• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

United in the Eucharist — Conservative, Liberal, or Universal?

Richard J. Clark · May 16, 2014

RJC_852_St_Pauls_Harvard St. Paul’s, Harvard Square – Photo courtesy of George Martell/The Pilot Media Group ONGREGAVIT NOS IN UNUM Christi amor. Together we are united in the love of Christ. This is the second line of the Holy Thursday chant “Ubi Caritas.” Is this idea Liberal or Conservative? Does singing it in Latin make it conservative? Does a new setting in the vernacular make it liberal?

These questions are nonsense of course, and we are beyond all of this.

Recently, much has been written, said, and done with regard to Harvard University allowing a Black Mass and its last minute cancellation. (Here is a MUST READ article by Fr. David Barnes, What This Priest Saw At the Harvard Eucharistic Procession, in which he writes about the genuine faith of so many college students.) Faith and action of Roman Catholics all around Massachusetts and beyond spoke loud and clear. No one asked who was “liberal” or “conservative.” We were united in the Eucharist. The response of the people was the Universal Church sending a clear message as one voice.

When confronted with a true enemy of faith -– disguised in whatever innocuous or attractive façade — we see through it and gravitate toward unity. Thousands took action praying, processing, singing, and defending the faith despite ridicule and criticism. Why? Because present in our midst was a serious dose of perspective—a spiritual wake-up call.

ET WE FIND IN LITURGICAL MATTERS a great deal of infighting and division. Liturgy is not unimportant as it fosters the universality of truth. The Sacred, Beautiful, and Universal is not a “conservative” idea. (Actually, I think it’s rather “progressive” – as I toss about another ambiguous term.) The liturgy should be universal as the Eucharist is its center, lest we forget. In that light, here are a couple of stories:

Recently I taped a radio interview with Dr. Jennifer Pascual in which we spoke of singing the mass and singing the propers. The seemingly benign use of the description of “young conservative priests” supporting chant was a description I would hope to do without. I would pray that the idea of singing the mass is neither conservative, nor liberal, but universal and prayerful. Dr. Pascual was certainly in agreement. If the liturgical music in question is indeed universal, then it will stand on its own merit.

Another simple anecdote exemplifies the need to unify and work together in the face of a “wake up call.” Back in the 1990’s, while studying organ with James David Christie, I also became hooked on Gregorian Chant. Growing up in the 1970’s I had little exposure or experience in chant. There was no YouTube to listen to chant and no Corpus Christi Watershed in which to download many resources. (I like to scare students in my choirs by telling them that “when I was in college, I had a typewriter.” The horror!)

As such, we were one of the very few local parishes in the 1990’s singing Gregorian chant on a weekly basis outside of the Cathedral of the Holy Cross or St. Paul’s in Cambridge. Yet, as human nature goes, there will always be individuals who may agree with most of what one does, but will complain unceasingly anyway with little constructive criticism to offer. (Msgr. Wadsworth is fond of saying, “Put three experts in Gregorian Chant in a room and you’ll have three different ways of singing it.”) Yet, when traditional sacred music was threatened by inevitable changes in the structure of the diocese, such individuals, now with eyes wide open from a dose of reality have became big supporters. They experienced a wake-up call and realized they were in an oasis in the desert.

INALLY, I HAVE OFTEN FOUND that I can work with people with whom I disagree, yet sometimes can’t accomplish much with individuals with whom I have much in common. Why is this? Usually, those who are self-confident and happy with themselves do not feel threatened. One can accomplish much despite disagreement. Those who feel threatened or insecure, even if there is 95% agreement, are often difficult to work with because of perceived nonexistent threats. Sadly, this is human nature.

Therefore, let us be united in the love of Christ and in the Eucharist. It is easier said than done. Perhaps we should pray and be vigilant for the perspective we need and a wake-up call that may actually be grace from God.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Unity Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“The following few hints on the selection of voices may be useful: (1) Reject all boys who speak roughly, or sing coarsely; (2) Choose bright, intelligent-looking boys, provided they have a good ear; they will much more readily respond to the choirmaster’s efforts than boys who possess a voice and nothing more; therefore, (3) Reject dull, sulky, or scatter-brained boys, since it is hard to say which of the three has the most demoralizing effect on his more willing companions.”

— Sir Richard Runciman Terry (1912)

Recent Posts

  • Most “Congregational” Hymn • (In My Experience)
  • Music is the “Humble Handmaid” of the Mass
  • Good Friday Flowers
  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.