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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

OF with an EF Priest

Andrew R. Motyka · April 30, 2014

PEND ENOUGH TIME in the online Catholic Tradosphere, and you come up with a very different reality than, well, reality. I suppose this is true of any specialized group of people online. The internet acts as a kind of centrifuge which separates people of differing opinions and groups like-minded people into their respective corners until we all just keep yelling into an echo chamber of increasing radicalism.

One trend I have noticed over the years is the observation that liturgical abuses, and bad liturgy in general, are thought to be the exclusive purview of the Ordinary Form. EF Mass-goers never have to put up with liturgical wackiness or even the general slog of an apathetic priest. Sometimes, I have heard some say that the elimination of the OF altogether would solve this problem, that liturgical abuses would evaporate (for the most part) if the Extraordinary Form was mandatory.

I am not here to argue the differences in content between the two forms. Heck, the first time I attended an EF liturgy, my first observation was how similar the two forms are. They concur far more than they differ. I am simply writing about ars celebrandi, the art of celebration, that definitely has a difference in the forms. Is this something inherent to each form? Perhaps, but I have another suspect in play, too.

None but the most historically ignorant thinks that the preconciliar liturgy was always beauty and Palestrina. The reality in almost every parish was a set of mumbled Low Masses, with one High Mass per Sunday, with Rossini Propers and the smallest congregation of the weekend (it’s the long one, after all). High Mass in 1959 isn’t really the same as High Mass at your average modern FSSP parish. Many priests made it a point to celebrate liturgy well, and many didn’t care as much and muttered their way through the Mass. While the form of the preconciliar liturgy doesn’t allow for as much abuse as the OF, neither can be protected from human weakness or apathy.

This snapshot is what we would find if the OF were abolished tomorrow. The reality is that some priests, just like the laity, don’t care about the liturgy very much, or have other designs as to its purpose. An all-EF Church would contain all of the same priests that the current one does, and the poor celebrants would come with it. The reality is that the EF community is self-selecting. It tends to attract priests and laity that already desire good liturgy, and so they get it. If the same communities celebrated the Ordinary Form, it would be very well done indeed.

As someone who grew up with the Ordinary Form, it is my preference. It is what I’ve always known and am most comfortable praying. However, I am grateful for whatever liturgy Holy Mother Church gives me, and I do not resent the EF in any way. Two forms, one liturgy. My greatest preference would be to celebrate the Ordinary Form with a priest who loves the Extraordinary. I believe this to truly be the “mutual enrichment” of which Pope Benedict spoke, and I hope that that enrichment carries into the future to the benefit of both forms.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

In a meeting that took place on 23 July 2014, Pope Benedict told Father Josef Bisig, FSSP, that “Pope Saint John Paul II had the firm intention to personally bestow the episcopal consecration on an SSPX priest on 15 August 1988.”

— Libre entretien sur l’été 1988, Sedes Sapientiæ, issue 160, summer 2022

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