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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

I am a fraud: A Life of Service

Richard J. Clark · December 19, 2014

CHALLENGE OF THE LITURGICAL calendar is that there is very little letup. There is no time for “coasting” along. Much of the beauty of our faith is the depth and richness of its liturgical life. This especially includes Ordinary Time (a name so vastly misunderstood: I once heard a priest from an order that shall not be named refer to it as “Regular Time.”) There is no time during the year to rest on one’s laurels. While unrelenting, I believe the richness of liturgical worship is what draws may of us in –- for life. As Goffredo Boselli observes:

“To live from the liturgy one celebrates means to live from what one experiences there: mercy invoked, the word of God heard, thanks given, Eucharist received as communion. If believers live from the liturgy, they will experience it differently, because it bears within it the spiritual energies that are essential for their growth in the spiritual life.” (The Spiritual Meaning of the Liturgy, pg. xi)

But this time of year, when church musicians are particularly busy, it is often difficult to attend to our interior prayer life and live from the liturgy—no less contemplate why we entered such a life of service. Most likely, we are navigating church politics, or if we are lucky, we are given the OK to slowly build a sacred music program over time. Even more likely, we are building a program in the face of adversity of all kinds. Yet we persist.

Why? Probably because it is not just love for what we do, but love of God and love for God’s people in the inevitable face of such adversity. Our work must be centered in Christ – not in our own wants and desires. Such work is service. Service is prayer.

ECENTLY, I REACHED TWO rather ignominious milestones: twenty-five years at St. Cecilia Parish in Boston and ten years at St. Mary’s Chapel at Boston College. Longevity is not a credential. In some ways, these milestones are a product of unusual circumstances and sheer tenacity to build upon my previous work (self-serving perhaps?).

However, I must also make a confession: I have thought about leaving this career—or at the very least, full-time parish work—most every day for much of the last decade.

But I am a fraud. I haven’t gone away. In fact, deep within, it is perhaps parish work that is the most rewarding. It is there that we truly can serve God’s people in the trenches—meet them where they are at and hope to assist in prayer and worship of God. Parish work does not insulate one from all that is challenging in human nature. In fact, parishes bring us closer to the beauty of God’s people most often because of our human frailty.

On another note, I didn’t attend the Berklee College of Music to study sacred music or the organ. (Interestingly, Berklee’s training has been key to my work – most notably, their excellent training in theory, composition, and counterpoint.) I have had vastly different ambitions in mind for my life and career. But God quickly had other plans: a lifetime of service.

It has taken a couple of decades for me to embrace that. God calls us to service at his pleasure. This often means doing much that we don’t want to do. But know that God’s beauty can be found there. For this I am grateful.

I am also grateful for the people I have met and served. Furthermore, I am grateful that I get to be their music director—doing it with wonderful musicians and for wonderful people. Along the way, there have been many to whom I truly owe my life and career.

Ultimately, it is God who sustains our work. When he calls, may we respond with joy.

Soli Deo Gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

“Oh, the happy choir director who is hired to start work on a brand new choir, or who walks into his first rehearsal a total stranger to the existing group—what a fortunate man he is! The new choir director who is a former member of the choir, or a member of the congregation, or the nephew of the alto soloist, or a former altar boy, or otherwise well acquainted with the choir, is in for a few headaches.”

— Paul Hume (1956)

Recent Posts

  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026

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