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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Fear of the Lord

Dr. Peter Kwasniewski · November 7, 2013

225 Hieronymus Bosch “Last Judgment” (Hieronymus Bosch) S SAINT Thomas Aquinas explains in the Summa theologiae (II-II, qu. 19), the gift of the Holy Spirit that corresponds to the theological virtue of hope is fear of the Lord.

There are two basic types of fear: servile and filial. Servile fear is the slave’s fear of a master who will punish him for wrongdoing. Filial fear, also known as reverential fear, is the good child’s fear of dishonoring a loving parent. The Spirit’s gift to us is filial fear, as befits adopted “sons in the Son.”

At this point one would do well to recall the traditional Catholic understanding of punishment. The one who does wrong to another has wilfully violated or withheld the good owed to that other, and therefore deserves to be deprived, against his will, of some good of his own. Punishment goes against what one would want for oneself according to sensuality or the will of nature; accordingly, it is displeasing. Rightly so: he who chooses to cling to a good in a disordered way, deserves to have some good taken away from him without his choice, for the restoration of order. Hence, one could say that servile fear is fear of being displeased, of being punished by a judge, and is thus essentially selfish; whereas filial fear is fear of being displeasing, of doing wrong to a friend, and is thus essentially concerned with the beloved, the honor and love due to him.

In this way, the more we love God, the less we will fear in the manner of slaves cowering before a punitive Master, but the more intensely we will hold in reverential fear His great paternal goodness, which is worthy of all of our loving service—indeed, worthy of far more than we can render to Him even in the measureless span of eternity—and against which we rightly fear to sin.

For Saint Thomas (and the larger tradition he inherits), there are two vices opposed to hope: despair and presumption (cf. II-II, qq. 20–21). Despair is a vice in the direction of defectiveness: it is to abandon one’s hope of attaining the goal of heaven when one is, in fact, capable of attaining it with God’s help. Presumption, on the contrary, is a vice in the direction of excess: one has an inflated hope, laying claim to some reward beyond one’s actual merits. Instead of soaring to heaven by God’s help (which is the very basis of our hope), we think to do it on our own—and that is a sin against hope.

Note that the one who despairs has a false understanding of God, much like a slave could have a false picture of a good master: God’s mercy is forgotten, and God’s desire to save us grows distant from our minds. One who presumes, on the other hand, has a false understanding of himself: he thinks he has what it takes to reach perfection. He loses the reverential fear that tells him how utterly poor he is as a creature and how great is the Lord’s uncreated glory. So he forgets God’s primacy in saving him.

WHAT PRECEPTS OR COMMANDS of the Law are given in regard to hope and fear (cf. II-II, qu. 22)? Saint Thomas observes that Sacred Scripture is constantly urging us to place our hope in God by way of promises, warnings, and commands, because so much is at stake when it comes to where we place, or do not place, our hope—no less a good than our very salvation, which can only come from God. God so loves us that He commands us to place our hope in Him, knowing what is best for us and willing our happiness.

Confronted with such fatherly generosity, how could we not love Him in return and run to Him with trust, casting off the slave’s despair and the presumption of the self-made man, approaching Him with reverent fear to receive from His outstretched hands the crown of immortality?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Saint Thomas Aquinas Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“In 1848, Franz Liszt attended a performance of Schumann’s 1st Piano Trio, held in his honor in the Schumanns’ home. Liszt arrived two hours late with Wagner (who hadn’t been invited), derided the piece, and spoke ill of the recently deceased Mendelssohn. This upset the Schumanns, and Robert physically assaulted Liszt.”

— Janita Hall-Swadley

Recent Posts

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  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)

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