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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Breaking News! Pope Francis Refuses To Adopt “Narrative” Of Progressive Liturgists

Jeff Ostrowski · August 18, 2014

945 Pope Francis VER SINCE HIS ELECTION, irresponsible and sensationalistic journalists have created a particular “narrative” for Pope Francis. (The irony, of course, is that if they’d simply stuck with the facts about the man, they’d be amazed & inspired.) What I especially hate is when they slobber over Pope Francis, yet ignore his message, in which he glorifies Jesus Christ … not himself.

The distortions about Francis might have been created with malicious intent, but more likely result from ignorance, laziness, and (most importantly) greed. After all, it’s difficult to sell newspapers and magazines without giving stories an “angle,” and journalists don’t seem to care how genuine their angle is.

A number of picco-liturgists have subscribed to this fictitious narrative, and wake up every morning hoping Pope Francis will insert “progressive” elements to the Roman Missal. From the beginning, some have pointed out how improbable such a development would be, but the “progressive” liturgists refuse to give up hope.

At this point, it seems they’re grasping at straws.

I recently came across an article in The Tablet dealing with the recent document by the CDW on the Sign of Peace, which (though helpful and welcome) is fairly inconsequential, containing absolutely nothing new or surprising. The Tablet article could best be described as “ill-informed gossip” by a totally unqualified author with too much time on his hands; yet one can easily find hundreds more just like it!

I’ve attempted to write a parody, but I fear it’s so similar to what passes for journalism these days, it hardly qualifies as satire:

TEINWAY HAS RECENTLY BEGUN constructing pianos with a slightly different alloy than they had used before. Some say this new alloy might be cheaper than the old one (but this hasn’t been confirmed yet). If so, the Steinway corporation might have more money to spend on helping the poor, and this would obviously be a response to the pope’s initiatives. After all, Pope Francis is the first church leader ever to encourage helping those in need. Indeed, this new alloy epitomises Pope Francis’ approach to life, the Church, and the sacraments, and suggests that Pope Francis will soon make vast changes in the Church, such as allowing women’s ordination and eliminating all dogmas.

As I mentioned already, it’s highly unlikely Pope Francis will make sweeping changes to the liturgy. In spite of what some have claimed, 1 Pope Francis is not as interested in the liturgy as B16 was.

I have a secret … but please don’t tell the “progressive” liturgists. If they want to learn about a pope who made sweeping changes to the liturgy, they should study Pope Paul VI. They would be amazed at the great number of changes he made. (In fact, he left very few items untouched.) Again, please don’t tell them, because it’s quite amusing to watch them go crazy every time Francis does something, assuring us that his “secret fingerprints” are on such-and-such, and he’s secretly intending to do such-and-such, and he’s poised to make massive changes, ETC.

I HAVE TO ADMIT, there was a good deal of ignorant sensationalism about Benedict XVI, as well. People who knew absolutely nothing about how the Church operates would notice B16 wearing some vestment (which popes have worn for centuries) and declare that “big changes” are coming to the Church. Yet, when I’d walk into a local Church, nothing had changed. For example, we still had disrespectful musical styles with horrible lyrics, like a Communion meditation I heard recently at Mass:

We are the Church, we are the chosen.
We are the poor, we’ll suffer no more.
We are the victors, we’re here and we’ll triumph.
We’ll come to the light, we’ll be there with might,
and accept our cup of blessing.

(Those are the actual lyrics of the song.)

But all this has been taken to another level with the “Francis Myths.” How can people take this stuff seriously? Maybe Fulton Sheen was right. “The problem is not that modern people believe too little; the problem is, they’ll believe anything.”

By the way, if you haven’t read Fr. Friel’s article about Benedict XVI and Francis, please do so.



NOTES FROM THIS ARTICLE:

1   Fr. Anthony Ruff, who frequently presents at “progressive” gatherings like Call to Action, asserted in 2013 that Pope Francis is “more interested in liturgy” than Pope Benedict XVI.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Pope Francis Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski
    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“From the responses received, it is thus clear that by far the greater number of bishops feel that the present discipline [Communion on the tongue and not in the hand] should not be changed at all—indeed, that if it were changed, this would be offensive to the sensibility and spiritual appreciation of these bishops and of most of the faithful.”

— Sacred Congregation for Divine Worship (29 May 1969)

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  • Pipe Organ “Answers” in Plainsong?

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