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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Is the Mass “Just” the Mass?

Dr. Peter Kwasniewski · November 21, 2013

149 Holy Mass Click to enlarge image N MY LIFE, I have often encountered people who say something like the following to Catholics who love the traditional liturgy—or, for that matter, who wish to see the modern liturgy celebrated in a manner manifestly in continuity with its predecessor:

“You’re making too much of incidental things. No matter what form or style, it’s the Eucharist, isn’t it? Whether Latin or vernacular, Tridentine or Novus Ordo, sung or spoken, in an American auditorium or a European cathedral, the Eucharist is still present, and we are still nourished by it. Compared to this, nothing else really matters, does it? The rest is accidental, external, debatable, changeable. In fact, someone who gets caught up in ceremonies, rubrics, music, and so on, just shows that he’s been distracted from what is essential. After all, the Mass is the Mass.”

The problem I have with this all-too-common line is that it radically underestimates how the way we worship influences what exactly it is that we believe (lex orandi, lex credendi) as well as how prepared we will be to receive our Lord in the right spirit of adoration and humility when He does come to us. It reflects a modern materialist anthropology where nothing matters except “getting the job done”; whether the job is done nobly or poorly seems to matter a great deal less. It displays a breathtaking naivete about the subtle intersection of the sacramental economy with human psychology. It represents a break with twenty centuries of Catholic thought and practice.

Yes, the Holy Eucharist is always the Holy Eucharist; but are we ourselves approaching this august Mystery with the hushed reverence, lively fear of God, concentrated solemnity, and generous outpouring of beauty that we owe to the Sanctissimum? If not, why not? What does this say about the purity of our faith, the ardor of our charity? Have the sacred mysteries ceased to impress us, fill us with wonder, send us to our knees, summon the best of culture? Whom are we kidding—God or ourselves? The Mass is “just” the Mass as regards the confection of the Eucharist, but a Mass that is reverent and solemn in character is very different as regards us and our relationship to God than a Mass that is rapid and vapid, or one that is long and yet wrong. In fact, if we damage the so-called externals too much, we will end up undermining faith in the Real Presence.

THE MOST HOLY EUCHARIST is the Church’s greatest treasure, gift beyond price, mystery, source of wonder, privileged secret. It is the pulsing heart of all her apostolic and contemplative life. The Holy Sacrifice of the Mass is the exclusive means by which this gift comes down to us, renewed for each generation of disciples. Dishonor or abuse the Mass, make it appear to be less awesome and mysterious than it is, and you dishonor or abuse the One who comes to us through it alone. You deform the faith and the faithful.

Sacred music is the clothing of the naked word—and what beautiful clothing it must be, to be worthy of that divine utterance! The Church building is the home in which our Eucharistic Lord dwells: Emmanuel, God with us. It, too, must look unmistakably what it truly is. Vesture, furnishings, ritual actions—in short, everything that pertains to the carrying out of the liturgical action—should be like the Precious Body and Blood: holy, sacred, set apart. All that is not the Lord ought to be His visible throne, His consecrated dominion, beautiful, solemn, and awesome, that we may know that we are welcoming our King when He comes into His kingdom.

So, the next time someone says “the Mass is the Mass, after all,” you might consider replying: “Jesus is not just Jesus, He is the Son of God, the Ruler of All, Judge of the Living and the Dead; and the Mass is not ‘just’ the Mass, it is the Holy Sacrifice of Calvary made present again in our midst. And as any sane person would fall down on his knees before Jesus * and give Him the very best he could, we should all do the same with the Sacrifice of the Mass, since, in truth, we are falling on our knees before the Lord of heaven and earth—and one can rightly demand this of every single Catholic priest and layman who dares to set foot in a church.”


[ * Note: While Byzantine Catholics do not often kneel in their liturgy, they show their profound reverence and adoration in a hundred other ways that would put to shame lukewarm Roman Catholics. My point is not about kneeling as such but about making sure the realities of our faith are reflected and embodied in our actions and in the objects we build or use.]

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Reform of the Reform Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 26th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 28 September 2025, which is the 26th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a gorgeous melody and extremely powerful text.
    —Jeff Ostrowski
    “Reminder” — Month of September (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Download • Communion (26th Sn. Ord.)
    This coming Sunday, 28 September 2025, is the 26th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON with Fauxbourdon verses in honor of William Couture sparkles with beauty. It comes Psalm 118 (the lengthiest psalm) which is an “alphabetical acrostic.” That means each verse begins with the successive letter of the Hebrew alphabet.
    —Jeff Ostrowski

Quick Thoughts

    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski
    PDF Download • “Side-By-Side Comparison”
    Pope Urban VIII modified almost all the Church’s ancient hymns in 1632AD. The team responsible for creating the Brébeuf Catholic Hymnal spent years comparing the different versions of each hymn: “Urbanite” vs. “pre-Urbanite.” When it comes to the special hymn for the upcoming feast (9 November)—URBS BEATA JERUSALEM—Dr. Adrian Fortescue pointed out that “the people who changed it in the 17th century did not even keep its metre; so the later version cannot be sung to the old, exceedingly beautiful tune.” Monsignor Hugh Thomas Henry (d. 1946), a professor of Gregorian Chant at Saint Charles Borromeo Seminary (Overbrook, Philadelphia), wrote: “Of this hymn in particular some think that, whereas it did not suffer as much as some others, yet it lost much of its beauty in the revision; others declare that it was admirably transformed without unduly modifying the sense.” You can use this side-by-side comparison chart to compare both versions. When it comes to its meaning, there’s little significant difference between the two versions: e.g. “name of Christ” vs. “love of Christ.”
    —Jeff Ostrowski

Random Quote

“In particular, today we must remember that our liturgy—celebrated according to the books promulgated by Saints Paul VI and John Paul II—must be preserved from any element from the ancient forms.”

— Bishops of Costa Rica —Hat tip to ‘Catholic Arena’

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