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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

I am a fraud: A Life of Service

Richard J. Clark · December 19, 2014

CHALLENGE OF THE LITURGICAL calendar is that there is very little letup. There is no time for “coasting” along. Much of the beauty of our faith is the depth and richness of its liturgical life. This especially includes Ordinary Time (a name so vastly misunderstood: I once heard a priest from an order that shall not be named refer to it as “Regular Time.”) There is no time during the year to rest on one’s laurels. While unrelenting, I believe the richness of liturgical worship is what draws may of us in –- for life. As Goffredo Boselli observes:

“To live from the liturgy one celebrates means to live from what one experiences there: mercy invoked, the word of God heard, thanks given, Eucharist received as communion. If believers live from the liturgy, they will experience it differently, because it bears within it the spiritual energies that are essential for their growth in the spiritual life.” (The Spiritual Meaning of the Liturgy, pg. xi)

But this time of year, when church musicians are particularly busy, it is often difficult to attend to our interior prayer life and live from the liturgy—no less contemplate why we entered such a life of service. Most likely, we are navigating church politics, or if we are lucky, we are given the OK to slowly build a sacred music program over time. Even more likely, we are building a program in the face of adversity of all kinds. Yet we persist.

Why? Probably because it is not just love for what we do, but love of God and love for God’s people in the inevitable face of such adversity. Our work must be centered in Christ – not in our own wants and desires. Such work is service. Service is prayer.

ECENTLY, I REACHED TWO rather ignominious milestones: twenty-five years at St. Cecilia Parish in Boston and ten years at St. Mary’s Chapel at Boston College. Longevity is not a credential. In some ways, these milestones are a product of unusual circumstances and sheer tenacity to build upon my previous work (self-serving perhaps?).

However, I must also make a confession: I have thought about leaving this career—or at the very least, full-time parish work—most every day for much of the last decade.

But I am a fraud. I haven’t gone away. In fact, deep within, it is perhaps parish work that is the most rewarding. It is there that we truly can serve God’s people in the trenches—meet them where they are at and hope to assist in prayer and worship of God. Parish work does not insulate one from all that is challenging in human nature. In fact, parishes bring us closer to the beauty of God’s people most often because of our human frailty.

On another note, I didn’t attend the Berklee College of Music to study sacred music or the organ. (Interestingly, Berklee’s training has been key to my work – most notably, their excellent training in theory, composition, and counterpoint.) I have had vastly different ambitions in mind for my life and career. But God quickly had other plans: a lifetime of service.

It has taken a couple of decades for me to embrace that. God calls us to service at his pleasure. This often means doing much that we don’t want to do. But know that God’s beauty can be found there. For this I am grateful.

I am also grateful for the people I have met and served. Furthermore, I am grateful that I get to be their music director—doing it with wonderful musicians and for wonderful people. Along the way, there have been many to whom I truly owe my life and career.

Ultimately, it is God who sustains our work. When he calls, may we respond with joy.

Soli Deo Gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“In the Latin Church the pipe organ is to be held in high esteem, for it is the traditional musical instrument which adds a wonderful splendor to the Church’s ceremonies and powerfully lifts up man’s mind to God and to higher things.”

— Vatican II Council

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