• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Weddings: Some Practical Advice – The End and the New Beginning

Andrew R. Motyka · October 15, 2014

FTER the Rite of Marriage is completed in the Nuptial Mass, the rest seems almost anticlimactic. You know, it’s just the miracle whereby the Creator of the universe is consumed by us under the appearance of bread and wine. No big deal.

Snarkiness aside (fat chance), the Liturgy of the Eucharist seems like no big deal because it is so much more routine to us. We have to be careful not to neglect it as “just the Mass” from this point on, because there is nothing routine about the Mass, at least not in the dull, lifeless sense. Just as we seek beauty and excellent worship in our normal parish liturgy, so should we seek it in the Nuptial Mass. Remember that the congregation at this Mass is probably from far and wide, so the Mass Ordinary that works so well on the weekends might draw a dud response from this group. Keep it simple. The Missal chants are pretty well known across the country right now (a great blessing from the new translation). Even though the adaptations of these chants are, in my opinion anyway, not particularly inspired, they are a good common repertoire for these kinds of Masses. They are much better than many of the newer settings pushed by the major publishers, to be sure.

One custom that has worked its way into the Nuptial Mass, toward the end, is the presentation of flowers to an image of the Blessed Virgin Mary. While I am reluctant to discourage any kind of devotion to Our Lady, this probably isn’t the best time for it. It would be much better placed at the rehearsal, or even directly after Mass. Private devotions like this are not particularly suited to the public act of the Mass. That said, there are far worse corruptions that have wormed their way into the wedding liturgy.

The rest is easy. While Mass should never be mindlessly easy, we are still back in the comfort zone at this point. As an additional point of advice, now that I consider the mixed congregation we have at these liturgies, is to make a good worship aid. I don’t mean the little card programs that get handed out, the “cast of characters” that make sure everyone knows who the 8th bridesmaid processing down the aisle is. I mean a full blown, texts-and-music order of service, including the full spoken responses for the congregation. If these texts are available in a hymnal or missal in the pews (I have no idea where you could find a good one of those), then that can function, too. Just make sure the congregation is made aware of these texts before the liturgy starts. Many of them are not Catholic, and some that are have not darkened the doors of a church in some time. Make them welcome and help them re-acclimate to the liturgy. For that matter, including the norms for receiving Holy Communion is a good idea, too.

I know it’s a grand cliche, but remember that this sacrament is the beginning, not the end, of a couple’s journey together toward salvation. Too often it is seen as the goal line, and “happily ever after” is the end of the story. That’s one of the reasons people overdo it with all the bells and whistles at their wedding. Put more effort into your marriage than into your wedding, and you’ll be much more successful.

And by the way, congratulations to my baby sister, Laurie, who is getting married this weekend.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

If then Dom Pothier has sometimes adapted authentic melodies found elsewhere in the manuscripts to texts of the Mass it is not, as Mr. X. maintains, because he has “composed them from scratch and declared them as traditional.”

— Most Rev’d Henri Laurent Janssens (25 November 1905)

Recent Posts

  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”
  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.