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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Soft Source of Calm Tranquillity”: The Quiet Mass

Dr. Peter Kwasniewski · April 24, 2014

EORGE FRIDERIC HANDEL is so well known for his multitudinous English oratorios and Italian operas that it can be hard to remember he was a native German-speaker for whom both of those languages were acquired in the course of a colorful, productive, and largely successful career. It is also surprising that he set to music very few German texts in his life. One lovely exception are the Nine German Arias (HWV 202-210), to which I have been recently listening. The text of the aria “Süße Stille, sanfte Quelle” (HWV 205), written by Barthold Heinrich Brocke in 1721, particularly caught my attention:

Sweet silence,
soft source of calm tranquility:
when after this time
of vain labor
I see in my mind’s eye
that rest which awaits us in eternity.

To me, this poem perfectly captures the feelings one often has at a quiet low Mass. And while I am admittedly an ardent advocate of the sung High Mass and the Solemn Mass, I also know from long and grateful experience how the low Mass (especially on weekdays) can be an oasis of spiritual rest in the midst of our labors, a foretaste of that eternal resting in God that we long for if we are awake and alert to His reality and our destiny.

At Wyoming Catholic College we have a calm, almost whispered early morning low Mass each Saturday. It is so still in the church that you are strangely aware of silent things like the sunlight pouring through the windows. You hear the birds singing around the church as the daylight grows. As the age-old and ageless dialogue of the priest and servers wafts over me, I feel my soul grow calm in the presence of the Lord: the “still, small voice” of God speaks to me through the sacred liturgy. I understand better what Dom Guéranger once wrote: “The Holy Spirit has made the liturgy the center of his working in men’s souls.”

The Novus Ordo almost never allows for this kind of experience. After decades of experiencing it in the best possible situations, with priests of unquestionable orthodoxy and piety, appropriate sacred music, and so forth, that profound tranquillity, simplicity, silence, and otherworldliness, so characteristic of the traditional Low Mass, has proved ever elusive. I think the main reason is that the Novus Ordo is often demanding that you DO something, SPEAK or MOVE or whatever; you are never left at peace for long. It’s like having a schoolmarm who is always there poking you awake from your daydream and demanding that you get back to your long division problems: no time to waste! We’ve got work to do!

We modern Westerners are so inured to (one might even say seduced by) activism, we sometimes end up losing in our feverish work the graces we could have obtained in peace of soul, “waiting on the Lord.” Perhaps what we need the most is to let ourselves simply “be” in the presence of the Lord, abiding with Him, breathing with His breath, watching for Him to show Himself in some small way that is nevertheless immensely precious. It’s very hard to express what I’m talking about to someone who has not experienced a truly prayerful Low Mass―and for those who have experienced it, no explanation is necessary.

Please visit THIS PAGE to learn more about Dr. Kwasniewski’s exciting new publication,
Sacred Choral Works, a 273-page collection of a cappella choir music for the Liturgy.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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President’s Corner

    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Another cathedral functionary, a compañero named (coincidentally!) Francisco Guerrero, departs for the New World sometime before June 8, on which date the benefice held by him comes up for a split among three former choirboys whose voices have changed.”

— Chapter Resolution: 14 February 1562

Recent Posts

  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)
  • Music List • (5th Sunday of Lent)
  • Music List • (Holy Thursday, 2026)

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