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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

I am a fraud: A Life of Service

Richard J. Clark · December 19, 2014

CHALLENGE OF THE LITURGICAL calendar is that there is very little letup. There is no time for “coasting” along. Much of the beauty of our faith is the depth and richness of its liturgical life. This especially includes Ordinary Time (a name so vastly misunderstood: I once heard a priest from an order that shall not be named refer to it as “Regular Time.”) There is no time during the year to rest on one’s laurels. While unrelenting, I believe the richness of liturgical worship is what draws may of us in –- for life. As Goffredo Boselli observes:

“To live from the liturgy one celebrates means to live from what one experiences there: mercy invoked, the word of God heard, thanks given, Eucharist received as communion. If believers live from the liturgy, they will experience it differently, because it bears within it the spiritual energies that are essential for their growth in the spiritual life.” (The Spiritual Meaning of the Liturgy, pg. xi)

But this time of year, when church musicians are particularly busy, it is often difficult to attend to our interior prayer life and live from the liturgy—no less contemplate why we entered such a life of service. Most likely, we are navigating church politics, or if we are lucky, we are given the OK to slowly build a sacred music program over time. Even more likely, we are building a program in the face of adversity of all kinds. Yet we persist.

Why? Probably because it is not just love for what we do, but love of God and love for God’s people in the inevitable face of such adversity. Our work must be centered in Christ – not in our own wants and desires. Such work is service. Service is prayer.

ECENTLY, I REACHED TWO rather ignominious milestones: twenty-five years at St. Cecilia Parish in Boston and ten years at St. Mary’s Chapel at Boston College. Longevity is not a credential. In some ways, these milestones are a product of unusual circumstances and sheer tenacity to build upon my previous work (self-serving perhaps?).

However, I must also make a confession: I have thought about leaving this career—or at the very least, full-time parish work—most every day for much of the last decade.

But I am a fraud. I haven’t gone away. In fact, deep within, it is perhaps parish work that is the most rewarding. It is there that we truly can serve God’s people in the trenches—meet them where they are at and hope to assist in prayer and worship of God. Parish work does not insulate one from all that is challenging in human nature. In fact, parishes bring us closer to the beauty of God’s people most often because of our human frailty.

On another note, I didn’t attend the Berklee College of Music to study sacred music or the organ. (Interestingly, Berklee’s training has been key to my work – most notably, their excellent training in theory, composition, and counterpoint.) I have had vastly different ambitions in mind for my life and career. But God quickly had other plans: a lifetime of service.

It has taken a couple of decades for me to embrace that. God calls us to service at his pleasure. This often means doing much that we don’t want to do. But know that God’s beauty can be found there. For this I am grateful.

I am also grateful for the people I have met and served. Furthermore, I am grateful that I get to be their music director—doing it with wonderful musicians and for wonderful people. Along the way, there have been many to whom I truly owe my life and career.

Ultimately, it is God who sustains our work. When he calls, may we respond with joy.

Soli Deo Gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

Why do we never sing “De Spiritu Sancto” (St. Athenogenes) in our churches? There are a dozen translations in English verse. Where could anyone find a better evening hymn than this, coming right down from the catacombs? Our hymnbooks know nothing of such a treasure as this, and give us pages of poor sentiment in doggerel lines by some tenth-rate modern versifier.

— Rev’d Adrian Fortescue (d. 1923)

Recent Posts

  • Music List • (5th Sunday of Lent)
  • Music List • (Holy Thursday, 2026)
  • “O Escam Viatorum” • (Holy Thursday)
  • PDF Download • Simplified Keyboard Accompaniments for Lenten Hymns
  • Ending Good Friday on “Mi” … ?

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