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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Entering the Mainstream Conversation

Richard J. Clark · August 14, 2015

HOSE OF US who are deeply passionate about Gregorian Chant, Renaissance polyphony, and the propers are often left to share such conversations among ourselves. Perhaps our interest is considered “on the fringe.” Likewise, those of us with such passions are also quick to dismiss “mainstream” liturgical practices of which we may not approve. What is important is to have the conversation. Only speaking to those with whom we agree is a form of “Intellectual incest” which only reaffirms our own established notions. From this practice we do not learn. We do not grow.

Most important is to examine what practices truly bear fruit. What needs reform? What needs to be done away with? What needs to be fostered, nurtured, or held in higher esteem? With fifty years of distance from Vatican II, what do we better understand now?

HE 2010 ENGLISH TRANSLATION OF THE ROMAN MISSAL, Third Edition, and its chants shook up the mainstream conversation enormously. It is one that may very well continue for years. Lest we forget, it was Pope Saint John Paul II who promulgated the Third Edition in 2000 and established the new norms for translation with Liturgiam authenticam (LA). Now, and for years to come, we are shaped and formed by Pope Saint John Paul’s decision. This is always worthy of conversation.

Furthermore, Pope Benedict XVI shook up the conversation in many ways, especially with his 2007 Apostolic Letter Summorum Pontificum, but these elements are still often considered on the fringe. Cardinal Sarah’s recent letter is not likely to make many waves in the mainstream. Sarah, who was appointed Prefect of the Congregation for Divine Worship and the Discipline of the Sacraments by Pope Francis, may likely see many of his points dismissed. But they should not be as they address the very heart and substance of full and active participation–Participatio actuosa–and entering into the mystery. Beyond the externals of facing East (as presumed by the GIRM!) the common ground Sarah expresses with regard to the liturgy’s very essence is enormous.

This is quite worthy of a wider conversation:

The liturgy in action is thus none other than the work of Christ in action. The liturgy is in its essence actio Christi: “the work of Christ the Lord in redeeming mankind and giving perfect glory to God” (§5 SC). He is the high priest, the true subject, the true protagonist of the liturgy (cf. §7 Ibid). If this vital principle is not embraced in faith, one risks reducing the liturgy to a human action, to the community’s celebration of itself.

OST PEOPLE WE SERVE are not concerned about the General Instruction of the Roman Missal, Rubrics, or the rules of Liturgiam authenticam. But the faithful do care deeply about matters of the heart. They care deeply about the scriptures. They care deeply about relationship with God and with each other. They care deeply about the heart entering into the Mystery, consciously or otherwise. If what we offer is cheap or trite, will it take root in the long run? Our young people are smarter than that. Ultimately, the root of substance digs deep and bears great fruit.

Can we have a conversation about that?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“To me nothing is so consoling, so piercing, so thrilling, so overcoming, as the Mass, said as it is among us. I could attend Masses for ever, and not be tired.”

— John Henry Cardinal Newman (1848)

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