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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Cardinal Lercaro: A Key Player In Liturgical Reform

Aurelio Porfiri · September 23, 2014

5903 Giacomo LERCARO ITHOUT A DOUBT, one of the most influential cardinals at the time of the liturgical reform was GIACOMO CARDINAL LERCARO (1891-1976), Archbishop of Bologna. As was the case with so many other protagonists of the post-conciliar “liturgical wars”—such as Bugnini, Paolo VI himself, Lefebvre—Lercaro was the recipient of an immense amount of gossip for decades, stemming from intentions both good and bad. In January of 1968, Lercaro was dismissed from the Diocese of Bologna. Some people believe his dismissal resulted from American pressure following a very polemical homily by Cardinal Lercaro against the war in Vietnam. However, recent research by the historian Eliana Versace has dismissed this interpretation. 1

Most of my readers already realize that Cardinal Lercaro was one of the most influential actors in the post-conciliar liturgical reform, leading the commission that applied conciliar directives for a reformed liturgy. This makes him revered by one faction (identified as “liturgical progressives”) and deeply despised by another (“liturgical conservatives,” not to mention the traditionalists). In 1967, a Tuscan writer named Tito Casini addressed to Cardinal Lercaro a booklet: La Tunica Stracciata (“The Trashed Tunic”), with a preface by Cardinal Antonio Bacci. This booklet, along with the works of Cardinal Alfredo Ottaviani, constituted the most critical voices against the liturgy’s “new directions.” It was nothing short of a vehement denunciation of Cardinal Lercaro’s labors to implement this new liturgy: efforts which Casini perceived to be a work of destruction.

This booklet made a big noise. Even Paul VI was forced to publicly defend Cardinal Lercaro and condemn the thesis contained therein. Five decades later, perhaps the reasons behind Casini’s booklet can be better understood, just as we can (perhaps) understand more clearly the reasons for Lercaro’s decisions.

5904 Cappa Lercaro 4 Giacomo Cardinal Lercaro 2 Giacomo Cardinal Lercaro

IT’S NOT EASY TO SUMMARIZE HERE these polemics and judge the intentions of Cardinal Lercaro in carrying out the liturgical reforms in one direction instead of another. If we apply here the regressive method of history (represented mainly by Marc Bloch, founder of Annales), we may notice that the present situation of the liturgy could say to us something about how the reforms were conceived, initiated, and carried out.

I am not sure Cardinal Lercaro would be happy with the present situation, were he alive today. As for me, I would be very happy to understand the reasons behind certain decisions made by important church leaders during the 1960s and 1970s and if—assuming we may to talk with these church leaders now in heaven (as we all hope) and ask these questions—they would still repeat those same decisions with the benefit of hindsight.

To see more images of Cardinal Lercaro, please click here.

Video excerpts of Cardinal Lercaro are here:



NOTES FROM THIS ARTICLE:

1   An interesting article by the Italian Vaticanist Sandro Magister, Montini, Siri, Lercaro. L’enigma del Cardinale Destituito (2011), mentions this episode and several possible interpretations.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Cardinal Giacomo Lercaro Consilium President Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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President’s Corner

    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“The free space which the new order of Mass gives to creativity it must be admitted, is often excessively enlarged. The difference between the liturgy with the new liturgical books, as it is actually practiced and celebrated in various places is often much greater than the difference between the old and new liturgies when celebrated according to the rubrics of the liturgical books.”

— Cardinal Ratzinger (1998)

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