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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Are We Getting Dumber?

Jeff Ostrowski · September 24, 2014

834 Fulton Sheen ULTON SHEEN frequently reminded his listeners that all seven Sacraments have parallels in the natural world. As birth begins our earthly life, Baptism begins our spiritual life. As our bodies require healing when wounded, so do our souls (Confession). As our bodies require nourishment, so does our spiritual life (Holy Eucharist). And likewise for the other Sacraments.

Moreover, many aspects of our faith have parallels in the natural world. Consider how God revealed Himself through the ages: very slowly, over many centuries. Some ask, “Why didn’t God instantly reveal everything to His people?” The correct answer is, of course, “Because God reveals Himself as He wishes.” However, wasn’t His choice fitting? Think of how children obtain knowledge. They can do almost nothing when born, but gradually begin to crawl and eat solid food. They begin to pick up a word here and there. They begin to understand who their parents are and ask questions. It’s a process requiring many years.

IN SPITE OF ALL THE PROGRESS our civilizations have made, when it comes to self-appointed “expert liturgists,” it seems that thinking themselves wise, they have become as fools (Rom 1:22). Not long ago, I saw yet another attempt to explain what the “primitive” Mass looked like, using the typical sources: Justine Martyr, Iranaeus, Didache, and so on. However—astounding as this may sound—there was absolutely no attempt to understand the circumstances under which those various fragments were written. I say “astounding” because this is the same error made by early Protestants with regard to the Bible (which has been thoroughly refuted many times). Stated briefly: the Bible was not intended as a “catechism”—it’s a collection of various documents and letters written TO VARIOUS GROUPS under various circumstances.

The same is true of the early accounts of the Mass. 1 One must take into consideration, for example, the disciplina arcani|: the deliberate hiding of what goes on at Mass (to protect something so sacred). Some of the descriptions were written in a deliberately obscure manner (since they were addressing pagans who feared the rites of the early Christians). I could continue, but you get the point: just as the Bible has very little to do with a “catechism” 2 (in spite of what some might wish), many early accounts of the Mass had no intention of describing the rites in a detailed way. When we ignore this basic reality, we end up making silly mistakes.

Here and there, the early Christians left us “clues” referencing the liturgy. For instance, Pope Leo and St. Augustine refer to some kind of ancient “Responsorial Psalm,” but we have absolutely no idea what such a thing would have looked like (much less how it sounded when sung). Several times on this blog, I’ve offered a $300,000 reward for anyone who can produce an authentic Responsorial Psalm from the 5th century or earlier, but no one can. By the way, the first time Catholics really began writing down liturgical manuscripts was under Charlemagne; the stability of his reign allowed for such things.



NOTES FROM THIS ARTICLE:

1   I suppose it’s possible some early Christian attempted to leave a detailed description of the early Mass, but such a thing was either lost or destroyed because we don’t possess it. We can criticize the early Christians for not having the courtesy to leave us a detailed description of their rites, but we would be foolish to do so. (Remember, they did not possess iPads, iPhones, computers, electricity, running water, or modern medicine, and most of them couldn’t read or write.)

2   Of course, nothing in the catechism conflicts with the Bible (whose New Testament was composed by the Catholic Church), but Bishop Sheen has reminded us that “Christ left us a Church, not a book.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform, Bishop Fulton J Sheen Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“H. E. Cardinal Newman has permitted the Translator the use of all his published hymns. The hymn for Prime has never been published before, except in a little book printed by the present Translator a few years ago, and for which he obtained it from the illustrious writer. H. E. has also had the goodness to prepare the doxologies, altering with the Office, belonging to his own hymns.”

— John Crichton-Stuart (27 June 1879)

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