• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Pentecost: Babel, Tongues, & Latin

Fr. David Friel · June 8, 2014

ANGUAGE is a major component of the feast of Pentecost. This is obvious from the readings appointed for both the Vigil Mass and the Mass during the Day. Within these Scripture selections, there is a message for us to learn about vernacular liturgy.

At the Vigil Mass, the first reading is taken from Genesis, chapter 11, where one finds the story of the Tower of Babel. The first line is striking: “The whole world spoke the same language, using the same words” (Genesis 11:1). The author seems mesmerized by the beautiful uniformity of this situation—a state of affairs that characterized the worship of the Roman Rite for many centuries. Later in the reading, on account of the people’s pride & rebellion, the Lord decides to “confuse their language, so that no one will understand the speech of another” (Genesis 11:7).

In the first reading from the Mass during the Day, the story of Pentecost day is recounted from Acts, chapter 2. Interestingly, in this case, the people become “confused” because “each one heard [the disciples] speaking in his own language” (Acts 2:6). By the power of the Holy Spirit and the gift of tongues, people of all nations were enabled to hear and understand the Gospel message that day.

Fifty years having passed since Sacrosanctum Concilium, it is difficult to understand how that document’s implementation happened the way it happened. This is the Vatican II Constitution that states: “the use of the Latin language is to be preserved in the Latin rites” (SC 36.1). Almost immediately after its release, however, the use of Latin in Catholic liturgy all but vanished.

I was impressed years ago by a bit of wisdom that I read in Letters to Malcolm, C.S. Lewis’ brief book on prayer:

“If you have a vernacular liturgy, you must have a changing liturgy: otherwise it will finally be vernacular only in name. The ideal of ‘timeless English’ is sheer nonsense. No living language can be timeless. You might as well ask for a motionless river.”

The Third Edition of the Roman Missal has made heroic strides towards a more “timeless English” for today’s worship in the Anglophone world, but Lewis’ point remains true. Shouldn’t liturgy be timeless? If so, then abundant use of vernacular languages will be a hindrance.

There is a special arrogance which asserts that “people can’t understand” the liturgy unless it is celebrated in the vernacular. Do we really “understand” the liturgy, even in the vernacular? This usage of “understand” seems to imply a sense of total control over the liturgy and a marked absence of mystery. At the same time, the insinuation that the faithful are incapable of grasping at least the ordinary in Latin is, to my mind, brash.

Some time ago, I published the story of how I came to love Latin liturgy, and this feast of Pentecost has brought those thoughts to the fore of my mind again. I never set out to love Latin; the conversion simply overtook me once I began to experience it. Do churchgoers of my generation—who, largely, have no experience of Latin in the liturgy at all—even recognize the gift that has been lost? Would they even understand the wonder & awe captured in the opening line of the Tower of Babel story?

As I stood in line last July, waiting for the opportunity to concelebrate Mass on Copacabana Beach, I remember wondering to myself what language Pope Francis would choose for offering the closing Mass of World Youth Day. On other occasions, I have been to Masses with similarly international congregations during which (presumably in order to make everyone feel welcome) the organizers arranged for twelve intercessions to be spoken each in a different language by a person in native dress. On these occasions, my natural response has invariably been to recall that the Church, in her long wisdom, has an answer for such occasions. Why is it taboo, verboten, anathema in so many places to make use of Latin, which is so highly praised & respected by the Second Vatican Council?

From the Tower of Babel, we can learn an appreciation for worldwide linguistic uniformity. Considering the story of Pentecost, we can gain admiration for a common language that people of diverse backgrounds can comprehend. Is it too much of a jump to recognize the value of Latin liturgy?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Latin, Liturgy of the Second Vatican Council, Roman Missal Third Edition, Sacrosanctum Concilium Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Ronald Knox explained why the Modernists do not compose hymns: “Birds of prey have no song.”

— Fr. George William Rutler (2016)

Recent Posts

  • The Weekday Communions of Lent
  • PDF Download • “Atténde Dómine”
  • “Chant Is Not a Penitential Act” • Lenten Reflection by Daniel Marshall
  • (Ash Wednesday) • Medieval Illumination Depicting the Distribution of Ashes
  • Music List • (1st Sunday of Lent)

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.