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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Fringe Fest

Fr. David Friel · September 21, 2013

ATTHEW, WHOSE HEBREW NAME was Levi, was, of course, a tax collector. I think we all know that tax collectors were on the outs with other Jews. There was actually a religious ban on associating with them, because they made their living essentially through extortion.

So why would God choose Matthew? Why would He choose to associate with Matthew, which not even other Jews would do? It’s mysterious, and the only possible explanation is God’s mercy.

But, really, we are not so different from Matthew. We have nothing to offer of ourselves; whatever good we do is really God at work within us. So why would God choose us? Why would He choose to associate with us, who are weak, “unprofitable servants”? Psalm 8 says it so well: “What is man that You should keep him in mind, mortal man that You care for him?” He does, but the reason remains mysterious. It must be mercy. As the Lord says in Matthew’s Gospel: “I did not come to call the righteous but sinners” (Matthew 9:13).

This all has profound ramifications for us. If God could look past Matthew’s sin to associate with him and to call him even to be one of the four Evangelists, we must follow the Lord’s example. The Lord challenges us to go to the people who live on the fringe and to be evangelists, bringing the Word of God to them. These aren’t just some theoretical group of people out in space. They’re real people in your family and my family, among our neighbors and friends.

It’s not good enough just to associate with our “religious” friends. What about your neighbor who never comes to church? It’s easy to judge them, but it’s much harder to invite them to come along. What about the child or grandchild who is cohabiting? We need not simply to disapprove, but to engage them in conversation. What about the poor? It’s great to put money in the poor box, but it is something entirely different to deliver a meal to a person who is homebound or homeless. Jesus challenges us to push those borders, to go beyond what is comfortable, to associate with both righteous and sinners.

If God could take Levi the tax collector and make of him Saint Matthew, think what He could do with all the people who live on the fringes of society today!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

Benedict XVI in particular felt it was wrong to prohibit the celebration of Mass in the ancient rite in parish churches, as it is always dangerous to corner a group of faithful so as to make them feel persecuted and to inspire in them a sense of having to safeguard their identity at all costs in the face of the “enemy.”

— Archbishop Georg Gänswein

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  • PDF Download • Liturgical Round (“Canon”) for your Children’s Choir
  • Latin Liturgy Association
  • Important Quote by a Church Musician

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