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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Soft Source of Calm Tranquillity”: The Quiet Mass

Dr. Peter Kwasniewski · April 24, 2014

EORGE FRIDERIC HANDEL is so well known for his multitudinous English oratorios and Italian operas that it can be hard to remember he was a native German-speaker for whom both of those languages were acquired in the course of a colorful, productive, and largely successful career. It is also surprising that he set to music very few German texts in his life. One lovely exception are the Nine German Arias (HWV 202-210), to which I have been recently listening. The text of the aria “Süße Stille, sanfte Quelle” (HWV 205), written by Barthold Heinrich Brocke in 1721, particularly caught my attention:

Sweet silence,
soft source of calm tranquility:
when after this time
of vain labor
I see in my mind’s eye
that rest which awaits us in eternity.

To me, this poem perfectly captures the feelings one often has at a quiet low Mass. And while I am admittedly an ardent advocate of the sung High Mass and the Solemn Mass, I also know from long and grateful experience how the low Mass (especially on weekdays) can be an oasis of spiritual rest in the midst of our labors, a foretaste of that eternal resting in God that we long for if we are awake and alert to His reality and our destiny.

At Wyoming Catholic College we have a calm, almost whispered early morning low Mass each Saturday. It is so still in the church that you are strangely aware of silent things like the sunlight pouring through the windows. You hear the birds singing around the church as the daylight grows. As the age-old and ageless dialogue of the priest and servers wafts over me, I feel my soul grow calm in the presence of the Lord: the “still, small voice” of God speaks to me through the sacred liturgy. I understand better what Dom Guéranger once wrote: “The Holy Spirit has made the liturgy the center of his working in men’s souls.”

The Novus Ordo almost never allows for this kind of experience. After decades of experiencing it in the best possible situations, with priests of unquestionable orthodoxy and piety, appropriate sacred music, and so forth, that profound tranquillity, simplicity, silence, and otherworldliness, so characteristic of the traditional Low Mass, has proved ever elusive. I think the main reason is that the Novus Ordo is often demanding that you DO something, SPEAK or MOVE or whatever; you are never left at peace for long. It’s like having a schoolmarm who is always there poking you awake from your daydream and demanding that you get back to your long division problems: no time to waste! We’ve got work to do!

We modern Westerners are so inured to (one might even say seduced by) activism, we sometimes end up losing in our feverish work the graces we could have obtained in peace of soul, “waiting on the Lord.” Perhaps what we need the most is to let ourselves simply “be” in the presence of the Lord, abiding with Him, breathing with His breath, watching for Him to show Himself in some small way that is nevertheless immensely precious. It’s very hard to express what I’m talking about to someone who has not experienced a truly prayerful Low Mass―and for those who have experienced it, no explanation is necessary.

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s exciting new publication,
Sacred Choral Works, a 273-page collection of a cappella choir music for the Liturgy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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President’s Corner

    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski
    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed

Random Quote

The liturgical reform bears absolutely no relation to what is called “desacralization” and in no way intends to lend support to the phenomenon of “secularizing the world.” Accordingly the rites must retain their dignity, spirit of reverence, and sacred character.

— Sacred Congregation for Divine Worship (5 September 1970)

Recent Posts

  • PDF • “Music List” (4th Sunday of Advent)
  • PDF Download • “Santo Santo Santo”
  • Crucial Tips • “Teaching Children How to Sing”
  • Soloists in Gregorian Chant?
  • PDF • Our Lady of Guadalupe (12 Dec.)

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