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“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

A 1969 Quote Bugnini Wishes He Could Retract

Jeff Ostrowski · July 8, 2014

288 Bugnini Here’s a 1969 quote by Archbishop Bugnini (responding to criticism by an eminent historian whose specialty was the Council of Trent):

S A GOOD HISTORIAN who knows how to weigh both sides and reach a balanced judgment, why did you not mention the millions and hundreds of millions of the faithful who have at last achieved worship in spirit and in truth? Who can at last pray to God in their own languages and not in meaningless sounds, and are happy that henceforth they know what they are saying? Are they not “the Church?”

As for the “bond of unity”: Do you believe the Church has no other ways of securing unity? Do you believe there is a deep and heartfelt unity amid lack of understanding, ignorance, and the “dark of night” of a worship that lacks a face and light, at least for those out in the nave? Do you not think that a priestly pastor must seek and foster the unity of his flock—and thereby of the universal flock—through a living faith that is fed by the rites and finds expression in song, in communion of minds, in love that animates the Eucharist, in conscious participation, and in entrance into the mystery? Unity of language is superficial and fictitious; the other kind of unity is vital and profound … Here in the Consilium we are not working for museums and archives, but for the spiritual life of the people of God … The present renewal of the Church is serious, solid, thoroughgoing, and safe [Bugnini’s italics] even if it also brings suffering and opposition … Do you not think, Professor, that historians too ought to search historical events and discover signs of God in them?

What’s even more troubling than Bugnini’s polemical and bitter tone is the substance. For example, consider his bizarre assertion that Catholics could not worship God for almost 1600 years. Furthermore, he claims not to be working for “for museums and archives,” yet a major goal of his was returning to a more “pristine” age of the Church and the elimination of “accretions” that developed over many centuries.

As time goes on, I hope to speak about this quotation, but I must be careful. You see, there’s tons more stuff like this in Bugnini’s book, and providing a full critique would take centuries…

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform Last Updated: June 4, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski
    Music Director Job • $80,000 per year
    Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!
    —Jeff Ostrowski
    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The following few hints on the selection of voices may be useful: (1) Reject all boys who speak roughly, or sing coarsely; (2) Choose bright, intelligent-looking boys, provided they have a good ear; they will much more readily respond to the choirmaster’s efforts than boys who possess a voice and nothing more; therefore, (3) Reject dull, sulky, or scatter-brained boys, since it is hard to say which of the three has the most demoralizing effect on his more willing companions.”

— Sir Richard Runciman Terry (1912)

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  • Music Director Job • $80,000 per year
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