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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Saint Paul’s Choir School ~ Top 5 on the Billboard Charts

Richard J. Clark · December 12, 2014

HE SAINT PAUL’S CHOIR SCHOOL, Harvard Square, founded in 1963 by the legendary Theodore Marier, has recently enjoyed a flurry of national publicity surrounding their new CD “Christmas in Harvard Square” on Decca/AimHigher Recordings/UMC. Under the direction of John Robinson and accompanied by organist Dr. Jonathan Wessler, the CD was produced by Grammy Award winner Blanton Alspaugh.

Released in October of this year, it opened on the No. 2 spot on Billboard Magazine’s overall Classical Traditional Chart. During the nine weeks since its release, it has remained in the top 5 on the Classical Traditional Chart. Additionally, it listed last week at No. 4 on the Holiday Albums Chart and No. 10 on the Classical Albums Chart.

* *  Order the CD here: Christmas in Harvard Square • Saint Paul’s Choir School | Harvard Square You can also view the track list and listen to samples. It is also available on iTunes and Amazon.

ECENT NATIONAL TELEVISED APPEARANCES include a Christmas Special on PBS as well as a segment on “Fox and Friends.” During this segment, Music Director John Robinson was asked about the boys’ typical day and rehearsal time. While discussing their extensive rehearsal in addition to demanding academics, Robinson quite notably points out that “…the highlight of our day is always singing the mass that happens at 12:10 in the beautiful acoustics of St. Paul’s Church.” To watch the entire segment click here:

Watch the latest video at video.foxnews.com      * *  Here is a detailed review of “Christmas in Harvard Square” by Michael Olbash on One Peter Five. Of the many details Mr. Olbash discusses, one comment stands out as it reflects this music the context of faith:

Many choral ensembles include Gregorian chant in concert programs and recording projects as novelty items which tend to sound like precious, fragile museum pieces. In contrast, the two Gregorian introits on this recording — Dominus Dixit and Puer Natus Est — were lively and expressive, the kind of chant singing which can only be achieved when the Gregorian plainsong is part of the living, daily prayer life of a choral ensemble. (emphasis added)

F YOU ARE IN THE BOSTON AREA you can view their concert series and buy tickets online here. Their last concert was sold out, so buy tickets now!

Finally, if you know a talented third or fourth grade boy, you can learn more about “How to Become a Choirboy.” This provides information about admissions, tuition, and opportunities at the Saint Paul’s Choir School. This is an extraordinarily unique Catholic education that may open many unexpected doors. The passion and discipline of music in the context of a faith-filled Catholic education lead to success not only in higher education, but potentially in all matters of life.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: November 27, 2021

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    (Part 2) • Did they simplify this hymn?
    Choirs love to sing the resplendent tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1929, I discovered what appears to be a simplified version of that hymn. Their harmonization is much less complex than the version found in the Father Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1929 harmonization (PDF) and let me know your thoughts. As always, the Germans added an organ INTRODUCTION. For the record, I posted a different harmonization a few months ago which was downloaded more than 2,000 times.
    —Jeff Ostrowski
    PDF • “Lectionary Comparison Chart”
    Various shell corporations (in an effort to make money selling Sacred Scripture) have tinkered with the LECTIONARY texts in a way that’s shameful. It’s no wonder Catholics in the pews know so few Bible passages by heart. Without authorization, these shell corporations pervert the official texts. Consider the Responsorial Psalm for the 1st Sunday of Advent (Year A). If you download this PDF comparison chart you’ll notice each country randomly omits certain sections. Such tinkering has gone on for 60+ years—and it’s reprehensible.
    —Corpus Christi Watershed
    Monsignor Klaus Gamber Speaks!
    An interesting quotation from the eminent liturgist, Monsignor Klaus Gamber (d. 1989): “According to canon law, a person’s affiliation with a particular liturgical rite is determined by that person’s rite of baptism. Given that the liturgical reforms of Pope Paul VI created a de facto new rite, one could assert that those among the faithful who were baptized according to the traditional Roman rite have the right to continue following that rite; just as priests who were ordained according to the traditional Ordo have the right to exercise the very rite that they were ordained to celebrate.”
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“We wish to express the hope that students of Gregorian Chant come back to the pure Vatican Edition, in the ancient block-note form, without the addition of any signs whatever, in order to achieve Gregorian unity.”

— Josef Gogniat (12 March 1938)

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  • (Part 2) • Did they simplify this hymn?
  • PDF • “Lectionary Comparison Chart”

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