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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Music Rules Over Us

Dr. Peter Kwasniewski · July 3, 2014

COLLEAGUE OF MINE shared with me a text he found in a fairly obscure medieval treatise. He was very excited about its content and knew that I would be as well:

MUSIC RULES OVER US, given that we are held together through it. When nature catches in voices what she feels innate within her, she is moved with a deep, wondrous affection, since like rejoices in like. Music endows voices, removes anger, suggests and persuades to clemency. And every age, every sex, and the nature of almost all souls is moved by the judgment of music. And what about thrushes, swans, nightingales, and other sweet songed souls impelled by music to utter their loquacious comfort? Just as they breathe without labor, so too do they sing. This is a sign that music is innate in souls, since those things which have no free will with which to deliberate, produce (led by nature alone) harmonious voices, and celebrate with those singing with them. Through the comfort of music the Theban Isemenia used to heal the maladies of the Thebans. And so too did David with the royal madness [of King Saul]. And we even read that Empedocles with a swaying mode calmed the youth who was rushing at his host, since he had accused his father. The Pythagoreans, also by song, caused a light and pleasant sleep to waft over themselves; just as by other modes they used to shake off the stupor of sleep once they awoke. What shall we say about how such a diversity of souls are pleased by a variety of modes?

The author is Bernard Silvestris; the work, a commentary on Martianus Capella.

When asked the question “What is the best guardian?,” Socrates says: “Argument mixed with music. It alone, when it is present, dwells within the one possessing it as a savior of virtue throughout life” (549b). Argument mixed with music: this sounds to me like a description of Gregorian chant, which artfully combines the Word of God, the , the music of the angels. It can dwell within our souls as a savior of the theological virtues, expressing faith, spurring on hope, fueling charity.

We internalize the music we sing and listen to―it becomes a part of us, it shapes us in its image. You are what you listen to and look at, more than you are what you eat. As Pope Benedict once said, air is to biological life what the Holy Spirit is to spiritual life. What we take into our souls is the food and drink of our souls, and we will be healthy or unhealthy depending on the quality of that food and drink. If our music is that of the Holy Spirit, we will be eating and drinking the spirit of truth, the love of the Father and the Son. If our music is that of the world or the prince of this world, we will be eating and drinking the spirit of worldliness. We cannot be too careful about this dietary discernment.

What is the depth and breadth of the music you listen to? How deep into the reality of God and your immortal soul does it delve? How well does it encompass and echo the grandeur of the world around us?

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s Sacred Choral Works and the audio CDs that contain recordings of the pieces.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“We must remember that the important elements of a rite are not the things that will first be noticed by a casual and ignorant onlooker—the number of candles, colour of the vestments and places where the bell is rung—but just those things he would not notice: the Canon, fraction and so on, the prayers said in a low voice and the characteristic but less obvious rites done by the celebrant at the altar.”

— Fr. Fortescue explaining that Anglicanism does not preserve Sarum

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