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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Who Should Proclaim the Passion?

Fr. David Friel · April 13, 2014

HOSE INVOLVED in preparing the Holy Week liturgies must reference several books and documents, of course beginning with the Roman Missal. Also required are the Lectionary and the RCIA ritual book. One lesser-known document that ought to be consulted is Paschalis Sollemnitatis, also known as the Circular Letter Concerning the Preparation and Celebration of the Easter Feasts, published by the Congregation for Divine Worship in 1988. (The full letter is available here.)

The purpose of this Circular Letter is “to recall certain elements, doctrinal and pastoral, and various norms which have already been published concerning Holy Week” (#5). It makes clear in the Preface that all the norms of the liturgical books for Holy Week retain their full force. The authors’ clear focus is “that the great mystery of our Redemption be celebrated in the best possible way so that the faithful may participate in it with ever greater spiritual advantage” (#5). Inspired by the same worthy motive, those who prepare the Holy Week liturgies should certainly be familiar with Paschalis Sollemnitatis.

The various liturgical references all highlight the reading of the Passion as a central feature of this Sunday, which, in the third edition of the Roman Missal, is known as “Palm Sunday of the Passion of the Lord.” In the words of the Circular Letter, “The Passion narrative occupies a special place” (#33). The letter goes on to say this:

[The Passion narrative] should be sung or read in the traditional way, that is, by three persons who take the part of Christ, the narrator, and the people. The Passion is proclaimed by deacons or priests, or by lay readers; in the latter case, the part of Christ should be reserved to the priest. (#33)

Sacred musicians should be pleased to read that the CDW encourages the Passion to be “sung or read,” giving first priority to singing. There is also a clear priority in terms of who should proclaim the Passion, as this statement indicates. As always, the proclamation of the Gospel is proper to the deacon, when one is present. In the absence of a deacon, the role of proclaiming the Gospel falls to a priest. Why?

Because, as the Second Vatican Council teaches, sacred ministers “have the primary duty of proclaiming the Gospel of God to all” (Presbyterorum Ordinis, #4). Surely this is accomplished in more varied ways than simply the liturgical pronouncement of the Gospel text, but fulfilling this “primary duty” must begin there. (The nature and purpose of ordained ministry has been a matter of discussion on these pages in the past, especially here and here.) This reality is demonstrated visibly by the added rubric that “only the deacons ask for the blessing of the priest” (#33) before proclaiming the Passion. Why? Because only ministers have been ordained in a unique fashion to proclaim the Gospel.

The same levels of priority are given in the Roman Missal:

The narrative of the Lord’s Passion is read without candles and without incense, with no greeting or signing of the book. It is read by a Deacon or, if there is no Deacon, by a Priest. It may also be read by readers, with the part of Christ, if possible, reserved to a Priest.

That the proclamation of the Passion, like all other Gospel texts, is proper to the deacon (or priest) is again very clear. In many places, though, the standard practice has become to schedule lectors to assist with the reading of the Passion without any special effort being made to provide for deacons or other priests. Without a doubt, the documents establish that it is licit and permissible to involve lay readers in the reading of the Passion, but it is just as surely not preferable.

While having laymen proclaim the Passion is clearly meant to be an exception, I wonder if the permission exists as a way of especially encouraging the chanting of the text. If this is so, it would be similar to the case of the Exsultet, which is proper to the Deacon, but may be proclaimed by a priest or lay cantor. The Circular Letter states: “In case of necessity, where there is no deacon, and the celebrating priest is unable to sing [the Easter Proclamation], a cantor may do so” (#84). The same is also true of the Kyrie.

The Circular Letter teaches that the Passion ought to be sung or read “in the traditional way” (#33). Almost nothing could be more removed from the liturgical tradition of the Church than the proclamation of a Gospel text by a lay reader. The Book of the Gospels even allows for the Passion to be proclaimed by the deacon or celebrant alone, without the use of parts, which would seem preferable to involving lay readers.

Many parishes only have one priest, perhaps without a deacon, but there are also many places with additional clergy. In these parishes, it is commonplace for priests and deacons to appear during the Communion Rite to assist with the distribution of Holy Communion. In parishes where such ministers are available, on this one Sunday of the year, would it not be reasonable to have those deacons or priests appear also during the Liturgy of the Word to assist with the proclamation of the Passion?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Chanting the Readings in English, Liturgy of the Second Vatican Council, Novus Ordo Lectionary, Singing the Mass Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

The Sanctus and Benedictus are one text and should be sung through without a break. The practice—once common—of waiting till after the Consecration and then singing: “Benedictus qui venit…” is not allowed by the Vatican Gradual.

— Father Fortescue, writing in 1912

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