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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Twelve Films I Recommend to Catholic Artists

Gwyneth Holston · January 20, 2014


GWYN_Diary of a Country Priest Big
LTHOUGH TRULY meaningful films are few and far between, there are some that are profound on both artistic and theological levels. Most of the films on my list have subtitles and are in black and white. It takes more effort to watch these movies, but they stick with you for a long time.

Here are my favorites in no particular order. They withstand repeated viewing because of their richness and complexity. Most of them are available through the Criterion Collection.

Please comment with your recommendations!

1. Jeux Interdits (1952). Two young children cope with the idea of death on a small farm in France during WWII. This is suitable for teens and adults.


GWYN_Jeux Interdits

2. Diary of a Country Priest (1951). Excellent film adaptation of the book. A young priest is stationed in a difficult parish and all he does seems to result in failure. A visual representation of spiritual turmoil. This is suitable for all ages, but children and teens may find it incomprehensible.


GWYN_Diary of a Country Priest Small

3. The Flowers of St. Francis (1950). A series of vignettes that are of such purity and charm that they come very close to the spirit of the written version. This is suitable for all ages.


GWYN_Flowers of St Francis

4. The Seventh Seal (1957). A Swedish fantasy drama about the meaning of life. This is suitable for all ages, but I don’t think children would enjoy it.


GWYN_The Seventh Seal

5. Black Narcissus (1947). An incredible novel by Rumer Godden that follows the story of a group of Anglican nuns who attempt to found a mission in India. The intoxicating landscape attacks each of the nuns differently. This film is suitable for adults.


GWYN_Black Narcissus

6. La Grande Illusion (1937). A film by Jean Renoir that questions war via a dialogue by a cast of complex characters. Suitable for all ages, but only appreciated by adults.


GWYN_La Grande Illusion

7. The Ninth Day (2004). The story of a Priest who is on leave from a concentration camp for nine days. Each day he must converse with a young Nazi officer on the topics of good and evil. Suitable for teens and adults.


GWYN_The Ninth Day

8. The River (1951). Startlingly beautiful yet brutally unexpected film adaptation of Rumer Godden’s coming of age novel of a British girl in India. Suitable for adults.


GWYN_The River

9. The Mission (1986). Two Spanish Jesuits work in a South American mission and must defend them. Suitable for adults.


GWYN_The Mission

10. Pickpocket (1959). Interesting portrait of a man who flirts with temptation and almost loses his identity. Visually exquisite. N.B. The little girl from Diary of a Country Priest plays an adult in this film. Suitable for teens and adults.


GWYN_Pickpocket

11. Whistle Down the Wind (1961). When an injured wife murderer takes refuge on a remote Lancashire farm, the owners three children mistakenly believe him to be the Second Coming of Christ. This is suitable for children.


GWYN_Whistle Down the Wind

12. Angels with Dirty Faces (1938). A priest tries to stop a gangster from corrupting a group of street kids. This film is suitable for children.


GWYN_Angels with Dirty Faces

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Gwyneth Holston

Gwyneth Holston is a sacred artist who works to provide and promote good quality Catholic art. Her website is gwynethholston.com. Read more.

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“We cannot approve of the attitude of those who use the problems raised and discussed by the Council to create in themselves and in others an attitude of unrest and a desire for radical reformation, as if the Council gives every private opinion a chance to destroy the heritage of the Church. acquired during Her many centuries of history and experience.”

— Pope Paul VI (30 June 1965)

Recent Posts

  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)

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