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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

United in the Eucharist — Conservative, Liberal, or Universal?

Richard J. Clark · May 16, 2014

RJC_852_St_Pauls_Harvard St. Paul’s, Harvard Square – Photo courtesy of George Martell/The Pilot Media Group ONGREGAVIT NOS IN UNUM Christi amor. Together we are united in the love of Christ. This is the second line of the Holy Thursday chant “Ubi Caritas.” Is this idea Liberal or Conservative? Does singing it in Latin make it conservative? Does a new setting in the vernacular make it liberal?

These questions are nonsense of course, and we are beyond all of this.

Recently, much has been written, said, and done with regard to Harvard University allowing a Black Mass and its last minute cancellation. (Here is a MUST READ article by Fr. David Barnes, What This Priest Saw At the Harvard Eucharistic Procession, in which he writes about the genuine faith of so many college students.) Faith and action of Roman Catholics all around Massachusetts and beyond spoke loud and clear. No one asked who was “liberal” or “conservative.” We were united in the Eucharist. The response of the people was the Universal Church sending a clear message as one voice.

When confronted with a true enemy of faith -– disguised in whatever innocuous or attractive façade — we see through it and gravitate toward unity. Thousands took action praying, processing, singing, and defending the faith despite ridicule and criticism. Why? Because present in our midst was a serious dose of perspective—a spiritual wake-up call.

ET WE FIND IN LITURGICAL MATTERS a great deal of infighting and division. Liturgy is not unimportant as it fosters the universality of truth. The Sacred, Beautiful, and Universal is not a “conservative” idea. (Actually, I think it’s rather “progressive” – as I toss about another ambiguous term.) The liturgy should be universal as the Eucharist is its center, lest we forget. In that light, here are a couple of stories:

Recently I taped a radio interview with Dr. Jennifer Pascual in which we spoke of singing the mass and singing the propers. The seemingly benign use of the description of “young conservative priests” supporting chant was a description I would hope to do without. I would pray that the idea of singing the mass is neither conservative, nor liberal, but universal and prayerful. Dr. Pascual was certainly in agreement. If the liturgical music in question is indeed universal, then it will stand on its own merit.

Another simple anecdote exemplifies the need to unify and work together in the face of a “wake up call.” Back in the 1990’s, while studying organ with James David Christie, I also became hooked on Gregorian Chant. Growing up in the 1970’s I had little exposure or experience in chant. There was no YouTube to listen to chant and no Corpus Christi Watershed in which to download many resources. (I like to scare students in my choirs by telling them that “when I was in college, I had a typewriter.” The horror!)

As such, we were one of the very few local parishes in the 1990’s singing Gregorian chant on a weekly basis outside of the Cathedral of the Holy Cross or St. Paul’s in Cambridge. Yet, as human nature goes, there will always be individuals who may agree with most of what one does, but will complain unceasingly anyway with little constructive criticism to offer. (Msgr. Wadsworth is fond of saying, “Put three experts in Gregorian Chant in a room and you’ll have three different ways of singing it.”) Yet, when traditional sacred music was threatened by inevitable changes in the structure of the diocese, such individuals, now with eyes wide open from a dose of reality have became big supporters. They experienced a wake-up call and realized they were in an oasis in the desert.

INALLY, I HAVE OFTEN FOUND that I can work with people with whom I disagree, yet sometimes can’t accomplish much with individuals with whom I have much in common. Why is this? Usually, those who are self-confident and happy with themselves do not feel threatened. One can accomplish much despite disagreement. Those who feel threatened or insecure, even if there is 95% agreement, are often difficult to work with because of perceived nonexistent threats. Sadly, this is human nature.

Therefore, let us be united in the love of Christ and in the Eucharist. It is easier said than done. Perhaps we should pray and be vigilant for the perspective we need and a wake-up call that may actually be grace from God.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Unity Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski
    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“It is the choir that can make the most valuable contribution to the liturgy; it is through the choir that significant numbers of the congregation can make a significant and valuable offering in the community’s act of worship. The choir links directly academic excellence, artistic creation, disciplined attention and self expression in the making of something fitting for the worship of God.”

— Father Daniel Higgins, Choirmaster at Saint Edmund’s College, Ware

Recent Posts

  • Simplified Accomp. • Schubert’s “Ave Maria.”
  • “The Unselected Hymn” • Do You Recognize It?
  • 2026 Sacred Music Pilgrimage (Washington DC) • With Richard J. Clark
  • “Reminder” — Month of April (2026)
  • “Gregorian Chant Isn’t a Platform for Your Personal Theories, Jeff” • (A Letter We Received)

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