities at play: One is that we are not taking time for silence and reflection during or before the Mass. The second possibility is that there is a disconnect between the music and the Mass itself.

Consider the words from Sacrosanctum Concilium:

112. “(S)acred music is to be considered the more holy in proportion as it is more closely connected with the liturgical action, whether it adds delight to prayer, fosters unity of minds, or confers greater solemnity upon the sacred rites.

ACRED MUSIC NEEDS TO LIVE among the sacred. Otherwise we have two separate and incongruent things going on: entertainment on the one hand and prayer that seems awkwardly out of place on the other. We have seen the “talk-show” celebrant that may be incongruent with reverent music. And we have seen a prayerful celebrant with music that selfishly draws too much attention to itself (regardless of style).

From US Bishop’s document Sing to the Lord: Music in Divine Worship (SttL):

125. The role of music is to serve the needs of the Liturgy and not to dominate it, seek to entertain, or draw attention to itself or the musicians…The primary role of music in the Liturgy is to help the members of the gathered assembly to join themselves with the action of Christ and to give voice to the gift of faith.

As such, sacred music is not simply a “nice addition to the Mass.” It is wedded to the Mass, just as chant grew up side by side with the Roman Rite. Sacred music exists to help us pray the words of the Mass. If this is not happening, we may often feel instinctively out of sorts. If the words of the Mass are constantly changed, this too contributes to a disconcerted feeling.

RE YOU BEING FED? If not, examine your environment. Seek God in silent prayer. Tell Him the desires are that are deep in your heart. Allow Him to enter your life in close relationship. If not, God will still seek you out. He will go after you, find you, feed you, and send you forth to do what He calls you to do. For this, be joyful.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“The council did not say Latin should be abolished. It said Latin should be used. […] While at Ecclesia Dei, I once received a letter from a chancery office in the United States, asking me if I didn’t know that the council had abolished Latin!”

— Cardinal Mayer, Prefect (1985–1988) of the Vatican’s Congregation for Divine Worship

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