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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Soft Source of Calm Tranquillity”: The Quiet Mass

Dr. Peter Kwasniewski · April 24, 2014

EORGE FRIDERIC HANDEL is so well known for his multitudinous English oratorios and Italian operas that it can be hard to remember he was a native German-speaker for whom both of those languages were acquired in the course of a colorful, productive, and largely successful career. It is also surprising that he set to music very few German texts in his life. One lovely exception are the Nine German Arias (HWV 202-210), to which I have been recently listening. The text of the aria “Süße Stille, sanfte Quelle” (HWV 205), written by Barthold Heinrich Brocke in 1721, particularly caught my attention:

Sweet silence,
soft source of calm tranquility:
when after this time
of vain labor
I see in my mind’s eye
that rest which awaits us in eternity.

To me, this poem perfectly captures the feelings one often has at a quiet low Mass. And while I am admittedly an ardent advocate of the sung High Mass and the Solemn Mass, I also know from long and grateful experience how the low Mass (especially on weekdays) can be an oasis of spiritual rest in the midst of our labors, a foretaste of that eternal resting in God that we long for if we are awake and alert to His reality and our destiny.

At Wyoming Catholic College we have a calm, almost whispered early morning low Mass each Saturday. It is so still in the church that you are strangely aware of silent things like the sunlight pouring through the windows. You hear the birds singing around the church as the daylight grows. As the age-old and ageless dialogue of the priest and servers wafts over me, I feel my soul grow calm in the presence of the Lord: the “still, small voice” of God speaks to me through the sacred liturgy. I understand better what Dom Guéranger once wrote: “The Holy Spirit has made the liturgy the center of his working in men’s souls.”

The Novus Ordo almost never allows for this kind of experience. After decades of experiencing it in the best possible situations, with priests of unquestionable orthodoxy and piety, appropriate sacred music, and so forth, that profound tranquillity, simplicity, silence, and otherworldliness, so characteristic of the traditional Low Mass, has proved ever elusive. I think the main reason is that the Novus Ordo is often demanding that you DO something, SPEAK or MOVE or whatever; you are never left at peace for long. It’s like having a schoolmarm who is always there poking you awake from your daydream and demanding that you get back to your long division problems: no time to waste! We’ve got work to do!

We modern Westerners are so inured to (one might even say seduced by) activism, we sometimes end up losing in our feverish work the graces we could have obtained in peace of soul, “waiting on the Lord.” Perhaps what we need the most is to let ourselves simply “be” in the presence of the Lord, abiding with Him, breathing with His breath, watching for Him to show Himself in some small way that is nevertheless immensely precious. It’s very hard to express what I’m talking about to someone who has not experienced a truly prayerful Low Mass―and for those who have experienced it, no explanation is necessary.

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s exciting new publication,
Sacred Choral Works, a 273-page collection of a cappella choir music for the Liturgy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“I ask that future priests, from their time in the seminary, receive the preparation needed to understand and to celebrate Mass in Latin, and also to use Latin texts and execute Gregorian chant; nor should we forget that the faithful can be taught to recite the more common prayers in Latin, and also to sing parts of the liturgy to Gregorian chant.”

— SACRAMENTUM CARITATIS

Recent Posts

  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)

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