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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Who Likes to be “Pruned”?

Richard J. Clark · October 25, 2013

OHN 15 CONTAINS SOME OF THE MOST well known lines of scripture, especially the first verse, “I am the true vine, and my Father is the vine grower.” Yet, there are a few lines that I find intriguing—ones that are often overlooked—lines that are calling us to serve God.

John 15: 2: He takes away every branch in me that does not bear fruit, and everyone that does he prunes so that it bears more fruit.

So it seems we are pruned in order to bear more fruit. I don’t know about you, but I don’t like being pruned. I don’t like improperly imposed limitations, dealing with challenging personalities or situations—all the while knowing that I perhaps inflict difficult challenges on others. As musicians of liturgical music, challenges to the integrity of the sacred liturgy and sacred music are never in short supply.

But pruned we are again and again. Somehow, we must refine our people skills and find creative ways to catechize. Somewhere in all of these challenges we often refine our musical skills just when we thought our music was threatened. Ultimately, this pruning leads to a refinement of the soul.

So another verse I find most intriguing is John 15: 16: “It was not you who chose me, but I who chose you and appointed you to go and bear fruit that will remain…”

That God chooses us to serve leads to a bigger picture. What is our path in life? What does God want us to do in order to serve Him? God indeed, while often painfully slow in his response to our prayer (and for good reason), knows what is best for us and always answers our pleadings. This leads to Psalm 16 (15):11:

“You will show me the path of life, the fullness of joy in your presence, O Lord.”

There are times in life when our path is uncertain or does not make sense in the eyes of humankind. But in verse nine, the psalmist gives us hope:

“And so, my heart rejoices, my soul is glad; even my flesh shall rest in hope.”

Free Download | Psalm 16 (15):
Communion Antiphon for the Thirty-first Sunday in Ordinary Time (Nov. 3rd):
PDF • Notas mihi fecisti | Communion Antiphon | 31st Sunday in Ordinary Time

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“There is no music worth hearing save that written in the last 40 years.”

— Johannes Tinctoris (1477)

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