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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Are We Getting Dumber?

Jeff Ostrowski · September 24, 2014

834 Fulton Sheen ULTON SHEEN frequently reminded his listeners that all seven Sacraments have parallels in the natural world. As birth begins our earthly life, Baptism begins our spiritual life. As our bodies require healing when wounded, so do our souls (Confession). As our bodies require nourishment, so does our spiritual life (Holy Eucharist). And likewise for the other Sacraments.

Moreover, many aspects of our faith have parallels in the natural world. Consider how God revealed Himself through the ages: very slowly, over many centuries. Some ask, “Why didn’t God instantly reveal everything to His people?” The correct answer is, of course, “Because God reveals Himself as He wishes.” However, wasn’t His choice fitting? Think of how children obtain knowledge. They can do almost nothing when born, but gradually begin to crawl and eat solid food. They begin to pick up a word here and there. They begin to understand who their parents are and ask questions. It’s a process requiring many years.

IN SPITE OF ALL THE PROGRESS our civilizations have made, when it comes to self-appointed “expert liturgists,” it seems that thinking themselves wise, they have become as fools (Rom 1:22). Not long ago, I saw yet another attempt to explain what the “primitive” Mass looked like, using the typical sources: Justine Martyr, Iranaeus, Didache, and so on. However—astounding as this may sound—there was absolutely no attempt to understand the circumstances under which those various fragments were written. I say “astounding” because this is the same error made by early Protestants with regard to the Bible (which has been thoroughly refuted many times). Stated briefly: the Bible was not intended as a “catechism”—it’s a collection of various documents and letters written TO VARIOUS GROUPS under various circumstances.

The same is true of the early accounts of the Mass. 1 One must take into consideration, for example, the disciplina arcani|: the deliberate hiding of what goes on at Mass (to protect something so sacred). Some of the descriptions were written in a deliberately obscure manner (since they were addressing pagans who feared the rites of the early Christians). I could continue, but you get the point: just as the Bible has very little to do with a “catechism” 2 (in spite of what some might wish), many early accounts of the Mass had no intention of describing the rites in a detailed way. When we ignore this basic reality, we end up making silly mistakes.

Here and there, the early Christians left us “clues” referencing the liturgy. For instance, Pope Leo and St. Augustine refer to some kind of ancient “Responsorial Psalm,” but we have absolutely no idea what such a thing would have looked like (much less how it sounded when sung). Several times on this blog, I’ve offered a $300,000 reward for anyone who can produce an authentic Responsorial Psalm from the 5th century or earlier, but no one can. By the way, the first time Catholics really began writing down liturgical manuscripts was under Charlemagne; the stability of his reign allowed for such things.



NOTES FROM THIS ARTICLE:

1   I suppose it’s possible some early Christian attempted to leave a detailed description of the early Mass, but such a thing was either lost or destroyed because we don’t possess it. We can criticize the early Christians for not having the courtesy to leave us a detailed description of their rites, but we would be foolish to do so. (Remember, they did not possess iPads, iPhones, computers, electricity, running water, or modern medicine, and most of them couldn’t read or write.)

2   Of course, nothing in the catechism conflicts with the Bible (whose New Testament was composed by the Catholic Church), but Bishop Sheen has reminded us that “Christ left us a Church, not a book.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform, Bishop Fulton J Sheen Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

The old Roman rite had the offering by the people and then, as offertory-prayer, what we call the “Secret.” The name “Secreta” means that it was said in a low voice, because the offertory-psalm was being sung. For the same reason it is not preceded by “Oremus.”

— Father Adrian Fortescue

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