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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Confusions about Inculturation

Dr. Peter Kwasniewski · September 25, 2014

N RECENT DECADES there has been a great and deep confusion about the concept of inculturation. It has been taken to mean that the Catholic faith and its practice should be changed to conform to an indigenous culture, and should assimilate that culture’s own religious beliefs and practices. In other words, Catholicism is seen as raw material and the alien culture as an agent of transformation. This is a false view. In reality, the culture to which the Catholic faith comes is in need of conversion and elevation, so whatever elements are taken from it, once duly purged of sin and error, stand as material to the “form” imparted by the life-giving Catholic faith. It is the Church that is the agent, form, and goal in any true inculturation, while the culture is the matter that receives the form from the agent for the sake of salvation in Christ.

Any culture would benefit from the insertion of the Roman Mass in its fullness. Either the culture would welcome it as a sublime expression of a divinely revealed religion, as the ceremonies and texts of the traditional Latin liturgy powerfully convey (it is in just this way that many of the Japanese are said to have reacted to the beauty and majesty of the liturgy as celebrated by the missionaries), or a hostile culture would in time be overcome by it and thus purged of ignorance, error, and sin. In no case is it ever necessary to seek, as a goal, to take elements of a prevailing heathen culture and incorporate them into the sacred culture. If there are elements that are worthy of elevation into the sacral domain, this will happen slowly, subtly, with fine discernment and discretion. Running after these elements in a kind of desperate hunt for relevancy is doomed to failure; it is a kind of whoring after ephemeral relevance, a prostitution to the present age and its malevolent prince.

THINGS THAT ARE REALLY TRUE, good, and beautiful will, as it were, line up in front of the doors of the church and beg admission; they will sue for peace, and beg pardon, and offer themselves like lambs for the sacrifice. Then we may take them up in our arms and make of them vehicles of grace. But not in any other way. As St. Augustine says: “He that believes not, is truly demoniac, blind, and dumb; and he that has not understanding of the faith, nor confesses, nor gives praise to God, is subject to the devil.” The Church does not go to the blind and dumb to ask for advice on how she should worship or what she should believe; she does not go to subjects of the devil, in desperate need of baptism, and beg them for a seat at their master’s table.

Inculturation as it has been understood and practiced by liturgical revolutionaries is one more ploy of Satan to destabilize and denature the Church of God, to water down her distinctiveness, to poison and pollute her divine cultus and human culture. This is not what the great Jesuit, Dominican, and Franciscan missionaries did; they brought forward the Catholic faith in all the splendor of its abiding truth, and by that light, they converted nations and baptized all that was noble and good in their people.

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s Sacred Choral Works and the audio CDs that contain recordings of the pieces.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

Let us ponder the incontrovertible fact that Eucharistic Adoration in the Ordinary Form (“Novus Ordo”) is always and everywhere celebrated “ad orientem.” Why, then, is there such opposition to Mass being celebrated in that way, which is actually stipulated by the 1970 Missal rubrics?

— A Benedictine Monk (2013)

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