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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

United in the Eucharist — Conservative, Liberal, or Universal?

Richard J. Clark · May 16, 2014

RJC_852_St_Pauls_Harvard St. Paul’s, Harvard Square – Photo courtesy of George Martell/The Pilot Media Group ONGREGAVIT NOS IN UNUM Christi amor. Together we are united in the love of Christ. This is the second line of the Holy Thursday chant “Ubi Caritas.” Is this idea Liberal or Conservative? Does singing it in Latin make it conservative? Does a new setting in the vernacular make it liberal?

These questions are nonsense of course, and we are beyond all of this.

Recently, much has been written, said, and done with regard to Harvard University allowing a Black Mass and its last minute cancellation. (Here is a MUST READ article by Fr. David Barnes, What This Priest Saw At the Harvard Eucharistic Procession, in which he writes about the genuine faith of so many college students.) Faith and action of Roman Catholics all around Massachusetts and beyond spoke loud and clear. No one asked who was “liberal” or “conservative.” We were united in the Eucharist. The response of the people was the Universal Church sending a clear message as one voice.

When confronted with a true enemy of faith -– disguised in whatever innocuous or attractive façade — we see through it and gravitate toward unity. Thousands took action praying, processing, singing, and defending the faith despite ridicule and criticism. Why? Because present in our midst was a serious dose of perspective—a spiritual wake-up call.

ET WE FIND IN LITURGICAL MATTERS a great deal of infighting and division. Liturgy is not unimportant as it fosters the universality of truth. The Sacred, Beautiful, and Universal is not a “conservative” idea. (Actually, I think it’s rather “progressive” – as I toss about another ambiguous term.) The liturgy should be universal as the Eucharist is its center, lest we forget. In that light, here are a couple of stories:

Recently I taped a radio interview with Dr. Jennifer Pascual in which we spoke of singing the mass and singing the propers. The seemingly benign use of the description of “young conservative priests” supporting chant was a description I would hope to do without. I would pray that the idea of singing the mass is neither conservative, nor liberal, but universal and prayerful. Dr. Pascual was certainly in agreement. If the liturgical music in question is indeed universal, then it will stand on its own merit.

Another simple anecdote exemplifies the need to unify and work together in the face of a “wake up call.” Back in the 1990’s, while studying organ with James David Christie, I also became hooked on Gregorian Chant. Growing up in the 1970’s I had little exposure or experience in chant. There was no YouTube to listen to chant and no Corpus Christi Watershed in which to download many resources. (I like to scare students in my choirs by telling them that “when I was in college, I had a typewriter.” The horror!)

As such, we were one of the very few local parishes in the 1990’s singing Gregorian chant on a weekly basis outside of the Cathedral of the Holy Cross or St. Paul’s in Cambridge. Yet, as human nature goes, there will always be individuals who may agree with most of what one does, but will complain unceasingly anyway with little constructive criticism to offer. (Msgr. Wadsworth is fond of saying, “Put three experts in Gregorian Chant in a room and you’ll have three different ways of singing it.”) Yet, when traditional sacred music was threatened by inevitable changes in the structure of the diocese, such individuals, now with eyes wide open from a dose of reality have became big supporters. They experienced a wake-up call and realized they were in an oasis in the desert.

INALLY, I HAVE OFTEN FOUND that I can work with people with whom I disagree, yet sometimes can’t accomplish much with individuals with whom I have much in common. Why is this? Usually, those who are self-confident and happy with themselves do not feel threatened. One can accomplish much despite disagreement. Those who feel threatened or insecure, even if there is 95% agreement, are often difficult to work with because of perceived nonexistent threats. Sadly, this is human nature.

Therefore, let us be united in the love of Christ and in the Eucharist. It is easier said than done. Perhaps we should pray and be vigilant for the perspective we need and a wake-up call that may actually be grace from God.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Unity Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski
    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

Tournemire could be charming or he could bite your head off. One day I could not replace him at St. Clotilde because I had a wedding to play at another church. Tournemire played on Sunday, period—that was all. He did not play weddings and so forth. (He put all that on my back.) So I went to Tournemire’s house to tell him, “Master, I am sorry but, for once, I cannot replace you. I have another obligation to fulfill.” He said, “Get out of here!” I left for good.

— Testimony of Maurice Duruflé

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  • Easter • Would You Sing This Hymn?

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