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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Breaking News! Pope Francis Refuses To Adopt “Narrative” Of Progressive Liturgists

Jeff Ostrowski · August 18, 2014

945 Pope Francis VER SINCE HIS ELECTION, irresponsible and sensationalistic journalists have created a particular “narrative” for Pope Francis. (The irony, of course, is that if they’d simply stuck with the facts about the man, they’d be amazed & inspired.) What I especially hate is when they slobber over Pope Francis, yet ignore his message, in which he glorifies Jesus Christ … not himself.

The distortions about Francis might have been created with malicious intent, but more likely result from ignorance, laziness, and (most importantly) greed. After all, it’s difficult to sell newspapers and magazines without giving stories an “angle,” and journalists don’t seem to care how genuine their angle is.

A number of picco-liturgists have subscribed to this fictitious narrative, and wake up every morning hoping Pope Francis will insert “progressive” elements to the Roman Missal. From the beginning, some have pointed out how improbable such a development would be, but the “progressive” liturgists refuse to give up hope.

At this point, it seems they’re grasping at straws.

I recently came across an article in The Tablet dealing with the recent document by the CDW on the Sign of Peace, which (though helpful and welcome) is fairly inconsequential, containing absolutely nothing new or surprising. The Tablet article could best be described as “ill-informed gossip” by a totally unqualified author with too much time on his hands; yet one can easily find hundreds more just like it!

I’ve attempted to write a parody, but I fear it’s so similar to what passes for journalism these days, it hardly qualifies as satire:

TEINWAY HAS RECENTLY BEGUN constructing pianos with a slightly different alloy than they had used before. Some say this new alloy might be cheaper than the old one (but this hasn’t been confirmed yet). If so, the Steinway corporation might have more money to spend on helping the poor, and this would obviously be a response to the pope’s initiatives. After all, Pope Francis is the first church leader ever to encourage helping those in need. Indeed, this new alloy epitomises Pope Francis’ approach to life, the Church, and the sacraments, and suggests that Pope Francis will soon make vast changes in the Church, such as allowing women’s ordination and eliminating all dogmas.

As I mentioned already, it’s highly unlikely Pope Francis will make sweeping changes to the liturgy. In spite of what some have claimed, 1 Pope Francis is not as interested in the liturgy as B16 was.

I have a secret … but please don’t tell the “progressive” liturgists. If they want to learn about a pope who made sweeping changes to the liturgy, they should study Pope Paul VI. They would be amazed at the great number of changes he made. (In fact, he left very few items untouched.) Again, please don’t tell them, because it’s quite amusing to watch them go crazy every time Francis does something, assuring us that his “secret fingerprints” are on such-and-such, and he’s secretly intending to do such-and-such, and he’s poised to make massive changes, ETC.

I HAVE TO ADMIT, there was a good deal of ignorant sensationalism about Benedict XVI, as well. People who knew absolutely nothing about how the Church operates would notice B16 wearing some vestment (which popes have worn for centuries) and declare that “big changes” are coming to the Church. Yet, when I’d walk into a local Church, nothing had changed. For example, we still had disrespectful musical styles with horrible lyrics, like a Communion meditation I heard recently at Mass:

We are the Church, we are the chosen.
We are the poor, we’ll suffer no more.
We are the victors, we’re here and we’ll triumph.
We’ll come to the light, we’ll be there with might,
and accept our cup of blessing.

(Those are the actual lyrics of the song.)

But all this has been taken to another level with the “Francis Myths.” How can people take this stuff seriously? Maybe Fulton Sheen was right. “The problem is not that modern people believe too little; the problem is, they’ll believe anything.”

By the way, if you haven’t read Fr. Friel’s article about Benedict XVI and Francis, please do so.



NOTES FROM THIS ARTICLE:

1   Fr. Anthony Ruff, who frequently presents at “progressive” gatherings like Call to Action, asserted in 2013 that Pope Francis is “more interested in liturgy” than Pope Benedict XVI.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Pope Francis Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on which source text is chosen and what each translator wants to emphasize. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“No one can reasonably find in the dispositions of Vatican II anything out of order, or any extreme opinions or tendencies which restrict the function of sacred music exclusively to the congregational singing of the faithful or on the other hand which replace or eliminate the singing of the congregation entirely by the singing of the choir.”

— Most Rev’d Archbishop D.M.M. y Gómez, Primate of Mexico (at that time, the world’s largest archdiocese)

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