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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Weddings: Some Practical Advice – The End and the New Beginning

Andrew R. Motyka · October 15, 2014

FTER the Rite of Marriage is completed in the Nuptial Mass, the rest seems almost anticlimactic. You know, it’s just the miracle whereby the Creator of the universe is consumed by us under the appearance of bread and wine. No big deal.

Snarkiness aside (fat chance), the Liturgy of the Eucharist seems like no big deal because it is so much more routine to us. We have to be careful not to neglect it as “just the Mass” from this point on, because there is nothing routine about the Mass, at least not in the dull, lifeless sense. Just as we seek beauty and excellent worship in our normal parish liturgy, so should we seek it in the Nuptial Mass. Remember that the congregation at this Mass is probably from far and wide, so the Mass Ordinary that works so well on the weekends might draw a dud response from this group. Keep it simple. The Missal chants are pretty well known across the country right now (a great blessing from the new translation). Even though the adaptations of these chants are, in my opinion anyway, not particularly inspired, they are a good common repertoire for these kinds of Masses. They are much better than many of the newer settings pushed by the major publishers, to be sure.

One custom that has worked its way into the Nuptial Mass, toward the end, is the presentation of flowers to an image of the Blessed Virgin Mary. While I am reluctant to discourage any kind of devotion to Our Lady, this probably isn’t the best time for it. It would be much better placed at the rehearsal, or even directly after Mass. Private devotions like this are not particularly suited to the public act of the Mass. That said, there are far worse corruptions that have wormed their way into the wedding liturgy.

The rest is easy. While Mass should never be mindlessly easy, we are still back in the comfort zone at this point. As an additional point of advice, now that I consider the mixed congregation we have at these liturgies, is to make a good worship aid. I don’t mean the little card programs that get handed out, the “cast of characters” that make sure everyone knows who the 8th bridesmaid processing down the aisle is. I mean a full blown, texts-and-music order of service, including the full spoken responses for the congregation. If these texts are available in a hymnal or missal in the pews (I have no idea where you could find a good one of those), then that can function, too. Just make sure the congregation is made aware of these texts before the liturgy starts. Many of them are not Catholic, and some that are have not darkened the doors of a church in some time. Make them welcome and help them re-acclimate to the liturgy. For that matter, including the norms for receiving Holy Communion is a good idea, too.

I know it’s a grand cliche, but remember that this sacrament is the beginning, not the end, of a couple’s journey together toward salvation. Too often it is seen as the goal line, and “happily ever after” is the end of the story. That’s one of the reasons people overdo it with all the bells and whistles at their wedding. Put more effort into your marriage than into your wedding, and you’ll be much more successful.

And by the way, congratulations to my baby sister, Laurie, who is getting married this weekend.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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President’s Corner

    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski
    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Until Pope Paul VI, there has not been a single pope who introduced the type of fundamental changes in liturgical forms which we are now witnessing. In fact, we must note that even small changes in the liturgy introduced by a pope have never been readily accepted.”

— Monsignor Klaus Gamber (d. 1989)

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