• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

The Fear of the Lord

Dr. Peter Kwasniewski · November 7, 2013

225 Hieronymus Bosch “Last Judgment” (Hieronymus Bosch) S SAINT Thomas Aquinas explains in the Summa theologiae (II-II, qu. 19), the gift of the Holy Spirit that corresponds to the theological virtue of hope is fear of the Lord.

There are two basic types of fear: servile and filial. Servile fear is the slave’s fear of a master who will punish him for wrongdoing. Filial fear, also known as reverential fear, is the good child’s fear of dishonoring a loving parent. The Spirit’s gift to us is filial fear, as befits adopted “sons in the Son.”

At this point one would do well to recall the traditional Catholic understanding of punishment. The one who does wrong to another has wilfully violated or withheld the good owed to that other, and therefore deserves to be deprived, against his will, of some good of his own. Punishment goes against what one would want for oneself according to sensuality or the will of nature; accordingly, it is displeasing. Rightly so: he who chooses to cling to a good in a disordered way, deserves to have some good taken away from him without his choice, for the restoration of order. Hence, one could say that servile fear is fear of being displeased, of being punished by a judge, and is thus essentially selfish; whereas filial fear is fear of being displeasing, of doing wrong to a friend, and is thus essentially concerned with the beloved, the honor and love due to him.

In this way, the more we love God, the less we will fear in the manner of slaves cowering before a punitive Master, but the more intensely we will hold in reverential fear His great paternal goodness, which is worthy of all of our loving service—indeed, worthy of far more than we can render to Him even in the measureless span of eternity—and against which we rightly fear to sin.

For Saint Thomas (and the larger tradition he inherits), there are two vices opposed to hope: despair and presumption (cf. II-II, qq. 20–21). Despair is a vice in the direction of defectiveness: it is to abandon one’s hope of attaining the goal of heaven when one is, in fact, capable of attaining it with God’s help. Presumption, on the contrary, is a vice in the direction of excess: one has an inflated hope, laying claim to some reward beyond one’s actual merits. Instead of soaring to heaven by God’s help (which is the very basis of our hope), we think to do it on our own—and that is a sin against hope.

Note that the one who despairs has a false understanding of God, much like a slave could have a false picture of a good master: God’s mercy is forgotten, and God’s desire to save us grows distant from our minds. One who presumes, on the other hand, has a false understanding of himself: he thinks he has what it takes to reach perfection. He loses the reverential fear that tells him how utterly poor he is as a creature and how great is the Lord’s uncreated glory. So he forgets God’s primacy in saving him.

WHAT PRECEPTS OR COMMANDS of the Law are given in regard to hope and fear (cf. II-II, qu. 22)? Saint Thomas observes that Sacred Scripture is constantly urging us to place our hope in God by way of promises, warnings, and commands, because so much is at stake when it comes to where we place, or do not place, our hope—no less a good than our very salvation, which can only come from God. God so loves us that He commands us to place our hope in Him, knowing what is best for us and willing our happiness.

Confronted with such fatherly generosity, how could we not love Him in return and run to Him with trust, casting off the slave’s despair and the presumption of the self-made man, approaching Him with reverent fear to receive from His outstretched hands the crown of immortality?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Saint Thomas Aquinas Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “Now, after long years of experience and careful study, I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski
    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

[Speaking about the Silent Canon, with audible “per ómnia”] — “So in all such cases it is usual for the otherwise silent celebrant occasionally to sing a clause aloud, to show how far he has arrived.”

— Father Fortescue (pages 313-314) • “A Study of the Roman Liturgy”

Recent Posts

  • PDF Download • Dom Murray Harmonies
  • “Music List” • 14 September (Holy Cross)
  • Do You Recognize This Hymn? Do You Like It?
  • Charlie Kirk’s Fascination with Traditional Catholic Liturgy
  • “Novus Ordo Parish … With Polyphony?” • Is that possible? How specifically does that work?

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.