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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

That’s Entertainment, Folks!

Richard J. Clark · August 7, 2015

HE FIRST PRESIDENTIAL debate of the season was hands down the most entertaining in recent memory if not in history. There was plenty of intrigue, banter, and side plots to distract from substance and policy. Speculation of if and when Donald Trump will wear thin with voters makes for Must See TV. But at some point, politicians must lead. At some point, they must govern. Our lives depend upon it.

Politicians often superficially manipulate perception. Music can do the same. (And I always tell my choir that we must never discuss religion or politics. Rimshot, please.) It is not enough that we are entertaining. In fact, entertainment distracts from the Real Presence. We must lead. We must offer substance. Our spiritual lives depend upon it, as do those whom we serve.

But in order to do so, we too must be spiritually fed and nourished as well. Therefore, we must ask ourselves this simple question, “Are we being fed?”

GOOD BAROMETER FOR THIS IS THE FOLLOWING: When you are in prayer (in the role of a musician or not) are you being fed spiritually? In other words, are your batteries being recharged or are they being drained?

Of course one expects to feel fatigued after working hard in the role of a musician at several Masses. But one should also be uplifted in spirit with energy to forge on in service to God and others.

If one is completely drained, there are two possibilities at play: One is that we are not taking time for silence and reflection during or before the Mass. The second possibility is that there is a disconnect between the music and the Mass itself.

Consider the words from Sacrosanctum Concilium:

112. “(S)acred music is to be considered the more holy in proportion as it is more closely connected with the liturgical action, whether it adds delight to prayer, fosters unity of minds, or confers greater solemnity upon the sacred rites.

ACRED MUSIC NEEDS TO LIVE among the sacred. Otherwise we have two separate and incongruent things going on: entertainment on the one hand and prayer that seems awkwardly out of place on the other. We have seen the “talk-show” celebrant that may be incongruent with reverent music. And we have seen a prayerful celebrant with music that selfishly draws too much attention to itself (regardless of style).

From US Bishop’s document Sing to the Lord: Music in Divine Worship (SttL):

125. The role of music is to serve the needs of the Liturgy and not to dominate it, seek to entertain, or draw attention to itself or the musicians…The primary role of music in the Liturgy is to help the members of the gathered assembly to join themselves with the action of Christ and to give voice to the gift of faith.

As such, sacred music is not simply a “nice addition to the Mass.” It is wedded to the Mass, just as chant grew up side by side with the Roman Rite. Sacred music exists to help us pray the words of the Mass. If this is not happening, we may often feel instinctively out of sorts. If the words of the Mass are constantly changed, this too contributes to a disconcerted feeling.

RE YOU BEING FED? If not, examine your environment. Seek God in silent prayer. Tell Him the desires are that are deep in your heart. Allow Him to enter your life in close relationship. If not, God will still seek you out. He will go after you, find you, feed you, and send you forth to do what He calls you to do. For this, be joyful.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

On 26 July 1916—during the German occupation of Belgium—a student choir led by Van Nuffel performed his setting of the psalm “Super flumina Babylonis” in Saint Rumbold’s Cathedral. The text and the musical setting very aptly expressed the depressed and rebellious mood of the population. The acclaim was enormous, and it laid the foundation for Van Nuffel’s formation of the Saint Rumbold’s choir.

— Unknown

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  • PDF • “Music List” (Xmas Midnight Mass)
  • What does this mean? “Pre-Urbanite”

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