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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Pope Francis on Sound Doctrine, Memory, and Adoration

Dr. Peter Kwasniewski · July 10, 2014

HROUGH SELECTIVE REPORTING and a heavy interpretive slant, it has been possible for the popular and religious media to co-opt Pope Francis almost entirely. One of the most common canards now broadcast is that Pope Francis cares but little for the sacred liturgy, so eager is he to reach out to the poor and marginalized; and so, things like the Eucharistic doctrine of Trent, Eucharistic adoration, even the very concept of tradition, mean relatively little to him.

Even if Pope Francis is not a theologian of the liturgy as was his beloved predecessor, however, it is stretching the truth quite a bit to suggest that he does not appreciate―and include in his preaching and writing―many of the fundamental points Pope Benedict XVI strove to emphasize in his teaching. I would like to present a few of these quotations here.

Letter to Walter Cardinal Brandmüller, November 19, 2013:

As the 450th anniversary of the day on which the fortunate Council of Trent was closed approaches, it behooves the Church to recall with more prompt and attentive eagerness the most fruitful doctrine which came out of that Council convened in the Tyrolese region. Certainly not without cause, the Church has for a long time already accorded so much care to the Decrees and Canons of that Council that are to be recalled and observed, since, when the most grave affairs and questions appeared at that time, the Council Fathers summoned all diligence that the Catholic Faith appear more clearly and be better understood. No doubt, with the Holy Ghost inspiring and suggesting, it especially concerned the Fathers not only to guard the sacred deposit of Christian doctrine, but also to more clearly enlighten mankind, so that the saving work of the Lord may be poured out onto the whole world and the Gospel be spread through the entire world.

Graciously hearing the very same Holy Spirit, the Holy Church of our age, even now, continues to restore and meditate upon the most abundant doctrine of Trent. As a matter of fact, the “hermeneutic of renewal” (interpretatio renovationis) which Our Predecessor Benedict XVI explained in 2005 before the Roman Curia, refers not only to the Tridentine Council but also to the [Second] Vatican Council. The mode of interpretation, certainly, places one honourable characteristic of the Church in a brighter light that is given by the same lord Benedict XVI: “She is a subject which increases in time and develops, yet always remaining the same, the one subject of the journeying People of God” (Christmas Address to the Roman Curia, December 22, 2005).

ND, AS IF TO ANSWER THE QUESTION “Why should we intently study and internalize the doctrine of the Council of Trent?”, here is what the Holy Father reminded us in his homily for Pentecost Sunday, June 8, 2014:

The Holy Spirit reminds us, He reminds us of all that Jesus said. He is the living memory of the Church. And while he reminds us, He makes us understand the Lord’s words. This recollection in the Spirit and thanks to the Spirit is not reduced to a mnemonic reality, it is an essential aspect of the presence of Christ in us and in His Church. … A Christian with no memory is not a true Christian: he is a Christian in the middle of the road, a man or a woman prisoner of the moment, who does not know how to treasure his history, how to read it and live it as history of salvation.… May the Holy Spirit enliven Christian memory in all of us! And on that day, with the Apostles, there was the Lady of Memory, the one who initially pondered all those things in her heart. There was Mary, our Mother. May She help us in this road of memory.

THE CATHOLIC CHURCH, precisely because she is a social body whose glue is tradition, worships publicly in the temple, with the songs and rites handed down―and not for the sake of herself, but always focused on the Lord who is her All. Hence the primacy of adoration, as Pope Francis indicates in his homily for the Feast of St. Cecilia, November 22, 2013:

The temple is the place where the community goes to pray, to praise the Lord, to give thanks, but above all to adore: the Lord is adored in the temple. And this is the most important point. This is also true for liturgical ceremonies: in this liturgical ceremony, what is most important? The songs, the rites, they are all beautiful… However, adoration is what is most important: the whole community together look at the altar where the sacrifice is celebrated and adore.

Are our temples places of adoration? Do they foster adoration? Do our liturgical celebrations foster adoration?” … The temple was a sacred place. we should enter there, in the sacredness that leads us to prayer.”

We too need to be continually purified with prayer, penance, and with the Sacraments of Reconciliation and the Eucharist.

In these two temples―the physical temple which is a place of adoration, and the spiritual temple within me where the Holy Spirit dwells―our disposition should be one of true piety that adores and listens, that prays and asks pardon, that praises the Lord.

So, the next time you hear someone assert that Pope Francis is breaking away from everything that came before him, you might want to pull out texts like these as a way of signaling that, at the very least, we are dealing here with a man of many facets, who at times gives vivid expression to core principles of Catholic traditionalists.

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s Sacred Choral Works and the audio CDs that contain recordings of the pieces.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“The Church has always kept, and wishes still to maintain everywhere, the language of her Liturgy; and, before the sad and violent changes of the 16th century, this eloquent and effective symbol of unity of faith and communion of the faithful was, as you know, cherished in England not less than elsewhere. But this has never been regarded by the Holy See as incompatible with the use of popular hymns in the language of each country.”

— Pope Leo XIII (1898)

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  • “Dies Irae” • A Monstrous Translation

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