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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Those Selfless Ordinary Form Priests

Jeff Ostrowski · November 6, 2014

705 Bishop Germany RDINARY FORM priests often work tirelessly and receive very little support. Consider, first of all, the excessive size of today’s Novus Ordo parishes. A single priest often serves 2,000, 4,000, or even 11,000 families. Other OF priests offer Mass in several locations each weekend. This is quite a contrast to the “good old days” of Roman Catholicism, where Pastor and Curates could live peacefully, seldom leaving the Church, Rectory, School, and Garden. In our times, the priest is besieged by emails, phone calls, meetings, sick calls, and even text messages, asking him difficult moral questions that require an immediate (and correct) answer.

Moreover, many Ordinary Form priests possess little experience with authentic liturgy. When I say “authentic,” I mean stable. After all, the whole point of liturgy is stability and constancy. Pope Benedict XVI reminded us:

The greatness of the liturgy depends—we shall have to repeat this frequently—on its unspontaneity [Unbeliebigkeit].

The postconciliar reforms allow for an unbelievable amount of OPTIONS, referred to as “the tyranny of options” by critics. Many Ordinary Form priests were formed in liturgies changing radically from one day to the next. On top of that, some Traditionalists berate them constantly, convincing them they don’t know anything about liturgy. With so many duties, some Ordinary Form priests are tempted to say, “Forget about liturgy. It’s so confusing, and it changes so much. When I retire, I’ll have time to become an expert, but not now. Besides, very few of my parishioners seem to care about liturgy.” My brother (a seminarian) and his friends have assured me this is rather common.

AT THE SAME TIME, many Ordinary Form priests sense something horrifically wrong with their liturgies—especially the secular, emotional, uninspired, goofy, and sometimes heretical music that accompanies Mass. What can be done? Some might say “education,” but liturgy is an extremely complex subject (that’s why “Gradual” can mean four different things!) and for most is a less-than-stimulating thing to study.

701 Readings But there’s a fantastic solution! No words. Don’t explain anything. Just get them a copy of the St. Isaac Jogues Illuminated Missal, Lectionary, & Gradual. Opening up the book, they’ll see the readings, formatted in a gorgeous way. They’ll see the Propers, whose typesetting is unmatched. They’ll see the Ordinary of the Mass, containing luscious color images. They’ll see incredible woodcuts, explaining the meaning of our Faith.

This pew book presents a road map to authentic liturgical reform, which could be summarized thusly:

Sing the music of the Church—don’t replace it—and always allow your congregation to follow the Mass.

Finally, a reminder: the Jogues Missal is for the Ordinary Form, and was approved in 2014 for the United States of America by the USCCB.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: ICEL New Translation of the Roman Missal, Roman Missal Third Edition Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Thus, by the celebration of a single Mass (in which he offers Jesus Christ in sacrifice), a priest gives greater honor to the Lord than if all men by dying for God offered to him the sacrifice of their lives. By a single Mass, he gives greater honor to God than all the angels and saints—along with the Blessed Virgin Mary—have given or shall give to him; for their worship cannot be of infinite value, like that which the priest celebrating on the altar offers to God.”

— Saint Alphonsus Liguori

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